Sixteen Ways of Looking at a Photograph
| Author | : Claire Raymond |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : Composition (Photography) |
| ISBN | : 9780190646233 |
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The Photographic Uncanny
| Author | : Claire Raymond |
| Publisher | : Springer Nature |
| Total Pages | : 329 |
| Release | : 2019-11-23 |
| Genre | : Photography |
| ISBN | : 3030284972 |
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This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.
The Selfie, Temporality, and Contemporary Photography
| Author | : Claire Raymond |
| Publisher | : Taylor & Francis |
| Total Pages | : 189 |
| Release | : 2021-05-09 |
| Genre | : Art |
| ISBN | : 1000379981 |
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This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.
Photography and Resistance
| Author | : Claire Raymond |
| Publisher | : Springer Nature |
| Total Pages | : 242 |
| Release | : 2022-05-26 |
| Genre | : Photography |
| ISBN | : 3030961583 |
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This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutiérrez, Ana Mendieta, An-My Lê, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield.
Hard Art
| Author | : |
| Publisher | : Akashic Books |
| Total Pages | : 98 |
| Release | : 2013 |
| Genre | : Music |
| ISBN | : 1617751677 |
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Pulitzer prize-winning photographer Lucian Perkins captures four electrifying punk shows in Washington, DC, in 1979, with narrative by Alec MacKaye and an essay by Henry Rollins.
Sixteen Years in Sixteen Seconds
| Author | : Paula Yoo |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2005 |
| Genre | : Asian American children |
| ISBN | : 9781584302476 |
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Profiles the childhood dreams and realities of the first Asian American to win an Olympic gold medal, achieved in the ten-meter platform diving event in 1948.
Contemporary Arts Across Political Divides
| Author | : Alla Myzelev |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 328 |
| Release | : 2023-07-04 |
| Genre | : Political Science |
| ISBN | : 1527507262 |
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This book explores what art and artists can do to create democratic spaces, forms, and languages in a world devastated by multiple crises. Artists, activists, art historians, and art curators conduct timely and critical analyses across political divides, informing the public search for an agency, dialogue and self-representation. They analyze how artists transform these social relations through aesthetic means with a shared commitment to bridging political divides and conflicts. The book uses case studies from Australia, India, Mexico, USA, Turkey, Palestine, Israel, the Balkans, Russia, Italy, Ukraine to discuss the possibility or impossibility of building avenues for participation, equitable interaction, self-organization, as well as the common creation of the imaginary and a culture of dialogue. The book pushes for a broader and more conflict-oriented understanding of art and politics.
Looking at Photography
| Author | : Stephen Frailey |
| Publisher | : Damiani Limited |
| Total Pages | : 204 |
| Release | : 2020-02-18 |
| Genre | : Photography |
| ISBN | : 9788862087025 |
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How to read photographs: the new essential primer In 1973, John Szarkowski, the revered director of photography at the Museum of Modern Art, New York, published his classic volume Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art, offering a wide-ranging and accessible history of photography and an engaging primer. Now, American photographer and educator Stephen Frailey has borrowed Szarkowski's concept and format for his new book, Looking at Photography: 100 great images and a page of text for each. Frailey picks up where Szarkowski left off, updating the project to take stock of significant photographs from the early 1980s to the present day. Through a focused discussion on each individual work, Frailey articulates the themes and emerging sensibility of contemporary photography. Artists featured in this volume include Tina Barney, Jeff Wall, Steven Meisel, Nan Goldin, Helmut Newton, Martin Parr, Tim Walker and Wolfgang Tillmans, among others. Stephen Frailey (born 1957) is a photographer, writer, curator, editor and educator. His work has been shown, published and collected internationally. He served as the Chair of Photography at the School of Visual Arts in New York from 1998 to 2018, and is the co-chair of its MPS Fashion Photography Program. In 2003 he founded the Auction for Photographic Education in Afghanistan to create a photography department at Kabul University. In 2007 he founded the photography magazine Dear Dave, and is its Editor in Chief. He is currently the Director of Education at Red Hook Labs.
Hans Eijkelboom: People of the Twenty-First Century
| Author | : Hans Eijkelboom |
| Publisher | : Phaidon Press |
| Total Pages | : 512 |
| Release | : 2014-10-02 |
| Genre | : Photography |
| ISBN | : 9780714867151 |
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Hans Eijkelboom: People of the Twenty‐First Century is an enormous and completely fascinating collection of "anti‐sartorial" photographs of street life by the Dutch conceptual artist/street photographer. From Amsterdam to New York and Paris to Shanghai, these photographs, taken over a period of more than twenty years, provide a cumulative portrait of the people of the twenty‐first century. A magnetic panoply of images, this cult object has a place in the library of every photography book collector as well as anyone interested in contemporary culture. Democratic, apolitical and unique, the archive of thousands of images offers an engrossing and engaging cross-section of society. Over the course of the last two decades, the Dutch photographer worked methodically on his monumental Photo Notes project: First he would select a busy pedestrian area – his favorite spots were often near shopping centers – where he would stay for 30 minutes up to a few hours. He then spent time observing passers-by before recognizing a common type, normally based on a garment, sometimes a behavior: people in band T‐shirts, fur caps or beige trench coats; young couples walking arm in arm; women in suit dresses; men with gelled hair or pushing shopping trolleys. . . He snapped them with a camera hung around his neck, attached to a trigger in his pocket. Back in the studio, the images were laid into grids called Photo Notes. Their simplicity of form and presentation belies their complex anthropological, social and artistic commentary.
The Photographer at Sixteen
| Author | : George Szirtes |
| Publisher | : Hachette UK |
| Total Pages | : 240 |
| Release | : 2019-01-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 0857058525 |
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A poet's memoir of his mother that flows backwards through time, through a tumultuous period of European history - a tender and yet unsparing autobiographical journey. **RADIO 4's BOOK OF THE WEEK FROM 15 March 2021** "A truly remarkable book . . . fiercely compelling" EDMUND DE WAAL *WINNER OF THE JAMES TAIT BLACK MEMORIAL PRIZE* *SHORTLISTED FOR THE JEWISH WINGATE PRIZE* "I've read no memoir that moved me more" MIRANDA SEYMOUR "The writing is always scrupulous . . . [a] compelling memoir" BLAKE MORRISON "Beautifully written and utterly compelling" Sunday Times "An original, probingly thoughtful memoir" EVA HOFFMANN In July 1975, George Szirtes' mother, Magda, died in an ambulance, on her way to hospital after attempting to take her own life. She was fifty-one years old. This memoir is an attempt to make sense of what came before, to re-construct who Magda Szirtes really was. The Photographer at Sixteen moves from her death, spooling backwards through her years as a mother, through sickness and exile in England, the family's flight from Hungary in 1956, her time in two concentration camps, her girlhood as an ambitious photographer and her vanished family in Transylvania. The woman who emerges, fleetingly, fragmentarily - with her absolutism, her contradictions, her beauty - is utterly captivating. What were the terrors and obsessions that drove her? The Photographer at Sixteen reveals a life that is at Magda Szirtes from the depths of the end to the comparable safety of the photographer's studio where she first appears as a small child. It is a book born of curiosity, guilt and love.
