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| Author | : Donald Burton Kuspit |
| Publisher | : |
| Total Pages | : 387 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : 9780521440561 |
This book examines the psychological dimension of visual culture in the twentieth century.
| Author | : Donald B. Kuspit |
| Publisher | : |
| Total Pages | : 387 |
| Release | : 1993 |
| Genre | : |
| ISBN | : |
| Author | : Gerald Izenberg |
| Publisher | : University of Chicago Press |
| Total Pages | : 292 |
| Release | : 2000-11 |
| Genre | : Art |
| ISBN | : 9780226388687 |
Modernism and Masculinity argues that a crisis of masculinity among European writers and artists played a key role in the modernist revolution. Gerald Izenberg revises the notion that the feminine provided a premodern refuge for artists critical of individualism and materialism. Industrialization and the growing power of the market inspired novelist Thomas Mann, playwright Frank Wedelind, and painter Wassily Kandinsky to feel the problematic character of their own masculinity. As a result, these artists each came to identify creativity, transcendence, and freedom with the feminine. But their critique of masculinity created enormous challenges: How could they appropriate a feminine aesthetic while retaining their own masculine idenitites? How did appropiating the feminine affect their personal relationships or their political views? Modernism and Masculinity seeks to answer these questions. In this absorbing combination of biography and formal critique, Izenberg reconsiders the works of Mann, Wedekind, Kandinsky and semonstrates how the cirses of masculinity they endure are found not just within the images and forms of their art, but in the distinct and very personal impulses that inspired it.
| Author | : David Craven |
| Publisher | : Liverpool University Press |
| Total Pages | : 289 |
| Release | : 2013-08-15 |
| Genre | : Art |
| ISBN | : 1846318114 |
Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspit's role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, "A Phenomenological Approach to Artistic Intention." Dense and demanding, yet deft and incisive, Kuspit's multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspit's insights into art.
| Author | : Lucinda Hill |
| Publisher | : Routledge |
| Total Pages | : 235 |
| Release | : 2022-03-31 |
| Genre | : Psychology |
| ISBN | : 100057170X |
This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.
| Author | : Gabriele Genge |
| Publisher | : transcript Verlag |
| Total Pages | : 325 |
| Release | : 2014-12-31 |
| Genre | : Art |
| ISBN | : 3839424119 |
By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.
| Author | : Anne Ring Petersen |
| Publisher | : Museum Tusculanum Press |
| Total Pages | : 226 |
| Release | : 2010 |
| Genre | : Art and society |
| ISBN | : 8763525976 |
These essays examine the transformation and expansion of the field of painting in relation to the more general lines of development in culture and visuality. The book is divided into five parts, with each of them pursuing a distinct line of inquiry.
| Author | : Piri Halasz |
| Publisher | : iUniverse |
| Total Pages | : 529 |
| Release | : 2009 |
| Genre | : Abstract expressionism |
| ISBN | : 1440123225 |
A Memoir of Creativity chronicles one woman's life journey as she derives a theory, revealing meaning in abstract painting, from varied personal and professional experiences, and tells how she locates this theory within a broader social context. In 1966, Piri Halasz became the first woman within living memory to write a cover story for Time (and not just any cover story, either: the notorious one on "Swinging London"). With wit and wisdom, she provides a glimpse into her "red-diaper" childhood, as well as reporting on her climb at Time from research to the writing staff. Vividly, she describes her controversial career as a female journalist during the sixties, offering an inside view of newsweekly rivalries during that tempestuous decade. Halasz then moves on to her initiation into the art world, her lively interaction with some of its most distinguished denizens and her immersion in graduate school. She concludes with what she has learned about art, art history, and history itself since the early eighties, applying that knowledge to better understand the twenty-first century. Through sharing her life story, Halasz encourages others to remain open to new experiences, to try different ways of seeing, and to use creativity to tackle hurdles.
| Author | : Elaine Miller |
| Publisher | : Columbia University Press |
| Total Pages | : 266 |
| Release | : 2014-02-25 |
| Genre | : Philosophy |
| ISBN | : 0231166826 |
While philosophy and psychoanalysis privilege language and conceptual distinctions and mistrust the image, the philosopher and psychoanalyst Julia Kristeva recognizes the power of art and the imagination to unblock important sources of meaning. She also appreciates the process through which creative acts counteract and transform feelings of violence and depression. Reviewing KristevaÕs corpus, Elaine P. Miller considers the intellectualÕs Òaesthetic ideaÓ and Òthought specularÓ in their capacity to reshape depressive thought on both the individual and cultural level. She revisits KristevaÕs reading of Walter Benjamin with reference to melancholic art and the imaginationÕs allegorical structure; her analysis of Byzantine iconoclasm in relation to FreudÕs psychoanalytic theory of negation and HegelÕs dialectical negativity; her understanding of Proust as an exemplary practitioner of sublimation; her rereading of Kant and Arendt in terms of art as an intentional lingering with foreignness; and her argument that forgiveness is both a philosophical and psychoanalytic method of transcending a ÒstuckÓ existence. Focusing on specific artworks that illustrate KristevaÕs ideas, from ancient Greek tragedy to early photography, contemporary installation art, and film, Miller positions creative acts as a form of Òspiritual inoculationÓ against the violence of our society and its discouragement of thought and reflection.
| Author | : Matthew Biro |
| Publisher | : U of Minnesota Press |
| Total Pages | : 429 |
| Release | : 2022-03-29 |
| Genre | : Art |
| ISBN | : 1452966729 |
The first comprehensive study of the artist Robert Heinecken and his critical views on the culture of mass media This is the first book-length study dedicated to the artist Robert Heinecken, whose innovative photographic practices sought to interrogate how mass media imagery facilitated the construction of individual and collective identities. Appropriating, rephotographing, and layering pictures culled from newspapers, advertisements, pornography, and television, Heinecken recombined and transformed the ubiquitous images of mass culture to encourage viewers to critically reflect on their sense of self. From the 1960s through the late 1990s, Heinecken’s controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture’s relationship to gender and identity politics. Embodying the evolution of contemporary art toward increasingly hybrid and conceptual approaches, his oeuvre includes examples of painting, sculpture, photomontage, performance, installation, time-based media, and artist’s books, all of which collectively exploit photography’s reproducibility to subvert society’s dominant ideologies and stereotypical modes of representation. Author Matthew Biro presents an exhaustive look at Heinecken’s life and art, locating him within a lineage that encompasses the activities of the early twentieth-century avant-gardes and the postmodern strategies of the Pictures Generation artists. Assessing his career within the specific political and historical contexts from which he gleaned his material, and illustrated throughout with vibrant full-color reproductions of his art, this in-depth examination demonstrates Robert Heinecken’s significance as a key figure of twentieth-century art and an incisive commentator on modern life in America.
