Six Concertos For The Harpsichord Or Organ With Accompanyments For Two Violins And A Bass PDF Download
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Author | : Georg Christoph Wagenseil |
Publisher | : |
Total Pages | : 104 |
Release | : 1761 |
Genre | : |
ISBN | : |
Download Six Concertos for the Harpsichord or Organ with Accompanyments for Two Violins and a Bass. [Parts.] Book in PDF, ePub and Kindle
Author | : Georg Christoph Wagenseil |
Publisher | : |
Total Pages | : |
Release | : 1765 |
Genre | : Concertos (Harpsichord with string orchestra) |
ISBN | : |
Download Six concertos for the harpsichord or organ with accompanyments for two violins and a bass Book in PDF, ePub and Kindle
Author | : William Bates |
Publisher | : |
Total Pages | : 148 |
Release | : 1765 |
Genre | : |
ISBN | : |
Download Six Concertos in ten Parts, for two Violins, two Hautboys obligated, two French Horns obligated, two Trumpets, one Alto Viola, a Violoncello and Thorough Bass for the Harpsichord ... Opera seconda. [Parts.] Book in PDF, ePub and Kindle
Author | : John Stanley |
Publisher | : Oxford University Press, USA |
Total Pages | : 64 |
Release | : 1986 |
Genre | : Concertos (Harpsichord with string orchestra) |
ISBN | : |
Download Six concertos for organ, harpsichord, or fortepiano (opus X) Book in PDF, ePub and Kindle
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 764 |
Release | : 1912 |
Genre | : Music |
ISBN | : |
Download Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum Book in PDF, ePub and Kindle
Author | : Daniel Heartz |
Publisher | : W. W. Norton & Company |
Total Pages | : 844 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9780393037128 |
Download Haydn, Mozart, and the Viennese School, 1740-1780 Book in PDF, ePub and Kindle
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Author | : Pierre Dubois |
Publisher | : Routledge |
Total Pages | : 271 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351572350 |
Download Charles Avison's Essay on Musical Expression Book in PDF, ePub and Kindle
Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
Author | : Pierre Dubois |
Publisher | : Cambridge University Press |
Total Pages | : 137 |
Release | : 2021-03-11 |
Genre | : Music |
ISBN | : 1108968066 |
Download Dr. Charles Burney and the Organ Book in PDF, ePub and Kindle
Whereas Dr Burney's writings are often mentioned in studies on eighteenth-century music, not much interest seems to have been given specifically to his relation to the organ, which played an important part in his professional career as a practising musician. No better introduction to the aesthetic ethos of the eighteenth-century English organ can be found than in Burney's remarks disseminated in his various writings. Taken together, they construct a coherent discourse on taste and constitute an aesthetic. Burney's view of the organ is indicative of a broader ethos of moderation that permeates his whole work, and is at one with the dominant moral philosophy of Georgian England. This conception is ripe with patriotic undertones, while it also articulates a constant plea for politeness as a condition for harmonious social interaction. He believed that moderation, simplicity, and fancy were the constituents of good taste as well as good manners.
Author | : John Harley |
Publisher | : |
Total Pages | : 368 |
Release | : 1992 |
Genre | : Harpsichord music |
ISBN | : |
Download British Harpsichord Music: Sources Book in PDF, ePub and Kindle
Author | : Fitzwilliam Museum |
Publisher | : Cambridge University Press |
Total Pages | : 216 |
Release | : 1992-11-27 |
Genre | : Music |
ISBN | : 9780521415354 |
Download A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge Book in PDF, ePub and Kindle
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.