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Music Sketches

Music Sketches
Author: Friedemann Sallis
Publisher: Cambridge University Press
Total Pages: 297
Release: 2015-01-29
Genre: Music
ISBN: 0521866480

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This introduction provides students and scholars with the information and skills they need when studying composers' sketches.


Sketches from Cambridge

Sketches from Cambridge
Author: Leslie Stephen
Publisher:
Total Pages: 182
Release: 1865
Genre: Universities and colleges
ISBN:

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Cambridge Sketches

Cambridge Sketches
Author: Frank Preston Stearns
Publisher: IndyPublish.com
Total Pages: 398
Release: 1905
Genre: Fiction
ISBN:

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Excerpt: ...speaker, but possessed greater resources for debate. Judge Story had noticed long before that facts were so carefully and systematically arranged in Sumner's mind that whatever spring was touched he could always respond to the subject with a full and exact statement. He was like a librarian who could lay his hand on the book he wanted without having to look for it in the catalogue, -and this upon a scale which seems almost incredible. Webster possessed the same faculty, but united it with a sense of artistic beauty which Sumner could not equal. Sumner, however, was the best orator in Congress at this time, as well as the best legal authority. On all constitutional questions it was felt that he had Judge Story's support behind him. His oration on "Freedom National, Slavery Sectional," was a revelation, not only to the opposition, but to his own party. From that time forth, he became the spokesman of his party on all the more important questions. It frequently happens that the essential character of a government changes while its form remains the same. In 1801 France was nominally a Republic, but its administration was Imperial. In 1853 the United States ceased to be a democracy and became an oligarchy, governed by thirty thousand slave-holders, -until the people reconquered their rights on the field of battle. Accustomed to despotic power in their own States for more than two generations, and justifying themselves always by divine right, the slave-holders possessed all the self-confidence, pretension, and arrogance of the old French nobility. They were a self-deluded class of men, of all classes the most difficult to deal with, and Sumner was the Mirabeau who faced them at Washington and who pricked the bubble of their Olympian pretensions by a most pitiless exposure of their true character. Those men had come to believe that the ownership of slaves was equivalent to a patent of nobility, and they were encouraged in this monarchical illusion by the...


Sketches from Cambridge

Sketches from Cambridge
Author: Don A.
Publisher:
Total Pages:
Release: 1901
Genre:
ISBN: 9780243737598

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Cambridge Sketches

Cambridge Sketches
Author: Frank Preston Stearns
Publisher: IndyPublish.com
Total Pages: 398
Release: 1905
Genre: Fiction
ISBN:

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Excerpt: ...speaker, but possessed greater resources for debate. Judge Story had noticed long before that facts were so carefully and systematically arranged in Sumner's mind that whatever spring was touched he could always respond to the subject with a full and exact statement. He was like a librarian who could lay his hand on the book he wanted without having to look for it in the catalogue, -and this upon a scale which seems almost incredible. Webster possessed the same faculty, but united it with a sense of artistic beauty which Sumner could not equal. Sumner, however, was the best orator in Congress at this time, as well as the best legal authority. On all constitutional questions it was felt that he had Judge Story's support behind him. His oration on "Freedom National, Slavery Sectional," was a revelation, not only to the opposition, but to his own party. From that time forth, he became the spokesman of his party on all the more important questions. It frequently happens that the essential character of a government changes while its form remains the same. In 1801 France was nominally a Republic, but its administration was Imperial. In 1853 the United States ceased to be a democracy and became an oligarchy, governed by thirty thousand slave-holders, -until the people reconquered their rights on the field of battle. Accustomed to despotic power in their own States for more than two generations, and justifying themselves always by divine right, the slave-holders possessed all the self-confidence, pretension, and arrogance of the old French nobility. They were a self-deluded class of men, of all classes the most difficult to deal with, and Sumner was the Mirabeau who faced them at Washington and who pricked the bubble of their Olympian pretensions by a most pitiless exposure of their true character. Those men had come to believe that the ownership of slaves was equivalent to a patent of nobility, and they were encouraged in this monarchical illusion by the...


Samuel Beckett and the Visual

Samuel Beckett and the Visual
Author: Conor Carville
Publisher: Cambridge University Press
Total Pages: 277
Release: 2018-04-12
Genre: Literary Criticism
ISBN: 1108422772

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This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.


Sketches from Cambridge

Sketches from Cambridge
Author: Sir Leslie Stephen
Publisher:
Total Pages:
Release: 1932
Genre:
ISBN:

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Sketches of Persia

Sketches of Persia
Author: John Malcolm
Publisher:
Total Pages: 592
Release: 1827
Genre: Iran
ISBN:

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Drawing and Cognition

Drawing and Cognition
Author: Peter van Sommers
Publisher: Cambridge University Press
Total Pages: 0
Release: 2009-05-07
Genre: Medical
ISBN: 9780521110631

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When we do something as apparently simple as sketching a map, constructing a working diagram, or drawing an imaginary face to amuse ourselves, we utilise a complex set of abilities: perceptual, mechanical, strategic, representational, pragmatic. Peter van Sommers sets out to distinguish and describe the various layers of organisation in the drawing performances of ordinary people - adults and children. Drawings, like language, have a multi-layered structure. Because much of the structure represents tacit knowledge, a variety of special observational and analytic methods must be developed to provide a comprehensive empirical account of graphic production. This book illuminates the link between laboratory methods and the study of an important skill exercised in the real world. It will be of interest to a wide range of cognitive psychologists as well as to many neuropsychologists and others concerned with art, aesthetics, writing and script evolution.