Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Singular Women PDF full book. Access full book title Singular Women.
| Author | : Kristen Frederickson |
| Publisher | : Univ of California Press |
| Total Pages | : 292 |
| Release | : 2003-03-04 |
| Genre | : Art |
| ISBN | : 9780520231658 |
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
| Author | : Janny Scott |
| Publisher | : Penguin |
| Total Pages | : 309 |
| Release | : 2011-05-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 110151390X |
From the author of The Beneficiary: Fortune, Misfortune and the Story of My Father comes a major publishing event: an unprecedented look into the life of the woman who most singularly shaped Barack Obama-his mother. Barack Obama has written extensively about his father, but little is known about Stanley Ann Dunham, the fiercely independent woman who raised him, the person he credits for, as he says, "what is best in me." Here is the missing piece of the story. Award-winning reporter Janny Scott interviewed nearly two hundred of Dunham's friends, colleagues, and relatives (including both her children), and combed through boxes of personal and professional papers, letters to friends, and photo albums, to uncover the full breadth of this woman's inspiring and untraditional life, and to show the remarkable extent to which she shaped the man Obama is today. Dunham's story moves from Kansas and Washington state to Hawaii and Indonesia. It begins in a time when interracial marriage was still a felony in much of the United States, and culminates in the present, with her son as our president- something she never got to see. It is a poignant look at how character is passed from parent to child, and offers insight into how Obama's destiny was created early, by his mother's extraordinary faith in his gifts, and by her unconventional mothering. Finally, it is a heartbreaking story of a woman who died at age fifty-two, before her son would go on to his greatest accomplishments and reflections of what she taught him.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Fashion design |
| ISBN | : 9780847860425 |
A celebration of Chanel haute couture photographed by one of fashion's most acclaimed hotographers. As the fashion cognoscenti would say, there's magic in true haute couture--the creations that entail thousands of hours of handwork, crafting, embellishing. In an exclusive shoot with the house of Chanel, photographer Cathleen Naundorf gained rare access to their physical archives to photograph couture gowns against theatrical backdrops. The result: a book of ethereal, cinematic photographs that capture the exquisiteness of the ensembles and the magical allure of haute couture. This is what sartorial dreams are made of. For more than two decades, Naundorf has used her expert photographic skills to pay homage to the haute couture aesthetic. Combining her experiences in travel, art, and photojournalism, Naundorf elaborately arranges each detail of her photographs, using storyboards and extensively researching the lighting, setting, backdrops, props, hairpieces, makeup, and design for every image. Each photograph is a singular vision suggesting romance, surrealism, exoticism, and above all else, fantasy.
| Author | : Emily Harrington |
| Publisher | : University of Virginia Press |
| Total Pages | : 243 |
| Release | : 2014-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 0813936136 |
Emily Harrington offers a new history of women’s poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy. Writing about relationships that are familial, divine, sexual, literary, and musical, these poets reconsidered the dynamics of absence and presence, and subject and object, that are at the heart of the lyric enterprise. Harrington locates these poets' theories of intimacy not only in their formal poetic practice but also in diverse prose works such as prefaces, literary and devotional essays, and unpublished letters and diaries. By analyzing various patterns of versification and modes of address, she articulates new ways of thinking about the bonds of verse and enlarges our understanding of verse culture in the late nineteenth century.
| Author | : Geneviève Sellier |
| Publisher | : Duke University Press |
| Total Pages | : 280 |
| Release | : 2008-03-25 |
| Genre | : Performing Arts |
| ISBN | : 0822388979 |
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema. Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. She examines the development of the New Wave movement, its sociocultural and economic context, and the popular and critical reception of such well-known films as Jules et Jim and Hiroshima mon amour. In light of the filmmakers’ focus on gender relations, Sellier reflects on the careers of New Wave’s iconic female stars, including Jeanne Moreau and Brigitte Bardot. Sellier’s thorough exploration of early New Wave cinema culminates in her contention that its principal legacy—the triumph of a certain kind of cinephilic discourse and of an “auteur theory” recognizing the director as artist—came at a steep price: creativity was reduced to a formalist game, and affirmation of New Wave cinema’s modernity was accompanied by an association of creativity with masculinity.
| Author | : Mike Johnson |
| Publisher | : Author House |
| Total Pages | : 131 |
| Release | : 2014-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496914996 |
Dianne Haley Vots on her sister Lynne: "I knew she thought of me because wherever she went she always brought me presents. While I treasure all of those presents, I see now that she herself was the most precious gift."
| Author | : Leslie Talbot |
| Publisher | : Citadel Press |
| Total Pages | : 210 |
| Release | : 2007 |
| Genre | : Self-Help |
| ISBN | : 9780806527994 |
Full of wise, witty and sardonic observations from the beloved blog SingularExistence.com - the definitive single person's rebuttal to the popular notion that a relationship is the only means to happiness. Drawing on personal experience, Leslie Talbot uses her own contrarian perspective to eviscerate the media fads, self-help quackery, chick lit formulae and bogus social science that plague the unpaired. Redefining the difference between alone and lonely, Talbot will appeal to smart women everywhere.
| Author | : Kristen Frederickson |
| Publisher | : Univ of California Press |
| Total Pages | : 282 |
| Release | : 2003-03-04 |
| Genre | : Art |
| ISBN | : 0520231651 |
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
| Author | : Laurel Thatcher Ulrich |
| Publisher | : Vintage |
| Total Pages | : 322 |
| Release | : 2008-09-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307472779 |
From admired historian—and coiner of one of feminism's most popular slogans—Laurel Thatcher Ulrich comes an exploration of what it means for women to make history. In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history." Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written. She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century’s Virginia Woolf, author of A Room of One's Own. Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did. And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.
| Author | : Rosemary Mahoney |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 422 |
| Release | : 2004-05 |
| Genre | : Religion |
| ISBN | : 9780618446650 |
An "enlightening but also very funny" (Paul Theroux) account of one woman's personal quest to find the roots of belief among modern religious pilgrims.
