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Some Theories of Visual Space

Some Theories of Visual Space
Author: August William Weber
Publisher:
Total Pages: 76
Release: 1902
Genre:
ISBN:

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Some Theories of Visual Space

Some Theories of Visual Space
Author: August William Weber
Publisher: Forgotten Books
Total Pages: 66
Release: 2018-01-10
Genre: Psychology
ISBN: 9780428708344

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Excerpt from Some Theories of Visual Space: A Thesis Submitted for the Degree of Master of Philosophy The problem to be considered, in this dissertation, is the nature of our primitive space perceptions. Are our sight sensations at first non-spatial and are then specialized by an act of the mind or is the primary experience one of expansion? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Some Theories of Visual Space

Some Theories of Visual Space
Author: August William Weber
Publisher: Palala Press
Total Pages:
Release: 2016-05-21
Genre:
ISBN: 9781358129575

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Motion Picture Testing and Research

Motion Picture Testing and Research
Author: James Jerome Gibson
Publisher:
Total Pages: 302
Release: 1947
Genre: Ability
ISBN:

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Historical background of motion picture testing and research; The use of motion pictures in the design of psychological tests; Technique of construction of motion picture tests; The presentation of motion picture tests and other films requiring activity by the group; Aptitude tests; Proficiency tests; Research on the recognition of aircraft; Pictures as substitutes for visual realities; Perception and judgment of aerial space and distance as potential factors in pilot selection and training; The instructional techniques peculiar to motion pictures.


Scale-Space Theory in Computer Vision

Scale-Space Theory in Computer Vision
Author: Tony Lindeberg
Publisher: Springer Science & Business Media
Total Pages: 450
Release: 1993-12-31
Genre: Computers
ISBN: 9780792394181

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The problem of scale pervades both the natural sciences and the vi sual arts. The earliest scientific discussions concentrate on visual per ception (much like today!) and occur in Euclid's (c. 300 B. C. ) Optics and Lucretius' (c. 100-55 B. C. ) On the Nature of the Universe. A very clear account in the spirit of modern "scale-space theory" is presented by Boscovitz (in 1758), with wide ranging applications to mathemat ics, physics and geography. Early applications occur in the cartographic problem of "generalization", the central idea being that a map in order to be useful has to be a "generalized" (coarse grained) representation of the actual terrain (Miller and Voskuil 1964). Broadening the scope asks for progressive summarizing. Very much the same problem occurs in the (realistic) artistic rendering of scenes. Artistic generalization has been analyzed in surprising detail by John Ruskin (in his Modern Painters), who even describes some of the more intricate generic "scale-space sin gularities" in detail: Where the ancients considered only the merging of blobs under blurring, Ruskin discusses the case where a blob splits off another one when the resolution is decreased, a case that has given rise to confusion even in the modern literature.


The Geometries of Visual Space

The Geometries of Visual Space
Author: Mark Wagner
Publisher: Psychology Press
Total Pages: 290
Release: 2012-11-12
Genre: Psychology
ISBN: 1136871853

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When most people think of space, they think of physical space. However, visual space concerns space as consciously experienced, and it is studied through subjective measures, such as asking people to use numbers to estimate perceived distances, areas, angles, or volumes. This book explores the mismatch between perception and physical reality, and describes the many factors that influence the perception of space including the meaning assigned to geometric concepts like distance, the judgment methods used to report the experience, the presence or absence of cues to depth, and the orientation of a stimulus with respect to point of view. The main theme of the text is that no single geometry describes visual space, but that the geometry of visual space depends upon the stimulus conditions and mental shifts in the subjective meaning of size and distance. In addition, The Geometries of Visual Space: *contains philosophical, mathematical, and psychophysical background material; *looks at synthetic approaches to space perception including work on hyperbolic, spherical, and Euclidean geometries; *presents a meta-analysis of studies that ask observers to directly estimate size, distance, area, angle, and volume; *looks at the size constancy literature in which observers are asked to adjust a comparison stimulus to match a variety of standards at different distances away; *discusses research that takes a multi-dimensional approach toward studying visual space; and *discusses how spatial experience is influenced by memory. While this book is primarily intended for scholars in perception, mathematical psychology, and psychophysics, it will also be accessible to a wider audience since it is written at a readable level. It will make a good graduate-level textbook on space perception.


The Geometries of Visual Space

The Geometries of Visual Space
Author: Mark Wagner
Publisher: Psychology Press
Total Pages: 289
Release: 2012-11-12
Genre: Psychology
ISBN: 1136871861

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When most people think of space, they think of physical space. However, visual space concerns space as consciously experienced, and it is studied through subjective measures, such as asking people to use numbers to estimate perceived distances, areas, angles, or volumes. This book explores the mismatch between perception and physical reality, and describes the many factors that influence the perception of space including the meaning assigned to geometric concepts like distance, the judgment methods used to report the experience, the presence or absence of cues to depth, and the orientation of a stimulus with respect to point of view. The main theme of the text is that no single geometry describes visual space, but that the geometry of visual space depends upon the stimulus conditions and mental shifts in the subjective meaning of size and distance. In addition, The Geometries of Visual Space: *contains philosophical, mathematical, and psychophysical background material; *looks at synthetic approaches to space perception including work on hyperbolic, spherical, and Euclidean geometries; *presents a meta-analysis of studies that ask observers to directly estimate size, distance, area, angle, and volume; *looks at the size constancy literature in which observers are asked to adjust a comparison stimulus to match a variety of standards at different distances away; *discusses research that takes a multi-dimensional approach toward studying visual space; and *discusses how spatial experience is influenced by memory. While this book is primarily intended for scholars in perception, mathematical psychology, and psychophysics, it will also be accessible to a wider audience since it is written at a readable level. It will make a good graduate-level textbook on space perception.