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Slave Cinema

Slave Cinema
Author: André Seewood
Publisher: Xlibris
Total Pages: 0
Release: 2008
Genre: African Americans in motion pictures
ISBN: 9781436321808

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Using a rich compendium of evidence and a provocative perspective, the second edition of SLAVE CINEMA takes a thorough and uncompromising look at African-American cinema, African-American social identity and the American film industry. This book addresses the specific artistic, ideological and moral challenges that face every African-American filmmaker. It is broken into three main parts: Slave Cinema part 1: The Crisis of African-American Independent Cinema. Slave Cinema part 2: Five Assumptions of Race that Shackle African-Americans in Film. Slave Cinema part 3: Five Errors that Constrict African-American Cinematic Style. This second edition contains a new chapter on RACE TRAITORS: White Filmmakers who make Black Films which discusses several groundbreaking films made by whites about blacks that have been overlooked or dismissed by many African-American critics and scholars. Written by multiple award winning independent writer and filmmaker Andre Seewood. SLAVE CINEMA is his second published non-fiction work. He is also the author of SCREENWRITING IN TO FILM: Forgotten Methods & New Possibilities.


Slave Revolt on Screen

Slave Revolt on Screen
Author: Alyssa Goldstein Sepinwall
Publisher: Univ. Press of Mississippi
Total Pages: 337
Release: 2021-05-28
Genre: Social Science
ISBN: 1496833120

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Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.


Slaves on Screen

Slaves on Screen
Author: Natalie Zemon Davis
Publisher: Vintage Canada
Total Pages: 193
Release: 2011-03-04
Genre: Performing Arts
ISBN: 0307368858

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People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker. To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir. This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.


Slavery by Another Name

Slavery by Another Name
Author: Douglas A. Blackmon
Publisher: Icon Books
Total Pages: 429
Release: 2012-10-04
Genre: Social Science
ISBN: 1848314132

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A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.


Slave Cinema

Slave Cinema
Author: André Seewood
Publisher: Xlibris
Total Pages: 0
Release: 2008
Genre: African Americans in motion pictures
ISBN: 9781436321792

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Using a rich compendium of evidence and a provocative perspective, the second edition of SLAVE CINEMA takes a thorough and uncompromising look at African-American cinema, African-American social identity and the American film industry. This book addresses the specific artistic, ideological and moral challenges that face every African-American filmmaker. It is broken into three main parts: Slave Cinema part 1: The Crisis of African-American Independent Cinema. Slave Cinema part 2: Five Assumptions of Race that Shackle African-Americans in Film. Slave Cinema part 3: Five Errors that Constrict African-American Cinematic Style. This second edition contains a new chapter on RACE TRAITORS: White Filmmakers who make Black Films which discusses several groundbreaking films made by whites about blacks that have been overlooked or dismissed by many African-American critics and scholars. Written by multiple award winning independent writer and filmmaker Andre Seewood. SLAVE CINEMA is his second published non-fiction work. He is also the author of SCREENWRITING IN TO FILM: Forgotten Methods & New Possibilities.


American Slavery on Film

American Slavery on Film
Author: Caron Knauer
Publisher: Bloomsbury Publishing USA
Total Pages: 240
Release: 2023-02-14
Genre: History
ISBN: 1440877521

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A comprehensive and timely resource on the depictions in film of enslaved African Americans and slavery from the Antebellum Period to Emancipation. American Slavery on Film highlights historical and contemporary depictions in film of the resistance, rebellion, and resilience of enslaved African Americans in the United States from the Antebellum period to Emancipation. In her study of such films as Uncle Tom's Cabin (1914), a silent movie adaptation of Harriet Beecher Stowe's novel; the groundbreaking and successful television miniseries Roots (1977); and the Harriet Tubman biopic Harriet (2019), Caron Knauer analyzes how African American slavery has been and continues to be portrayed in major studio blockbusters and independent films alike. Separating the romanticized and unrealistic depictions of slavery from the more accurate but often unflinching portrayals of its horrors, the author covers a wide range of topics, including the impact of slavery on popular culture, the Underground Railroad, Maroon communities, and the Los Angeles Film Rebellion of the 1960s. As a result, this book delivers a comprehensive, readable, and timely examination of enslaved African Americans and slavery in America's film history.


12 Years a Slave (Movie Tie-In)

12 Years a Slave (Movie Tie-In)
Author: Solomon Northup
Publisher: Penguin
Total Pages: 290
Release: 2013-09-04
Genre: Biography & Autobiography
ISBN: 0143125419

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The official movie tie-in edition to the winner of the 2014 Academy Award for Best Picture, starring Chiwetel Ejiofor, Michael Fassbender, and Lupita Nyong’o, and directed by Steve McQueen New York Times bestseller “I could not believe that I had never heard of this book. It felt as important as Anne Frank’s Diary, only published nearly a hundred years before. . . . The book blew [my] mind: the epic range, the details, the adventure, the horror, and the humanity. . . . I hope my film can play a part in drawing attention to this important book of courage. Solomon’s bravery and life deserve nothing less.” —Steve McQueen, director of 12 Years a Slave, from the Foreword Perhaps the best written of all the slave narratives, Twelve Years a Slave is a harrowing memoir about one of the darkest periods in American history. It recounts how Solomon Northup, born a free man in New York, was lured to Washington, D.C., in 1841 with the promise of fast money, then drugged and beaten and sold into slavery. He spent the next twelve years of his life in captivity on a Louisiana cotton plantation. After his rescue, Northup published this exceptionally vivid and detailed account of slave life. It became an immediate bestseller and today is recognized for its unusual insight and eloquence as one of the very few portraits of American slavery produced by someone as educated as Solomon Northup, or by someone with the dual perspective of having been both a free man and a slave.


Policing Cinema

Policing Cinema
Author: Lee Grieveson
Publisher: Univ of California Press
Total Pages: 363
Release: 2004-05-24
Genre: History
ISBN: 0520239660

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Publisher Description


Policing Cinema

Policing Cinema
Author: Lee Grieveson
Publisher: Univ of California Press
Total Pages: 363
Release: 2004-05-24
Genre: Performing Arts
ISBN: 0520937422

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White slave films, dramas documenting sex scandals, filmed prize fights featuring the controversial African-American boxer Jack Johnson, D.W. Griffith’s The Birth of a Nation—all became objects of public concern after 1906, when the proliferation of nickelodeons brought moving pictures to a broad mass public. Lee Grieveson draws on extensive original research to examine the controversies over these films and over cinema more generally. He situates these contestations in the context of regulatory concerns about populations and governance in an early-twentieth-century America grappling with the powerful forces of modernity, in particular, immigration, class formation and conflict, and changing gender roles. Tracing the discourses and practices of cultural and political elites and the responses of the nascent film industry, Grieveson reveals how these interactions had profound effects on the shaping of film content, form, and, more fundamentally, the proposed social function of cinema: how cinema should function in society, the uses to which it might be put, and thus what it could or would be. Policing Cinema develops new perspectives for the understanding of censorship and regulation and the complex relations between governance and culture. In this work, Grieveson offers a compelling analysis of the forces that shaped American cinema and its role in society.


Encyclopedia of Early Cinema

Encyclopedia of Early Cinema
Author: Richard Abel
Publisher: Taylor & Francis
Total Pages: 824
Release: 2005
Genre: Performing Arts
ISBN: 0415234409

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One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.