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Singing in Russian

Singing in Russian
Author: Emily Olin
Publisher: Scarecrow Press
Total Pages: 257
Release: 2012-10-04
Genre: Music
ISBN: 0810881179

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With its unique blend of eastern and western traditions of music and poetry, the world of Russian vocal music is rich in spirituality, intimacy, and passion for singers and their audience. Russian song traditions offer an ideal opportunity for self-expression and the forging of a deep connection with one’s listeners. It also presents formidable challenges to singers at every level, ranging from the complexities native to sung and spoken Russian to the intricacies of diction and interpretation that lie behind the nuanced relationship between Russian music and poetry. Founded on the underlying principle that sung language differs dramatically from spoken language, Singing in Russian offers a comprehensive and accessible approach to understanding, mastering, and performing Russian vocal music. After covering the basics of the Cyrillic alphabet and Russian grammar and diction, author Emily Olin encourages readers to take the innovative step of using the music itself to guide the singer’s pronunciation and interpretation. English sound comparisons, linguistic and musical examples, and multifaceted exercises complement textual explanations, reinforcing the techniques Olin has employed for over three decades. The addition of repertoire lists and practical recommendations further equip singers to confidently go from start to stage. Furthermore, the online audio examples contain exercises that demonstrate and reinforce the correct sound and interpretation of everything from the alphabet to the presentation of vowels, consonants, words, and phrases.These can be found at: https://soundcloud.com/user-869634200/sets/singing-in-russian-a-guide-to-language-and-performance Singing in Russian is an invaluable resource for students, performers, teachers, directors, conductors, and coaches seeking to increase their access to Russian opera and art song, master the challenges they present to performance, and expand their personal, professional, and institutional repertoire on stage.


Russian Songs & Arias

Russian Songs & Arias
Author: Jean Piatak
Publisher: Pst..., Incorporated
Total Pages: 228
Release: 1991
Genre: Music
ISBN:

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A Russian song book

A Russian song book
Author: Rose N. Rubin
Publisher: Courier Corporation
Total Pages: 113
Release: 1989-01-01
Genre: Music
ISBN: 0486261182

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Twenty-five traditional folk songs, plus 19 songs written in the folk style by 20th-century composers such as Shostakovich, Knipper, and Zakharov. Each of the songs appears with a vocal line, full piano accompaniment, and guitar chords. The lyrics are shown in the original Cyrillic, in transliteration, and in an English translation.


Your Guide to Singing in Russian

Your Guide to Singing in Russian
Author: Boris Loushin
Publisher:
Total Pages:
Release: 2002
Genre: Russian language
ISBN:

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Original Russian texts (in Cyrillic), line-by-line readings of the texts by a native Russian speaker, word-by-word transcriptions in international Phonetic Alphabet, word-by-word and poetic translations, sheet music.


Russian Church Singing: History from the origins to the mid-seventeenth century

Russian Church Singing: History from the origins to the mid-seventeenth century
Author: Johann von Gardner
Publisher: St Vladimir's Seminary Press
Total Pages: 402
Release: 1980
Genre: Music
ISBN: 9780881410464

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The history of church singing in Russia constitutes an essential aspect of that nation's culture and musical history. For the first 650 years, from the Christianization of Rus' in the year 988, liturgical chant was the only documentable art music in that vast territory that eventually became the modern nations of Russia, Ukraine and Belarus. Indeed, in Russia before the revolution of 1917, "liturgical musicology" was a bona fide scholarly discipline, taught in conservatories, universities, and theological seminaries. All activity in the field came to a halt, however, during the 75-year "Soviet era," when the study and practice of sacred music was severely repressed for ideological reasons, with a resulting lack of published research and secondary material. Consequently, Russian and Western music historians, church musicians, and liturgical scholars (as well as ordinary church-goers), whose interest in Orthodox Christianity and its art has been increasing of late, have been deprived of reference works that would impart even a general knowledge of the history and development of liturgical singing in the Russian Orthodox Church. The present Volume, Russian Church Singing: Volume 2 is the second installment of Professor Johann von Gardner's monumental work to appear in English translation. The 396-page volume, translated and edited by Dr. Vladimir Morosan, considers the development and practice of liturgical chant in the Russian lands from a variety of aspects: its origins and the various cultural influences upon its formation; extant manuscripts; the evolution of the notation and the problematics of deciphering it into modern-day notes; the forces involved in its performance; its stylistic evolution from exclusively monodic forms to improvised and, eventually, notated polyphony; its earliest known composers and performing ensembles; its aesthetics in relation to liturgy, the language, and the various problems that arose over the centuries, resulting in the adoption of Westernized stylistic models around the year 1650, which marks the approximate end of the time period covered in this volume. Much of this information is made accessible for the first time to the English reader, and will be of interest both to the specialist and to the general reader, generating a healthy demand for further research and exploration into this fascinating and hitherto unknown field. Book jacket.


An English Echo of Russian Song

An English Echo of Russian Song
Author: Ivan Renatovich
Publisher: Xlibris Corporation
Total Pages: 102
Release: 2012
Genre: Music
ISBN: 9781469126005

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60 (SIXTY) SINGING TRANSLATIONS OF RUSSIAN SONGS IN ENGLISH Just as subtitles (in English) help audiences to understand foreign motion pictures, so do these singing translations help English speaking listeners understand Russian songs that are in this publication. CONTENTS OF THE BOOK Preface Introduction Dedications and Thanks 01 Do Not Scold Me So My Dearest 02 Midst Ball's Noisy Clamour 03 Will I Forget? 04 Oh, Keep Mum 05 To Love You And Embrace 06 Don't You Ask Me 07 Lips Pout 08 Two Farewells 09 Serenade 10 If I Meet You Somewhere 11 Reminder 12 For You Alone 13 Portrait 14 Forgive! Don't Dwell On Days Of Downfall 15 What For Is Love? (Why Love, Why Suffer?) 16 Morning 17 Rendezvous: When Stars Pour Out Sparkling 18 All Alone I Set Out on the Highway 19 No City Sounds Are Heard 20 In Silent, Secret, Night's Calm 21 No, Only One Who Knew 22 As Then, Again I'm Alone 23 Songs And Dances of Death 1 Lullaby 24 Songs And Dances of Death 2 Serenade 25 Songs And Dances of Death 3 Trepak (Russian Folk Dance) 26 Songs And Dances of Death 4 Fieldmarshal 27 The (Young) Pedlar's Song Or Korobushka 28 Elegy: When You, My Heart 29 No, It's Not You I Fervently Adore 30 Night Is Bright 31 O, If I Could Only In Words, Dear 32 Coachman's Song 33 Misty Morning 34 But Nonetheless I Love You Still 35 Troika's Dashing, Troika's Flying 36 In That Fateful Hour 37 I Loved You So 38 Burn Bright, Burn Bright My Star, My Star 39 Why, Oh Why? 40 Twelve Robbers 41 Here Now A Dashing Troika Flies By 42 Song Of The Viking Guest 43 Song Of The Indian Guest 44 Songs Of The Venetian Guest 45 Volkhova's Lullaby 46 Nursery 5 At Bedtime 47 Sunless 1 Within Four Walls 48 Sunless 2 You Didn't Recognise Me 49 Drive, Cabbie 50 Chrysanthemums 51 Just Go Just Go Away! 52 Dear Little Street 53 You Had Watered Your Steed 54 Not Regretting, Calling Back, Or Crying 55 Omens (I Went To You ) 56 Don't Go Away 57 Stern Old Spouse (Gypsie Girl's Song) 58 Night Is Still 59 It's So Good Here 60 I'll Forget All, I'll Foresake All (for female voice) 60 I'll Forget All, I'll Foresake All (for male voice) Discography The aim of this work is to help English speakers discover the richness, beauty and pathos of Russian song through the singing of this " English Echo of Russian Songs". This songbook may also be used in an educational and musical context, as it allows discovery, or rediscovery in some cases, of the Russian language. It is intended that these translations be sung (karaoke style) while playing and listening to the recording of the Russian song and at the same time singing the translated English words from this songbook. Listening to Russian words while singing the English words is the educational interaction referred to in the paragraph above. For teachers and students of both Russian and English languages, singing a Russian song in Russian and straight after in English would help to compare and contrast that song during discussion. A public performance of the same song sung in both Russian and English would help to preserve its original Russian sentiment and also interpret the song. These singing translations are just as essential to audiences, as the English subtitles in Russian motion pictures are to cinema goers. Ivan Renatovich


Stalin's Singing Spy

Stalin's Singing Spy
Author: Pamela A. Jordan
Publisher: Rowman & Littlefield
Total Pages: 381
Release: 2016-01-21
Genre: History
ISBN: 1442247746

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Stalin’s Singing Spy follows the remarkable life of NadezhdaPlevitskaya, a Russian peasant girl who achieved fame as one of Tsar Nicholas II’s favorite singers and infamy as one of Stalin’s agents. Pamela A. Jordan traces Plevitskaya’s life from her childhood in an isolated village to national stardom. She always declared that she was foremost an artist who sang for all people, regardless of their ideological leanings or socioeconomic background. She claimed throughout her career to be fundamentally apolitical, yet decades later in Europe, Plevitskaya was unmasked as one of Joseph Stalin’s secret agents along with her husband, White Russian General Nikolai Skoblin. Their experiences in exile shed light on Stalin’s covert operations and the hardships Russian émigrés faced in interwar Europe, an era of great political and economic turmoil. In addition, this book uncovers the roles that the couple played in one of the Soviets’ major intelligence coups—the 1937 kidnapping of White Russian General Evgeny Miller in Paris. Jordan recreates Plevitskaya’s sensationalized 1938 criminal trial in the Palace of Justice, where she was accused of conspiring to kidnap Miller and portrayed as a Red femme fatale. The first Western biography of Plevitskaya and the first to reconstruct her dramatic trial, this book provides a fascinating window into Soviet-era espionage in interwar Europe.


Eighteenth-Century Russian Music

Eighteenth-Century Russian Music
Author: Marina Ritzarev
Publisher: Routledge
Total Pages: 453
Release: 2017-07-05
Genre: Music
ISBN: 1351568590

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Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to view the history of Russian music as not beginning until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the course of the eighteenth century, a period of especially intense Westernization and secularization. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the rich background of social, political and cultural life, tying together many of the phenomena that used to be viewed separately. The book highlights the importance of previously marginalized sectors - serf culture, choral sacred culture, the contribution of foreign musicians, the significant influence of Freemasonry, the role of Ukrainian and West-European cultures and so on - as well as casting new light on the well-researched topic of Russian opera. Much new archival material is introduced, and revised biographies of the two leading eighteenth-century Russian composers, Maxim Berezovsky and Dmitry Bortniansky, are provided, as well as those of the serf composer Stepan Degtyarev and the Italian Giuseppe Sarti. The book places eighteenth-century Russian music on the European map, and will be of particular importance for the study of European musical cultures remote from such centres as Italy, Germany-Austria and France. Eighteenth-century Russian music is organically linked with its past and future and its contributory role in forming the Russian national identity and developing the Russian idiom is clarified.


The Routledge Companion to Interdisciplinary Studies in Singing, Volume I: Development

The Routledge Companion to Interdisciplinary Studies in Singing, Volume I: Development
Author: Frank A. Russo
Publisher: Routledge
Total Pages: 521
Release: 2020-05-19
Genre: Music
ISBN: 1351672045

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The Routledge Companion to Interdisciplinary Studies in Singing, Volume I: Development introduces the many voices necessary to better understand the act of singing—a complex human behaviour that emerges without deliberate training. Presenting research from the social sciences and humanities alongside that of the natural sciences and medicine alike, this companion explores the relationship between hearing sensitivity and vocal production, in turn identifying how singing is integrated with sensory and cognitive systems while investigating the ways we test and measure singing ability and development. Contributors consider the development of singing within the context of the entire lifespan, focusing on its cognitive, social, and emotional significance in four parts: Musical, historical and scientific foundations Perception and production Multimodality Assessment In 2009, the Social Sciences and Humanities Research Council of Canada funded a seven-year major collaborative research initiative known as Advancing Interdisciplinary Research in Singing (AIRS). Together, global researchers from a broad range of disciplines addressed three challenging questions: How does singing develop in every human being? How should singing be taught and used to teach? How does singing impact wellbeing? Across three volumes, The Routledge Companion to Interdisciplinary Studies in Singing consolidates the findings of each of these three questions, defining the current state of theory and research in the field. Volume I: Development tackles the first of these three questions, tracking development from infancy through childhood to adult years.


The Russian Word in Song

The Russian Word in Song
Author: Kathleen L. Manukyan
Publisher:
Total Pages: 198
Release: 2011
Genre:
ISBN:

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In keeping with its interdisciplinary nature, the research for this dissertation encompasses a variety of methods, including literary analysis, in-country ethnographic field research, acoustical analysis by computer, and - perhaps most fruitfully - much listening and observing of recordings of Russian opera and song performance in consultation with native speaker informants.