Sonata in B-flat major, op. 10
Author | : Johann Christian Bach |
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Author | : Johann Christian Bach |
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Author | : Ludwig Van Beethoven |
Publisher | : |
Total Pages | : 24 |
Release | : 2021-02-14 |
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Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists
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Publisher | : PediaPress |
Total Pages | : 91 |
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Author | : Silvio Scionti |
Publisher | : University of North Texas Press |
Total Pages | : 168 |
Release | : 1998 |
Genre | : Piano |
ISBN | : 9781574410419 |
Annotation In tribute to his influential piano teacher, Guerry (music emeritus, Louisiana State U.) has compiled some previously unpublished essays by Italian-American Scionti (1882-1973)--the subject of his 1991 biography and a 1995 compact disc. In delightful counterpoint to essays amplified with examples on the basics of fine piano playing and the art of pedaling, is the concluding "Maxims for a Spaghetti Party."Annotation copyrighted by Book News, Inc., Portland, OR.
Author | : Paul Corneilson |
Publisher | : University of Illinois Press |
Total Pages | : 218 |
Release | : 2022-11-22 |
Genre | : Music |
ISBN | : 0252053680 |
Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart’s 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg
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Total Pages | : 446 |
Release | : 1920 |
Genre | : Piano |
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Author | : Joseph Kerman |
Publisher | : Univ of California Press |
Total Pages | : 382 |
Release | : 1994 |
Genre | : Music |
ISBN | : 9780520083554 |
Joseph Kerman is one of the most eminent, wide ranging, and readable of today's writers on music. Admirers of his many books - on musicology, opera, Beethoven, and Elizabethan music - will find much to interest them in this collection of essays, taken from general journals, such as the Hudson Review and the New York Review of Books, as well as more specialized publications. Included are several well-known pleas addressed by Kerman to his professional colleagues in an effort to get them to adopt a more critical orientation for their work. Other essays range from a moving account of William Byrd as a spokesman for the beleaguered Elizabethan Catholic minority to a discerning analysis of Beethoven's famous obsession with the key of C minor. The controversial tenets of Kerman's classic Opera as Drama (1956) are reaffirmed in essays on Don Giovanni, The Magic Flute, Tristan und Isolde, Ernani, and I Lombardi. Beautifully written, this book offers challenging models for a humane and historically informed music criticism.
Author | : R. Larry Todd |
Publisher | : Routledge |
Total Pages | : 488 |
Release | : 2013-10-08 |
Genre | : Music |
ISBN | : 1136731288 |
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Peter Holman |
Publisher | : Boydell & Brewer |
Total Pages | : 434 |
Release | : 2010 |
Genre | : Music |
ISBN | : 1843835746 |
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Author | : Luca Lévi Sala |
Publisher | : Routledge |
Total Pages | : 258 |
Release | : 2018-06-14 |
Genre | : Music |
ISBN | : 1351800884 |
Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.