Some Afrikaners Revisited
Author | : David Goldblatt |
Publisher | : |
Total Pages | : 248 |
Release | : 2007 |
Genre | : Crafts & Hobbies |
ISBN | : |
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Author | : David Goldblatt |
Publisher | : |
Total Pages | : 248 |
Release | : 2007 |
Genre | : Crafts & Hobbies |
ISBN | : |
Author | : David Goldblatt |
Publisher | : |
Total Pages | : 176 |
Release | : 1975 |
Genre | : Afrikaners |
ISBN | : |
Author | : Henk van den Belt |
Publisher | : BRILL |
Total Pages | : 298 |
Release | : 2013-01-08 |
Genre | : Religion |
ISBN | : 9004244670 |
Restoration through Redemption offers examples of three ways in which John Calvin’s theology can be revisited: by analysis, assessment, and reception. This volume contains analyses of Calvin’s position on the trinity and on politics, as well as assessments of his theology for evolutionary biology and comparative ecclesiology. It also discusses the reception of his heritage, for instance, in North America and South Africa. The central theme in this volume is Calvin’s approach to the renewal of creation that hinges on Christ the Redeemer. One of the golden threads is Calvin’s emphasis upon the meditatio on the future life, the turning of the believer towards the eschatological perspective. Contributors include: J. Todd Billings, Johan Buitendag, Jaeseung Cha, Ernst M. Conradie, Roger Haight, I. John Hesselink, Rinse Reeling Brouwer, Philippe Theron, Henk van den Belt, Gijsbert van den Brink, Cornelis van der Kooi, J.H. (Amie) van Wyk, J.M. (Koos) Vorster, Nico Vorster, Robert Vosloo, and Paul Wells.
Author | : Federico Freschi |
Publisher | : Wits University Press |
Total Pages | : 328 |
Release | : 2020-02-01 |
Genre | : History |
ISBN | : 1776144716 |
Troubling Images explores how art and visual culture helped to secure hegemonic claims to the nation-state via the construction of a unified Afrikaner imaginary.
Author | : Lesley Cowling |
Publisher | : Wits University Press |
Total Pages | : 292 |
Release | : 2020-05-01 |
Genre | : Social Science |
ISBN | : 1776145895 |
In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and varied. The notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society. Babel Unbound examines charged examples from the Global South, such as the centuries old Timbuktu archive, Nelson Mandela as a powerful absent presence in 1960s public life, and the challenges to the terms of contemporary debate around the student activism of #rhodesmustfall and #feesmustfall. These show how issues of public discussion span both archive and media, verbal debates in formal spaces and visual performances that circulate in unpredictable ways.
Author | : Steven C. Dubin |
Publisher | : Jacana Media |
Total Pages | : 340 |
Release | : 2012 |
Genre | : Art |
ISBN | : 1431407372 |
As South Africa’s democracy matures, this book raises pertinent questions: How does the state mediate between traditional tribal authority and constitutional law in matters such as initiation customs or the rights of women, children, and homosexuals? What are the limitations on artistic freedom in a society where sensitivities over colonial- and apartheid-era representations are acute? How does race open up discussions or close down dialogue? and What are the parameters of freedom of speech when minorities fear that hateful language may trigger actual violence against them? Examining disputes over South African art, music, media, editorial cartoons, history, public memory, and a variety of social practices, the culture wars' perspective is extended to new territory in this study, demonstrating its cross-cultural applicability and parsing critical debates within this vibrant society in formation.
Author | : Emmanuel Kwaku Akyeampong |
Publisher | : |
Total Pages | : 3382 |
Release | : 2012-02-02 |
Genre | : Biography & Autobiography |
ISBN | : 0195382072 |
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Author | : Carli Coetzee |
Publisher | : NYU Press |
Total Pages | : 200 |
Release | : 2013-06-01 |
Genre | : Education |
ISBN | : 1868147797 |
In this wonderfully original, intensely personal yet deeply analytical work, Carli Coetzee argues that difference and disagreement can be forms of activism to bring about social change, inside and outside the teaching environment. Since it is not the student alone who needs to be transformed, she proposes a model of teaching that is insistent on the teacher’s scholarship as a tool for hearing the many voices and accents in the South African classroom. For Coetzee, ‘accentedness’ is a description for actively working towards the ending of apartheid by being aware of the legacies of the past, without attempting to empty out or gloss over the conflicts and violence that may exist under the surface. In the broad context of education, ‘accent’ can be an accent of speech; an attitude; a stance against being ‘understood’; yet a way of teaching that requires teacher and pupil to understand each other’s contexts. This is a book about the relationships created by the use of language to convey knowledge, particularly in translation. The ideas it presents are evocative, thought-provoking and challenging at times. Accented Futures makes a significant and important contribution to research on identity in post-apartheid South Africa as well as to the fields of education and translation studies.
Author | : Brendon Nicholls |
Publisher | : Routledge |
Total Pages | : 243 |
Release | : 2013-11-12 |
Genre | : Literary Criticism |
ISBN | : 1134718780 |
Nadine Gordimer is one of the most important writers to emerge in the twentieth century. Her anti-Apartheid novel July's People (1981) is a powerful example of resistance writing and continues even now to unsettle easy assumptions about issues of power, race, gender and identity. This guide to Gordimer's compelling novel offers: an accessible introduction to the text and contexts of July's People a critical history, surveying the many interpretations of the text from publication to the present a selection of new and reprinted critical essays on July's People, providing a range of perspectives on the novel and extending the coverage of key approaches identified in the critical survey cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of July's People and seeking not only a guide to the novel, but a way through the wealth of contextual and critical material that surrounds Gordimer's text.
Author | : Darren Newbury |
Publisher | : Routledge |
Total Pages | : 310 |
Release | : 2020-10-26 |
Genre | : Photography |
ISBN | : 1000185877 |
This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history.