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Signs, Codes, Spaces, and Arts

Signs, Codes, Spaces, and Arts
Author: Leonid Tchertov
Publisher: Cambridge Scholars Publishing
Total Pages: 539
Release: 2019-12
Genre: Semiotics
ISBN: 9781527540347

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This book delves into the concepts of general and spatial semiotics, discussing the differences and interactions between semiotic means of diverse types and levels. It introduces an integrative model (â oethe sign prismâ ) which unites many famous schemes of sign connection. It considers the human as a being included in a self-created semiosphere of signs and interacting with a sphere of natural signals and indexes available also to animals. The majority of the text is devoted to spatial semiotics, and its distinctions from temporal ways of sign connection. Its specific categories and particular visual-spatial codes are considered here as the peculiar means of communication and thinking. An essential feature of the book is the application of the authorâ (TM)s concepts of spatial semiotics to research of structures and the historical changes of visual arts


Signs, Codes, Spaces, and Arts

Signs, Codes, Spaces, and Arts
Author: Leonid Tchertov
Publisher: Cambridge Scholars Publishing
Total Pages: 539
Release: 2019-12-18
Genre: Literary Criticism
ISBN: 1527544613

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This book delves into the concepts of general and spatial semiotics, discussing the differences and interactions between semiotic means of diverse types and levels. It introduces an integrative model (“the sign prism”) which unites many famous schemes of sign connection. It considers the human as a being included in a self-created semiosphere of signs and interacting with a sphere of natural signals and indexes available also to animals. The majority of the text is devoted to spatial semiotics, and its distinctions from temporal ways of sign connection. Its specific categories and particular visual-spatial codes are considered here as the peculiar means of communication and thinking. An essential feature of the book is the application of the author’s concepts of spatial semiotics to research of structures and the historical changes of visual arts.


The Notion of Space within Diverse Fields of Cognizance

The Notion of Space within Diverse Fields of Cognizance
Author: Driss Bouyahya
Publisher: Cambridge Scholars Publishing
Total Pages: 155
Release: 2021-07-28
Genre: Social Science
ISBN: 1527573184

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This volume provides a multifaceted approach to how meanings of space are created and how they impact individuals’ perceptions, sense of belonging, identity, actions and ideologies. It brings together various contributions that shed light on the multiplicity of voices and narratives on space, on their co-existence and forms of interactions, and on the ways in which they emerged from, and reshaped, relations of power.


Signs and Symbols

Signs and Symbols
Author: Adrian Frutiger
Publisher:
Total Pages: 372
Release: 1998
Genre: Literary Criticism
ISBN:

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Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.


Visible Signs (Second Edition)

Visible Signs (Second Edition)
Author: David Crow
Publisher: AVA Publishing
Total Pages: 195
Release: 2011-01-13
Genre: Art
ISBN: 2940411425

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"Visible Signs" explains semiotic terms and theories in relation to visual communication, with illustrative examples taken from contemporary art and design. This edition features new and revised content and includes 200 visuals created to illustrate the ideas discussed within the book.


Matrix Activism

Matrix Activism
Author: Michela Ardizzoni
Publisher: Taylor & Francis
Total Pages: 170
Release: 2016-11-03
Genre: Social Science
ISBN: 1317265742

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The intersection of virtual and physical spaces at the heart of contemporary political protests is a pivotal element in new practices of activism. In this new and global ecology of dissent and activism, different forces, stakeholders, and spaces, once defiantly discordant, come together to define the increasingly malleable nature and terms of participatory politics and the performance of democracy. This book explores the emerging sites, aesthetics and politics of contemporary dissent as a critical attempt to foreground their mediation and negotiation in an era of neoliberal globalization. Contemporary forms of media activism occupy deeply ambivalent spaces, which Ardizzoni analyzes using the lens of what she calls "matrix activism." Rather than confining the analysis to a single platform, a single technology, or a single social actor, matrix activism allows us to explain the hybrid nature of new forms of dissent and resistance, as they are located at the intersection of alternative and mainstream, non-profit and corporate, individual and social, production and consumption, online and offline.


The 1931 International Code of Signals

The 1931 International Code of Signals
Author: Great Britain. Board of Trade
Publisher:
Total Pages: 418
Release: 1962
Genre: Merchant marine
ISBN:

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New media art conservation

New media art conservation
Author: Lino García Morales
Publisher: BOD GmbH DE
Total Pages: 118
Release: 2022-09-01
Genre: Computers
ISBN: 841123679X

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New media art, produced at the intersection of science and technology, makes up the majority of a Museum of Contemporary Art's holdings. However, technological obsolescence and the technical complexity of the works make their conservation-restoration an ongoing challenge. The Theory of Evolutive Conservation addresses this problem and offers alternatives and solutions from the production of new media art to recreation as a strategy of permanence through change.


Graphic Design in Urban Environments

Graphic Design in Urban Environments
Author: Robert Harland
Publisher: Bloomsbury Publishing
Total Pages: 152
Release: 2016-10-20
Genre: Design
ISBN: 1472597761

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Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through “smart screens,” and other examples of what urban designers call “urban objects.”The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.