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Social Realism: Art as a Weapon

Social Realism: Art as a Weapon
Author: David Shapiro
Publisher: Burns & Oates
Total Pages: 360
Release: 1973
Genre: Art
ISBN:

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In an introductory essay, David Shapiro appraises the roots and achievements of Social Realism, providing an overall framework within which the source material that follows can be understood. Was Social Realism only a response to the economic collapse of the 1930s, or was it part of a continuing American art tradition? A primary selection of documents -- ranging from Hugo Gellert's exultant" We Capture the Walls" (1932) to Oliver Larkin's retrospective "Common Cause" (1949) -- fixes the period's social and aesthetic background. It includes spirited contributions by Diego Rivera, Meyer Schapiro, Stuart Davis, and others. A second selection of documents focuses on five major Social Realists -- Philip Evergood, William Gropper, Jacob Lawrence, Jack Levine, and Ben Shahn -- for closer study. This section includes individual biographical outlines, personal statements by the artists, and representative critical analyses of their work. The book concludes with an especially compiled list of major Social Realists, an extended bibliography, and a detailed index. Includes ten reproductions. --! From book jacket.


Marxism and 20th-Century English-Canadian Novels

Marxism and 20th-Century English-Canadian Novels
Author: John Z. Ming Chen
Publisher: Springer
Total Pages: 316
Release: 2015-06-09
Genre: Social Science
ISBN: 3662463504

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This monograph is the first academic work to apply a neo-Marxist approach to 20th-century Canadian social realist novels, pursuing a refreshingly (neo-)Marxist approach to such issues as Bakhtinian notions of the novelistic form and dialogism as applied to Canadian socio-political novels influenced by various socialisms, socialist-feminist concerns, economic and sexual politics, and the genre of social realism. In so doing, it demonstrates that Marxist socialism is as relevant today as it was in the 1930s, just as social realist novels continue to thrive as a critique of capitalism. Readers will find valuable insights into the social significance, formal innovations, moral sensitivity, aesthetic enrichment, and ideological complexity of Canadian social realist novels.


Pollock and After

Pollock and After
Author: Francis Frascina
Publisher: Psychology Press
Total Pages: 400
Release: 2000
Genre: Art
ISBN: 9780415228664

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This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.


Rethinking Social Realism

Rethinking Social Realism
Author: Stacy I. Morgan
Publisher: University of Georgia Press
Total Pages: 374
Release: 2004
Genre: Literary Criticism
ISBN: 9780820325798

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The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.


The Other Blacklist

The Other Blacklist
Author: Mary Washington
Publisher: Columbia University Press
Total Pages: 370
Release: 2014-04-22
Genre: Literary Criticism
ISBN: 0231152701

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Examines African American writers and artists of the 1950s, tracing leftist ideas and activism within their work, recounts the events of the 1959 Black Writers' Conference and explores the ongoing influence of the Black Popular Front.


Hope Among Us Yet

Hope Among Us Yet
Author: David P. Peeler
Publisher: University of Georgia Press
Total Pages: 362
Release: 2008
Genre: History
ISBN: 0820331406

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In Hope Among Us Yet, David Peeler examines art and literature of the Great Depression to reveal a common pursuit and common dream in the work of writers, photographers, and painters who turned their talents toward the utter dislocation and despair of 1930s America. Thrust out of the gilded world of the 1920s by the extent of the crisis, these artists used their canvases, cameras, and pens to condemn capitalism and seal its demise with stunning evidence of its evils. As the years drew on, however, artists began to dream of a new, more equitable social order, and the solace of those dreams rather than the earlier vilification came to dominate Depression art. Discussing the photographs and paintings (many of them reproduced in this book), the essays and novels of the Depression era, David Peeler shows that in their pursuit of the reality of 1930s America, social artists also dreamed of a rebirth of Western art. But, as American capitalism revived with the onset of World War II, hopes for a new order faded, and the vision of the Depression's artists remained the unfilled prophecy of their works.


Voices

Voices
Author: Juan Fernando Botero-Garcia
Publisher: Cambridge Scholars Publishing
Total Pages: 455
Release: 2011-07-12
Genre: Art
ISBN: 1443832413

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Voices: Postgraduate Perspectives on Inter-disciplinarity was created out of a compilation of papers presented at the University of Aberdeen’s annual College of arts and Social Sciences Postgraduate Conference, more widely known as Moving Forward. This conference reached its sixth year in 2009. Both the conference and proposed collection incorporate the colleges of Divinity, History and Philosophy; Education; Language and Literature; Law; Social Sciences; Music and Business. Moving Forward is an annual event, sponsored by the College of Arts and Social Sciences, University of Aberdeen, and the Roberts Fund. Given the variety of papers received for, and the number of disciplines involved in this project, it was deemed that a theme of “voice” would be particularly appropriate. This theme attempts to incorporate the interdisciplinary approach taken both within the selection of papers, and within the papers themselves. Voice is approached in a variety of manners, not only referring to the sound produced from the human vocal cords, or the literary tool of an author, but also through the works of a musical artist, or by using unique research methods to understand the perspectives of those lacking a public voice. This work seeks to demonstrate an entire range of what voices may do, and how they are experienced.


Alice Neel: The Art of Not Sitting Pretty

Alice Neel: The Art of Not Sitting Pretty
Author: Phoebe Hoban
Publisher: Simon and Schuster
Total Pages: 467
Release: 2021-08-10
Genre: Biography & Autobiography
ISBN: 1644230623

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“Neel emerges as a resolute survivor who lived by her convictions, both aesthetically and politically.” —Publisher’s Weekly Phoebe Hoban’s definitive biography of the renowned American painter Alice Neel tells the unforgettable story of an artist whose life spanned the twentieth century, from women’s suffrage through the Depression, McCarthyism, the civil rights movement, the sexual revolution, and second-wave feminism. Throughout her life and work, Neel constantly challenged convention, ultimately gaining an enduring place in the canon. Alice Neel’s stated goal was to “capture the zeitgeist.” Born into a proper Victorian family at the turn of the twentieth century, Neel reached voting age during suffrage. A quintessential bohemian, she was one of the first artists participating in the Easel Project of the Works Progress Administration, documenting the challenges of life during the Depression. An avowed humanist, Neel chose to paint the world around her, sticking to figurative work even during the peak of abstract expressionism. Neel never ceased pushing the envelope, creating a unique chronicle of her time. Neel was fiercely democratic in selecting her subjects, who represent an extraordinarily diverse population—from such legendary figures as Joe Gould to her Spanish Harlem neighbors in the 1940s, the art critic Meyer Schapiro, Nobel Laureate Linus Pauling, Andy Warhol, and major figures of the labor, civil rights, and feminist movements—producing an indelible portrait of twentieth-century America. By dictating her own terms, Neel was able to transcend such personal tragedy as the death of her infant daughter, Santillana, a nervous breakdown and suicide attempts, and the separation from her second child, Isabetta. After spending much of her career in relative obscurity, Neel finally received a major museum retrospective in 1974, at the Whitney Museum of American Art, in New York. In this first paperback edition of the authoritative biography of Neel, which serves also as a cultural history of twentieth-century New York, Hoban documents the tumultuous life of the artist in vivid detail, creating a portrait as incisive as Neel’s relentlessly honest paintings. With a new introduction by Hoban that explores Neel’s enduring relevance, this biography is essential to understanding and appreciating the life and work of one of America’s foremost artists.


Labor’s Canvas

Labor’s Canvas
Author: Laura Hapke
Publisher: Cambridge Scholars Publishing
Total Pages: 270
Release: 2009-03-26
Genre: History
ISBN: 1443808512

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At an unprecedented and probably unique American moment, laboring people were indivisible from the art of the 1930s. By far the most recognizable New Deal art employed an endless frieze of white or racially ambiguous machine proletarians, from solo drillers to identical assembly line toilers. Even today such paintings, particularly those with work themes, are almost instantly recognizable. Happening on a Depression-era picture, one can see from a distance the often simplified figures, the intense or bold colors, the frozen motion or flattened perspective, and the uniformity of laboring bodies within an often naive realism or naturalism of treatment. In a kind of Social Realist dance, the FAP’s imagined drillers, haulers, construction workers, welders, miners, and steel mill workers make up a rugged industrial army. In an unusual synthesis of art and working-class history, Labor’s Canvas argues that however simplified this golden age of American worker art appears from a post-modern perspective, The New Deal’s Federal Art Project (FAP), under the aegis of the Works Progress Administration (WPA), revealed important tensions. Artists saw themselves as cultural workers who had much in common with the blue-collar workforce. Yet they struggled to reconcile social protest and aesthetic distance. Their canvases, prints, and drawings registered attitudes toward laborers as bodies without minds often shared by the wider culture. In choosing a visual language to reconnect workers to the larger society, they tried to tell the worker from the work with varying success. Drawing on a wealth of social documents and visual narratives, Labor’s Canvas engages in a bold revisionism. Hapke examines how FAP iconography both chronicles and reframes working-class history. She demonstrates how the New Deal’s artistically rendered workforce history reveals the cultural contradictions about laboring people evident even in the depths of the Great Depression, not the least in the imaginations of the FAP artists themselves.


Antifascism in American Art

Antifascism in American Art
Author: Cécile Whiting
Publisher: Yale University Press
Total Pages: 262
Release: 1989-01-01
Genre: Philosophy
ISBN: 9780300042597

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Whiting examines the various manifestations of antifacist art, showing how each negotiated the competing demands of artistic conventions, aesthetic and political theories, and historical developments.