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| Author | : Nancy Perloff |
| Publisher | : Getty Publications |
| Total Pages | : 292 |
| Release | : 2003 |
| Genre | : Avant-garde (Aesthetics) |
| ISBN | : 9780892366774 |
Reassessing the complex career of one of the most influential yet controversial experimental artists of the early 20th century, this volume of essays looks at the prolific painter, designer, architect and photographer, El Lissitzky (1890-1941).
| Author | : Samuel Johnson |
| Publisher | : University of Chicago Press |
| Total Pages | : 249 |
| Release | : 2024 |
| Genre | : Architecture |
| ISBN | : 022652423X |
"The artist and architect El Lissitzky (1890-1941) is celebrated for his contributions to painting, architecture, photography, and graphic design, and for his role in disseminating Russian and Soviet avant-garde art in Europe during the 1920s. Though he worked in a diversity of media, Lissitzky nonetheless produced the majority of his work on paper in the form of innovative photomontages, architectural drawings, lithographs, typography, books, and photo magazines. This monograph--the first career-spanning archival study of Lissitzky since 1968--reveals that the artist's multiple pursuits arose from his deep commitment to print as the premier medium of public exchange in the young and turbulent twentieth century. Samuel Johnson demonstrates that paper and print media were preoccupations that shaped Lissitzky's worldview, values, politics, and production in ways that have never been fully appreciated. Probing Lissitzky's stance on the problems of distribution and reception, this book offers a compelling and nuanced portrait of Lissitzky as experimenter, visionary designer, technocrat, and propagandist-the very prototype of the twentieth-century artist, with a legacy that remains largely on paper"--
| Author | : Nancy Perloff |
| Publisher | : Getty Publications |
| Total Pages | : 210 |
| Release | : 2017-01-21 |
| Genre | : Art |
| ISBN | : 1606065084 |
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
| Author | : Richard Anderson |
| Publisher | : MIT Press |
| Total Pages | : 381 |
| Release | : 2024-04-09 |
| Genre | : Architecture |
| ISBN | : 0262048787 |
How a visionary, never-realized architectural project, devised by one of the twentieth century’s greatest artists, shaped architectural culture in Europe between the world wars. After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a “horizontal skyscraper,” which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow’s Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In Wolkenbügel, Richard Anderson explores Lissitzky’s translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky’s singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
| Author | : Joseph Masheck |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 241 |
| Release | : 2023-06-15 |
| Genre | : Philosophy |
| ISBN | : 1350216992 |
Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters. Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how 'revealed religion' has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its very originators. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ. A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.
| Author | : Ken Wilder |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 345 |
| Release | : 2020-05-14 |
| Genre | : Art |
| ISBN | : 1350088412 |
Beholding considers the spatially situated encounter between artwork and spectator. It argues that artworks created for specific places or conditions structure a reciprocal encounter, which is completed by the presence of a beholder. These are works which demand the 'beholder's share', but not, as Ernst Gombrich famously claimed, to sustain an illusion. Rather, Beholding reconfigures Gombrich's notion of the beholder's share as a set of 'licensed' imaginative and cognitive projections. Each chapter frames a particular work of art from the remit of a complementary theoretical text. The book establishes a transhistorical notion of the spatially situated encounter, and considers the role of the architectural host in bringing the beholder's orientation into play. The book engages a diverse range of practices: from Renaissance painting and group portraiture to intermedia practices of installation and performance art. Written within the broad remit of reception aesthetics, the book proposes a phenomenological theory of beholding, argued through an in-depth examination of artworks and their spatial contexts, selected for their explanatory potential. These various encounters allocate different constitutive roles to the beholder, bringing not only spatial and temporal orientation into play, but also a repertoire of anticipated ideas and beliefs.
| Author | : Jörg Schulte |
| Publisher | : BRILL |
| Total Pages | : 457 |
| Release | : 2012-04-03 |
| Genre | : History |
| ISBN | : 9004227148 |
This book traces the impact on Jewish culture in Western Europe of the migration of Russian Jews following the 1917 Revolution as they enabled the creation of a single sphere of Jewish culture common to all parts of the European diaspora.
| Author | : Anthony John Harper |
| Publisher | : Librairie Droz |
| Total Pages | : 228 |
| Release | : 2005 |
| Genre | : Emblems in art |
| ISBN | : 9780852618219 |
| Author | : Bernard Vere |
| Publisher | : Manchester University Press |
| Total Pages | : 288 |
| Release | : 2018-03-06 |
| Genre | : Art |
| ISBN | : 1526126818 |
This book highlights sport as one of the key inspirations for an international range of modernist artists. Sport emerged as a corollary of the industrial revolution and developed into a prominent facet of modernity as it spread across Europe at the turn of the twentieth century. It was celebrated by modernists both for its spectacle and for the suggestive ways in which society could be remodelled on dynamic, active and rational lines. Artists included sport themes in a wide variety of media and frequently referenced it in their own writings. Sport was also political, most notably under fascist and Soviet regimes, but also in democratic countries, and the works produced by modernists engage with various ideologies. This book provides new readings of aspects of a number of avant-garde movements, including Italian futurism, cubism, German expressionism, Le Corbusier's architecture, Soviet constructivism, Italian rationalism and the Bauhaus.
| Author | : Detlef Mertins |
| Publisher | : Getty Publications |
| Total Pages | : 288 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 9781606060391 |
Published in the 1920s by a who's who of avant-garde artists, G helped shape a new phase in modern art. This is the first English translation.
