Social Dancing in Peter the Great's Russia
| Author | : Elizabeth Clara Sander |
| Publisher | : |
| Total Pages | : 164 |
| Release | : 2007 |
| Genre | : Ballroom dancing |
| ISBN | : |
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Social Dancing In Peter The Greats Russia PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Social Dancing In Peter The Greats Russia PDF full book. Access full book title Social Dancing In Peter The Greats Russia.
The Russian Empire 1450-1801
| Author | : Nancy Shields Kollmann |
| Publisher | : Oxford University Press |
| Total Pages | : 512 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 0199280517 |
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Russia's imperial past has shaped modern Russian identity and historical experience. The Russian Empire 1450-1801 surveys the empire's emergence and governance, exploring how the state maintained control of defense, criminal law, taxation, and mobilization of resources, while tolerating local religions, languages, cultures, and institutions.
Social Dancing in Russia at the End of the Petrine Era
| Author | : Elizabeth Clara Sander |
| Publisher | : |
| Total Pages | : 432 |
| Release | : 2002 |
| Genre | : Dance |
| ISBN | : |
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Musical Cultures in Seventeenth-Century Russia
| Author | : Claudia R. Jensen |
| Publisher | : Indiana University Press |
| Total Pages | : 377 |
| Release | : 2009-10-05 |
| Genre | : Music |
| ISBN | : 0253003474 |
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Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.
St Petersburg and the Russian Court, 1703-1761
| Author | : P. Keenan |
| Publisher | : Springer |
| Total Pages | : 236 |
| Release | : 2013-06-24 |
| Genre | : Political Science |
| ISBN | : 1137311606 |
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This book focuses on the city of St Petersburg, the capital of the Russian empire from the early eighteenth century until the fall of the Romanov dynasty in 1917. It uses the Russian court as a prism through which to view the various cultural changes that were introduced in the city during the eighteenth century.
The Tsar's Happy Occasion
| Author | : Russell E. Martin |
| Publisher | : Cornell University Press |
| Total Pages | : 298 |
| Release | : 2021-05-15 |
| Genre | : History |
| ISBN | : 1501754858 |
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The Tsar's Happy Occasion shows how the vast, ornate affairs that were royal weddings in early modern Russia were choreographed to broadcast powerful images of monarchy and dynasty. Processions and speeches emphasized dynastic continuity and legitimacy. Fertility rites blended Christian and pre-Christian symbols to assure the birth of heirs. Gift exchanges created and affirmed social solidarity among the elite. The bride performed rituals that integrated herself and her family into the inner circle of the court. Using an array of archival sources, Russell E. Martin demonstrates how royal weddings reflected and shaped court politics during a time of dramatic cultural and dynastic change. As Martin shows, the rites of passage in these ceremonies were dazzling displays of monarchical power unlike any other ritual at the Muscovite court. And as dynasties came and went and the political culture evolved, so too did wedding rituals. Martin relates how Peter the Great first mocked, then remade wedding rituals to symbolize and empower his efforts to westernize Russia. After Peter, the two branches of the Romanov dynasty used weddings to solidify their claims to the throne. The Tsar's Happy Occasion offers a sweeping, yet penetrating cultural history of the power of rituals and the rituals of power in early modern Russia.
French and Russian in Imperial Russia
| Author | : Derek Offord |
| Publisher | : Edinburgh University Press |
| Total Pages | : 288 |
| Release | : 2015-06-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0748695540 |
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This volume explores the impact of French on Russian language attitudes, especially among the literary community. It examines the ways in which perceptions of Russian francophonie helped to shape social, political and cultural identity as Russia began to seek space of its own in the European cultural landscape.
Qing Encounters
| Author | : Petra ten-Doesschate Chu |
| Publisher | : Getty Publications |
| Total Pages | : 322 |
| Release | : 2015-10-01 |
| Genre | : Art |
| ISBN | : 1606064576 |
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Qing Encounters: Artistic Exchanges between China and the West examines how the contact between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. The essays in the volume reveal the extent to which images, artifacts, and natural specimens were traded and copied, and how these materials inflected both cultures’ visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople on both continents borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex new creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period.
Russia's Theatrical Past
| Author | : Claudia R. Jensen |
| Publisher | : Indiana University Press |
| Total Pages | : 316 |
| Release | : 2021-06-01 |
| Genre | : Music |
| ISBN | : 0253056357 |
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In the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater. In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts. Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.
The Routledge Handbook of Music Signification
| Author | : Esti Sheinberg |
| Publisher | : Routledge |
| Total Pages | : 437 |
| Release | : 2020-03-17 |
| Genre | : Music |
| ISBN | : 1351237519 |
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The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.
