Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Simplify Me When Im Dead PDF full book. Access full book title Simplify Me When Im Dead.
| Author | : Keith Douglas |
| Publisher | : Macmillan |
| Total Pages | : 64 |
| Release | : 2010-06-08 |
| Genre | : Poetry |
| ISBN | : 0571230385 |
Part of Faber's critically acclaimed Poet to Poet series
| Author | : Lorrie Goldensohn |
| Publisher | : Columbia University Press |
| Total Pages | : 584 |
| Release | : 2006-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 0231513038 |
Dismantling Glory presents the most personal and powerful words ever written about the horrors of battle, by the very soldiers who put their lives on the line. Focusing on American and English poetry from World War I, World War II, and the Vietnam War, Lorrie Goldensohn, a poet and pacifist, affirms that by and large, twentieth-century war poetry is fundamentally antiwar. She examines the changing nature of the war lyric and takes on the literary thinking of two countries separated by their common language. World War I poets such as Wilfred Owen emphasized the role of soldier as victim. By World War II, however, English and American poets, influenced by the leftist politics of W. H. Auden, tended to indict the whole of society, not just its leaders, for militarism. During the Vietnam War, soldier poets accepted themselves as both victims and perpetrators of war's misdeeds, writing a nontraditional, more personally candid war poetry. The book not only discusses the poetry of trench warfare but also shows how the lives of civilians—women and children in particular—entered a global war poetry dominated by air power, invasion, and occupation. Goldensohn argues that World War II blurred the boundaries between battleground and home front, thus bringing women and civilians into war discourse as never before. She discusses the interplay of fascination and disapproval in the texts of twentieth-century war and notes the way in which homage to war hero and victim contends with revulsion at war's horror and waste. In addition to placing the war lyric in literary and historical context, the book discusses in detail individual poets such as Wilfred Owen, W. H. Auden, Keith Douglas, Randall Jarrell, and a group of poets from the Vietnam War, including W. D. Ehrhart, Bruce Weigl, Yusef Komunyakaa, David Huddle, and Doug Anderson. Dismantling Glory is an original and compelling look at the way twentieth-century war poetry posited new relations between masculinity and war, changed and complicated the representation of war, and expanded the scope of antiwar thinking.
| Author | : Simon Featherstone |
| Publisher | : Psychology Press |
| Total Pages | : 308 |
| Release | : 1995 |
| Genre | : English poetry |
| ISBN | : 9780415095709 |
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Maurice Lindsay |
| Publisher | : Edinburgh University Press |
| Total Pages | : 384 |
| Release | : 2019-08-05 |
| Genre | : Poetry |
| ISBN | : 1474470270 |
The most wide-ranging anthology of twentieth-century poetry in English and Scots available.
| Author | : Stephen Regan |
| Publisher | : Random House |
| Total Pages | : 547 |
| Release | : 2023-11-02 |
| Genre | : Poetry |
| ISBN | : 0241269636 |
Elegy is among the world's oldest forms of literature: a continuous poetic tradition which stretches back beyond the time of Virgil and Horace to Ancient Greece, speaking eloquently and movingly of the experience of loss and the yearning for consolation. In perhaps the purest instance of art's fundamental 'impulse to preserve' (Philip Larkin), it gives shape and meaning to memories too painful to contemplate for long, and answers our desire to fix in words what would otherwise slip our grasp. In The Penguin Book of Elegy, Andrew Motion and Stephen Regan trace the history of this tradition, selecting the best and most significant poems and poets from the Classical roots of elegy, and from its Renaissance revival down to the present day. They show how this remarkably resilient and versatile form has continued to adapt itself even as society and religious belief have shifted around it, with striking achievements in the work of twentieth- and twenty-first-century poets as different as Marianne Moore, Dylan Thomas, Denise Riley and Gwendolyn Brooks. The result is the only comprehensive anthology of its kind now available in the English language. The Penguin Book of Elegy is itself a work of preservation - and a profound and moving catalogue of the fundamentally human urges to remember and honour the dead, and give comfort to those who survive them.
| Author | : Michael C. Thomsett |
| Publisher | : McFarland |
| Total Pages | : 303 |
| Release | : 2015-09-02 |
| Genre | : History |
| ISBN | : 1476611483 |
History is replete with pronouncements on war. Some reflect on man’s warlike nature (“We are quick to flare up, we races of men on the earth”—Homer); others deal with the practical strategies of the combatants (“If Hitler invaded hell I would make at least a favorable reference to the devil in the House of Commons”—Winston Churchill); and still others offer advice for avoiding conflict (“The most disadvantageous peace is better than the most just war”—Desiderius Erasmus). More than 2,700 quotations on war and conflict are presented in this reference work. The quotations are arranged by more than 100 broad categories, from action to winning. For each, the quotation is first given, followed by its author, the work in which it appeared (when appropriate), and the date. The book includes numerous cross-references, and keyword-in-context and author indexes are provided for further utility.
| Author | : L. Shires |
| Publisher | : Springer |
| Total Pages | : 190 |
| Release | : 1985-06-03 |
| Genre | : Literary Criticism |
| ISBN | : 1349178640 |
| Author | : Desmond Graham |
| Publisher | : Faber & Faber |
| Total Pages | : 300 |
| Release | : 2012-11-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0571287360 |
Keith Douglas was almost certainly the greatest poet of the Second World War. He was killed in Normandy three days after D-Day. He was only twenty-four. His short life was one of contradictions: the gifted artist and romantic, always in love with the wrong girl also enjoyed soldiering and was quick to volunteer at the beginning of the war. The brave and resourceful tank commander with the Sherwood Rangers in the Western Desert, in the campaign of which his Alemein to Zem Zem is the classic account, was also an outspoken critic of the military establishment and often in trouble with his superiors. There was always another side to Keith Douglas: difficult, even arrogant, he was at the same time, as Desmond Graham, observes in his original preface, 'generous, sensitive to the difficulties of others, remorselessly honest, energetic, and passionately, innocently open.' Douglas made in his brief life some friends who never forgot him, and whose memories of him have contributed much to this book. For this biography, Desmond Graham had access to much private and unpublished material. From that, interviews, Keith Douglas' own poems, letters and drawings emerges a definitive biography. 'An almost unqualified success . . . Mr Graham has used his material with great skill and tact.' Roy Fuller 'It is difficult to imagine a better biography than this being written about Keith Douglas . . . Desmond Graham provides us with an astonishing amount of information.' Stephen Spender 'Extremely well-done . . It is written with authority and it will be standard.' Peter Levi 'Sumptuously evocative' John Carey
| Author | : Tim Kendall |
| Publisher | : OUP Oxford |
| Total Pages | : 288 |
| Release | : 2006-07-20 |
| Genre | : Literary Criticism |
| ISBN | : 0191534919 |
Tim Kendall's study offers the fullest account to date of a tradition of modern English war poetry. Stretching from the Boer War to the present day, it focuses on many of the twentieth-century's finest poets - combatants and non-combatants alike - and considers how they address the ethical challenges of making art out of violence. Poetry, we are often told, makes nothing happen. But war makes poetry happen: the war poet cannot regret, and must exalt at, even the most appalling experiences. Modern English War Poetry not only assesses the problematic relationship between war and its poets, it also encourages an urgent reconsideration of the modern poetry canon and the (too often marginalised) position of war poetry within it. The aesthetic and ethical values on which canonical judgements have been based are carefully scrutinized via a detailed analysis of individual poets. The poets discussed include Thomas Hardy, Rudyard Kipling, Wilfred Owen, Charlotte Mew, Edward Thomas, Ivor Gurney, W. H. Auden, Keith Douglas, Ted Hughes, and Geoffrey Hill.
| Author | : Vernon Scannell |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2013-10-28 |
| Genre | : Education |
| ISBN | : 1136222936 |
First published in 1976. Poets from Homer and Virgil to Tennyson and Hardy have written much about armed conflict on land and sea but it was not until the end of the First World War that the term War Poetry was used to describe not merely that verse which took war as its subject but a kind of poetry which had not been written before, a literature which did not celebrate the martial virtues but one which was created by those who had endured battle and described in exact and often brutal terms just what it was like to be a fighting man in the first Great War of the twentieth century. This is a collection of essays on the following poets: Keith Douglas; Alun Lewis; Sidney Keyes; Roy Fuller; Alan Ross and Charles Causley; Henry Reed and others and American Poets of the Second World War.
