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Smithsonian Folklife Festival

Smithsonian Folklife Festival
Author: Richard Kurin
Publisher: Center for Folklife Programs and Cultural Studies Smithsonian Institution
Total Pages: 196
Release: 1998
Genre: History
ISBN:

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Cultural Encounters in the New World

Cultural Encounters in the New World
Author: Harald Zapf
Publisher: Gunter Narr Verlag
Total Pages: 466
Release: 2003
Genre: America
ISBN: 9783823360445

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Curatorial Conversations

Curatorial Conversations
Author: Olivia Cadaval
Publisher: Univ. Press of Mississippi
Total Pages: 304
Release: 2016-05-05
Genre: Social Science
ISBN: 1496805992

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Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff--past and present--in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity. In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.


Festival of American Folklife

Festival of American Folklife
Author:
Publisher:
Total Pages: 156
Release: 1996
Genre: Festival of American Folklife
ISBN:

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Smithsonian Folklife Cookbook

Smithsonian Folklife Cookbook
Author: Katherine S. Kirlin
Publisher: Smithsonian Books (DC)
Total Pages: 344
Release: 1991
Genre: Cooking
ISBN:

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Katherine S. Kirlin and Thomas M. Kirlin. With more than 275 recipes beginning with Native American cooking and moving from region to region across the country, this cookbook celebrates the diverse flavors that together make American cooking.


Libba

Libba
Author: Laura Veirs
Publisher: Chronicle Books
Total Pages: 49
Release: 2018-01-16
Genre: Juvenile Nonfiction
ISBN: 1452148589

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Elizabeth Cotten was only a little girl when she picked up a guitar for the first time. It wasn't hers (it was her big brother's), and it wasn't strung right for her (she was left-handed). But she flipped that guitar upside down and backwards and taught herself how to play it anyway. By age eleven, she'd written "Freight Train," one of the most famous folk songs of the twentieth century. And by the end of her life, people everywhere—from the sunny beaches of California to the rolling hills of England—knew her music. This lyrical, loving picture book from popular singer-songwriter Laura Veirs and debut illustrator Tatyana Fazlalizadeh tells the story of the determined, gifted, daring Elizabeth Cotten—one of the most celebrated American folk musicians of all time.


Specimens of Bushman Folklore

Specimens of Bushman Folklore
Author: Wilhelm Heinrich Immanuel Bleek
Publisher:
Total Pages: 622
Release: 1911
Genre: Folklore
ISBN:

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Worlds of Sound

Worlds of Sound
Author: Richard Carlin
Publisher: Harper Collins
Total Pages: 309
Release: 2010-10-19
Genre: Music
ISBN: 0062043781

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A man, a microphone, and a dream When he opened his tiny recording studio in New York in 1940, Moses Asch had a larger-than-life dream: To document and record all the sounds of his time. He created Folkways Records to achieve his goal, not just a record label but a statement that all sounds are equal and every voice deserves to be heard. The Folkways catalog grew to include a myriad of voices, from world- and roots-music to political speeches; the voices of contemporary poets and steam engines; folk singers Lead Belly and Woody Guthrie and jazz pianists Mary Lou Williams and James P. Johnson; Haitian vodoun singers and Javanese court musicians; deep-sea sounds and sounds from the outer ring of Earth's atmosphere. Until his death in 1986, Asch—with the help of collaborators ranging from the eccentric visionary Harry Smith to academic musicologists—created more than 2000 albums, a sound-scape of the contemporary world still unequalled in breadth and scope. Worlds of Sound documents this improbable journey. Along the way you'll meet: A young Pete Seeger, revolutionizing the world with his five-string banjo The amazing vocal ensembles of the Ituri Pygmies North American tree frogs Ella Jenkins's children's music Lead Belly singing "The Midnight Special" The nueva canción of Suni Paz. Folkways became a part of the Smithsonian Institution's collections shortly after Asch's death. Today Smithsonian Folkways continues to make the "worlds of sound" Moe Asch first dreamed of 60 years ago available to all. The Folkways vision is expansive and all-inclusive, and Worlds of Sound advances its rich and lively spirit.


Chican@ Artivistas

Chican@ Artivistas
Author: Martha Gonzalez
Publisher: University of Texas Press
Total Pages: 181
Release: 2020-07-27
Genre: Art
ISBN: 1477321136

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As the lead singer of the Grammy Award–winning rock band Quetzal and a scholar of Chicana/o and Latina/o studies, Martha Gonzalez is uniquely positioned to articulate the ways in which creative expression can serve the dual roles of political commentary and community building. Drawing on postcolonial, Chicana, black feminist, and performance theories, Chican@ Artivistas explores the visual, musical, and performance art produced in East Los Angeles since the inception of NAFTA and the subsequent anti-immigration rhetoric of the 1990s. Showcasing the social impact made by key artist-activists on their communities and on the mainstream art world and music industry, Gonzalez charts the evolution of a now-canonical body of work that took its inspiration from the Zapatista movement, particularly its masked indigenous participants, and that responded to efforts to impose systems of labor exploitation and social subjugation. Incorporating Gonzalez’s memories of the Mexican nationalist music of her childhood and her band’s journey to Chiapas, the book captures the mobilizing music, poetry, dance, and art that emerged in pre-gentrification corners of downtown Los Angeles and that went on to inspire flourishing networks of bold, innovative artivistas.


Reflections of a Culture Broker

Reflections of a Culture Broker
Author: Richard Kurin
Publisher: Smithsonian Institution Scholarly Press
Total Pages: 340
Release: 1997-11-17
Genre: Art
ISBN: 9781560987574

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Is culture brokered like stocks, real estate, or marriage? In this engaging book, Richard Kurin shows that cultures are also mediated and indeed brokered by countries, organizations, communities, and individuals -- all with their own vision of the truth and varying abilities to impose it on others. Drawing on his diverse experiences in producing exhibitions and public programs, Kurin challenges culture brokers -- defined broadly to include museum professionals, film-makers, journalists, festival producers, and scholars of many disciplines -- to reveal more clearly the nature of their interpretations, to envision the ways in which their messages can "play" to different audiences, and to better understand the relationship between knowledge, art, politics, and entertainment. The book documents a variety of cases in which the Smithsonian has brokered culture for the American public: a planned exhibit on Jerusalem had to balance both Israeli and Palestinian agendas; debates over the 1996 Olympic Arts Festival presented differing visions of the American South; and the National Air and Space Museum's controversial display of the Enola Gay prompted the Smithsonian to re-examine the role of national museums. Arguing that cultural exhibits reflect a series of decisions about representing someone, someplace, and something, Reflections of a Culture Broker discusses the ethical and technical problems faced by not only those who practice in a museum setting but also anyone charged with representing culture in a public forum.