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Slaves on Screen

Slaves on Screen
Author: Natalie Zemon Davis
Publisher: Vintage Canada
Total Pages: 193
Release: 2011-03-04
Genre: Performing Arts
ISBN: 0307368858

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People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker. To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir. This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.


Slaves of Hollywood

Slaves of Hollywood
Author: Declan Brand
Publisher:
Total Pages: 152
Release: 2020-07-24
Genre: Fiction
ISBN: 9781786953841

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Slave Revolt on Screen

Slave Revolt on Screen
Author: Alyssa Goldstein Sepinwall
Publisher: Univ. Press of Mississippi
Total Pages: 337
Release: 2021-05-28
Genre: Social Science
ISBN: 1496833120

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Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.


Slavery by Another Name

Slavery by Another Name
Author: Douglas A. Blackmon
Publisher: Icon Books
Total Pages: 429
Release: 2012-10-04
Genre: Social Science
ISBN: 1848314132

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A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.


Our Nig

Our Nig
Author: Harriet E. Wilson
Publisher: BoD – Books on Demand
Total Pages: 146
Release: 2023-04-16
Genre: Fiction
ISBN: 3382312891

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Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.


Modern Medea

Modern Medea
Author: Steven Weisenburger
Publisher: Macmillan
Total Pages: 374
Release: 1999-09
Genre: Biography & Autobiography
ISBN: 0809069547

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The widely acclaimed inquiry into the story that inspired Toni Morrison's "Beloved"--a nuanced portrait of the not-so-genteel Southern culture that perpetuated slavery and had such destructive effects on all who lived with it and in it. 25 illustrations.


Slaves of Hollywood

Slaves of Hollywood
Author: Declan Brand
Publisher:
Total Pages: 142
Release: 2020-06-29
Genre: Fiction
ISBN: 9781786953278

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The Feast of All Saints

The Feast of All Saints
Author: Anne Rice
Publisher: Random House
Total Pages: 644
Release: 1997
Genre: African Americans
ISBN: 0099269473

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Set in New Orleans before the American Civil War, this is the story of the Free People of Color, descended from slaves, and their French and Spanish owners. Among their number is Marcel, an artist in the making, also his gentle sister Marie and Anna Bella, a beautiful young courtesan.


Slave Cinema

Slave Cinema
Author: André Seewood
Publisher: Xlibris
Total Pages: 0
Release: 2008
Genre: African Americans in motion pictures
ISBN: 9781436321808

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Using a rich compendium of evidence and a provocative perspective, the second edition of SLAVE CINEMA takes a thorough and uncompromising look at African-American cinema, African-American social identity and the American film industry. This book addresses the specific artistic, ideological and moral challenges that face every African-American filmmaker. It is broken into three main parts: Slave Cinema part 1: The Crisis of African-American Independent Cinema. Slave Cinema part 2: Five Assumptions of Race that Shackle African-Americans in Film. Slave Cinema part 3: Five Errors that Constrict African-American Cinematic Style. This second edition contains a new chapter on RACE TRAITORS: White Filmmakers who make Black Films which discusses several groundbreaking films made by whites about blacks that have been overlooked or dismissed by many African-American critics and scholars. Written by multiple award winning independent writer and filmmaker Andre Seewood. SLAVE CINEMA is his second published non-fiction work. He is also the author of SCREENWRITING IN TO FILM: Forgotten Methods & New Possibilities.


Hattie McDaniel

Hattie McDaniel
Author: Jill Watts
Publisher: Harper Collins
Total Pages: 386
Release: 2007-02-06
Genre: Biography & Autobiography
ISBN: 0060514914

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Hattie McDaniel is best known for her performance as Mammy, the sassy foil to Scarlett O'Hara in Gone with the Wind. Though the role called for yet another wide–grinned, subservient black domestic, McDaniel transformed her character into one who was loyal yet subversive, devoted yet bossy. Her powerful performance would win her the Oscar for Best Supporting Actress and catapult the hopes of Black Hollywood that the entertainment industry ––after decades of stereotypical characters–– was finally ready to write more multidimensional, fully realized roles for blacks. But racism was so entrenched in Hollywood that despite pleas by organizations such as the NAACP and SAG ––and the very examples that Black service men were setting as they fought against Hitler in WWII–– roles for blacks continued to denigrate the African American experience. So rather than see her stature increase in Hollywood, as did other Oscar–winning actresses, Hattie McDaniel, continued to play servants. And rather than see her popularity increase, her audience turned against her as an increasingly politicized black community criticized her and her peers for accepting degrading roles. "I'd rather play a maid then be a maid," Hattie McDaniel answered her critics but her flip response belied a woman who was herself emotionally conflicted about the roles she accepted but who tried to imbue each Mammy character with dignity and nuance.