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SKETCHES OF MODERN LITERATURE

SKETCHES OF MODERN LITERATURE
Author: George 1813-1878 Gilfillan
Publisher: Wentworth Press
Total Pages: 508
Release: 2016-08-27
Genre: History
ISBN: 9781371653804

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Loss of the Self in Modern Literature and Art

Loss of the Self in Modern Literature and Art
Author: Wylie Sypher
Publisher:
Total Pages: 200
Release: 1962
Genre: Art and science
ISBN:

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Discussion of the links of modern science with the art of Picasso, Braque, and the writing of Sartre, Beckett and others.


The Art of Picturing in Early Modern English Literature

The Art of Picturing in Early Modern English Literature
Author: Camilla Caporicci
Publisher: Routledge
Total Pages: 251
Release: 2019-11-04
Genre: Literary Criticism
ISBN: 1000734838

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Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.