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| Author | : Aleksandr Ivanovich Ovcharenko |
| Publisher | : |
| Total Pages | : 344 |
| Release | : 1978 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Evgeny Dobrenko |
| Publisher | : Cambridge University Press |
| Total Pages | : 327 |
| Release | : 2011-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1139828231 |
In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré literature and literature written in Russia. This volume concentrates on broad, complex, and diverse sources - from symbolism and revolutionary avant-garde writings to Stalinist, post-Stalinist, and post-Soviet prose, poetry, drama, and émigré literature, with forays into film, theatre, and literary policies, institutions and theories. The contributors present recent scholarship on historical and cultural contexts of twentieth-century literary development, and situate the most influential individual authors within these contexts, including Boris Pasternak, Alexander Solzhenitsyn, Joseph Brodsky, Osip Mandelstam, Mikhail Bulgakov and Anna Akhmatova.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 209 |
| Release | : 2022-03-28 |
| Genre | : History |
| ISBN | : 9004455078 |
| Author | : Evgeny Dobrenko |
| Publisher | : Anthem Press |
| Total Pages | : 634 |
| Release | : 2018-02-15 |
| Genre | : History |
| ISBN | : 1783086998 |
Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.
| Author | : Evgeny Dobrenko |
| Publisher | : |
| Total Pages | : 512 |
| Release | : 2022 |
| Genre | : LITERARY CRITICISM |
| ISBN | : 9781503617513 |
This book completes the author's study of the sociology of the literary process in Soviet Russia, begun in The Making of the State Reader: Social and Aesthetic Contexts of the Reception of Soviet Literature (Stanford, 1997). The history of the literary process of the Soviet era, understood as the living process of the clash of political and ideological aspirations and the interests and psychology of cultural elites, allows one to understand the social origins and cultural aims of Stalinist art in an entirely new way. Previous scholarship has concentrated largely on Sovietological answers to the basic problems of Stalinist aesthetics--such as "political control," "repressions," and "pressure from the regime." However, the author demonstrates that Socialist Realism is not so much directed as it is self-directed; it is not a matter of control but of self-control. The transformation of the author into his own censor is the true history of Soviet literature. Socialist Realism is cultural revolution not only from above but from below as well. The state simply took into account, and accurately discerned, the demands of the masses, and Soviet literature became the reader's answer to these demands. The reader not only shaped Socialist Realist aesthetics down to his own expectations, but in fact created it. The Soviet writer was yesterday's Soviet reader who had learned how to write books. The Soviet writer can be called the product of authority only to the extent that this authority recognized and institutionalized what Lenin called the "lively creativity of the masses." On the other hand, the author shows, the Soviet writer is the radical realization and embodiment of the nineteenth-century Russian populist utopia of enlightenment of the people.
| Author | : Thomas Lahusen |
| Publisher | : Cornell University Press |
| Total Pages | : 265 |
| Release | : 2019-05-15 |
| Genre | : History |
| ISBN | : 1501745239 |
'A gripping, unsettling, and highly original book that turns the making of a Soviet socialist-realist classic—Azhaev's Far from Moscow—into a detective story, and sheds as strange and ambiguous a light on the Stalin era, from gulag to Writers'Union, as one could hope for. Lahusen is a disarmingly low-key scholarly virtuoso who performs simultaneously as an archive-based historian, an interpreter of texts (including Azhaev's own self-organized archive), and a gently relentless biographer whose stalking of his prey is reminiscent of Nabokov. The final chilling paragraph typically economical and understated, is a reminder that the author/investigator, too, is a collaborator in the multiple reworkings of Azhaev's text, and of his life, that How Life Writes the Book has so finely analyzed.'—Sheila Fitzpatrick, University of Chicago 'This is a wonderfully original work: a history of a book, a literary analysis of an age, a montage of a life. Lahusen writes with a postmodern sensibility but without the postmodernist jargon.'—Yuri Slezkine, University of California, Berkeley 'Thomas Lahusen has written an imaginative and archivally grounded book that presents the most fascinating picture to date of the literary process that produced canonical works of Socialist Realism and the people who wrote them. How Life Writes the Book is alternatingly chilling and funny as it demonstrates the interpenetration of literary institutions, massive construction projects and the Soviet system of prison camps and slave labor. With this study, as with his earlier Intimacy and Terror, Lahusen continues his own project of revolutionizing our understanding of the Soviet subject and Soviet subjectivity.'—Eric Naiman, University of California, Berkeley 'Lahusen's case study marks a new genre of inquiry into the very nature of socialist realism, a genre which became possible after archives and memory in Russia regained their voice. It shows how life is transformed into Soviet myth.'—Hans G'nther, editor of The Culture of the Stalin Period
| Author | : Abram Tert︠s︡ |
| Publisher | : New York : Pantheon Books |
| Total Pages | : 102 |
| Release | : 1960 |
| Genre | : Realism in literature |
| ISBN | : |
| Author | : |
| Publisher | : Stanford University Press |
| Total Pages | : 522 |
| Release | : 2001 |
| Genre | : Social Science |
| ISBN | : 9780804733649 |
This book completes the author's study of the sociology of the literary process in Soviet Russia, begun in The Making of the State Reader: Social and Aesthetic Contexts of the Reception of Soviet Literature (Stanford, 1997). The author demonstrates that Socialist Realism is not so much directed as it is self-directed; the transformation of the author into his own censor is the true history of Soviet literature.
| Author | : Evgeny Dobrenko |
| Publisher | : Stanford University Press |
| Total Pages | : 402 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : 9780804780384 |
A history of the shaping of the reader of Soviet literature, the State appropriation of the reader. Literature from the revolutionary and Soviet eras performed substantive political and ideological functions in the authorities' overall system (which included the publishing business, the book trade, and schools) aimed at ultimately creating a new Soviet person. This book shows how people from various social classes, in a dynamic unknown in pre-Soviet history, not only consumed the products of a new culture but in fact created that culture.
| Author | : Thomas Lahusen |
| Publisher | : Duke University Press |
| Total Pages | : 380 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780822319412 |
Socialist Realism Without Shores also addresses the critical discourse provoked by socialist realism - Stalinist aesthetics; "anthropological" readings; ideology critique and censorship; and the sublimely ironic approaches adapted from sots art, the Soviet version of postmodernism.
