Sight, Sound, and Sense
Author | : Thomas Albert Sebeok |
Publisher | : |
Total Pages | : 314 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Thomas Albert Sebeok |
Publisher | : |
Total Pages | : 314 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Thomas Albert Sebeok |
Publisher | : |
Total Pages | : 316 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Susan Petrilli |
Publisher | : Meltemi Editore srl |
Total Pages | : 272 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 8883530349 |
Author | : Neil R. Halford |
Publisher | : |
Total Pages | : 0 |
Release | : 2004-10 |
Genre | : Accident victims |
ISBN | : 9780976283003 |
Author | : Anita O'Harra |
Publisher | : |
Total Pages | : 19 |
Release | : 2019-08-25 |
Genre | : |
ISBN | : 9781733467308 |
We all may know about sight, sound, smell, taste, and touch. Discover how the body can sense so much more.
Author | : Jody Crutchley |
Publisher | : Routledge |
Total Pages | : 230 |
Release | : 2020-06-29 |
Genre | : Education |
ISBN | : 0429514697 |
This volume contributes to the study of ‘new’ sonic and visual sources and their intertextual relationship with the documentary, as well as traditional understandings of ‘text’, in the history of education. It both presents case studies of research and points to new avenues of further research. This volume arose from a joint conference of the History of Education Society, UK, and the Australian and New Zealand History of Education Society, held in 2016, on the theme ‘sight, sound and text in the history of education’. The conference drew together educational and media historians, as well as archivists and museum professionals, to examine methodological issues, and a range of examples of sensory and textual histories. The event from which this book arose showed that there is so much more to consider in this area. This book was originally published as a special issue of History of Education.
Author | : Martin Lindstrom |
Publisher | : Simon and Schuster |
Total Pages | : 194 |
Release | : 2010-02-02 |
Genre | : Business & Economics |
ISBN | : 1439172013 |
The definitive book on sensory branding, shows how companies appeal to consumers’ five senses to sell products. Did you know that the gratifying smell that accompanies the purchase of a new automobile actually comes from a factory-installed aerosol can containing “new car” aroma? Or that Kellogg’s trademarked “crunch” is generated in sound laboratories? Or that the distinctive click of a just-opened jar of Nescafé freeze-dried coffee, as well as the aroma of the crystals, has been developed in factories over the past decades? Or that many adolescents recognize a pair of Abercrombie & Fitch jeans not by their look or cut but by their fragrance? In perhaps the most creative and authoritative book on how our senses affect our everyday purchasing decisions, global branding guru Martin Lindstrom reveals how the world’s most successful companies and products integrate touch, taste, smell, sight, and sound with startling and sometimes even shocking results. In conjunction with renowned research institution Millward Brown, Lindstrom’s innovative worldwide study unveils how all of us are slaves to our senses—and how, after reading this book, we’ll never be able to see, hear, or touch anything from our running shoes to our own car doors the same way again. An expert on consumer shopping behavior, Lindstrom has helped transform the face of global marketing with more than twenty years of hands-on experience. Firmly grounded in science, and disclosing the secrets of all our favorite brands, Brand Sense shows how we consumers are unwittingly seduced by touch, smell, sound, and more.
Author | : Susan R. Barry |
Publisher | : Basic Books |
Total Pages | : 272 |
Release | : 2021-06-08 |
Genre | : Psychology |
ISBN | : 1541675169 |
A neurobiologist reexamines the personal nature of perception in this groundbreaking guide to a new model for our senses. We think of perception as a passive, mechanical process, as if our eyes are cameras and our ears microphones. But as neurobiologist Susan R. Barry argues, perception is a deeply personal act. Our environments, our relationships, and our actions shape and reshape our senses throughout our lives. This idea is no more apparent than in the cases of people who gain senses as adults. Barry tells the stories of Liam McCoy, practically blind from birth, and Zohra Damji, born deaf, in the decade following surgeries that restored their senses. As Liam and Zohra learned entirely new ways of being, Barry discovered an entirely new model of the nature of perception. Coming to Our Senses is a celebration of human resilience and a powerful reminder that, before you can really understand other people, you must first recognize that their worlds are fundamentally different from your own.
Author | : Mari Schuh |
Publisher | : Bellwether Media |
Total Pages | : 26 |
Release | : 2013-08-01 |
Genre | : Juvenile Nonfiction |
ISBN | : 1612112994 |
"Introductory text explains the function and experience of the sense of sight. Intended for grades two through five"--Provided by publisher.
Author | : Gertrude Stein |
Publisher | : Yale University Press |
Total Pages | : 301 |
Release | : 2012-01-17 |
Genre | : Poetry |
ISBN | : 0300157339 |
In the 1950s, Yale University Press published a number of Gertrude Stein's posthumous works, among them her incomparable "Stanzas in Meditation." Since that time, scholars have discovered that Stein's poem exists in several versions: a manuscript that Stein wrote and two typescripts that her partner Alice B. Toklas prepared. Toklas's work on the second typescript changed the poem when, enraged upon detecting in it references to a former lover, she not only adjusted the typescript but insisted that Stein make revisions in the original manuscript.This edition of "Stanzas in Meditation" is the first to confront the complicated story of its composition and revision. Through meticulous archival work, the editors present a reliable reading text of Stein's original manuscript, as well as an appendix with the textual variants among the poem's several versions. This record of Stein's multi-layered revisions enables readers to engage more fully with the author's radically experimental poem and also to detect the literary impact of Stein's relationship with Toklas. The editors' preface and poet Joan Retallack's introduction offer insight into the complexities of reading Stein's poetry and the innovative modes of reading that her works require and generate. Students and admirers of Stein will welcome this illuminating new contribution to Stein's oeuvre.