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| Author | : Shigeru Mizuki |
| Publisher | : Drawn and Quarterly |
| Total Pages | : 536 |
| Release | : 2014-06-03 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781770461512 |
Tegneserie - graphic novel. A autobiographical and historical account of Showa-era Japan
| Author | : Shigeru Mizuki |
| Publisher | : Drawn & Quarterly |
| Total Pages | : 550 |
| Release | : 2021-03-17 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1770464719 |
A master cartoonist and war vet details Japan's involvement in World War II Showa 1939-1944: A History of Japan continues award-winning author Shigeru Mizuki’s autobiographical and historical account of Showa era Japan. This volume covers the final moments of the lead-up to World War Two and the first few years of the Pacific War; it is a chilling reminder of the harshness of life in Japan during this highly militarized epoch. In Showa 1939-1944, Mizuki writes affectingly about the impact on the Japanese populace of world-changing moments including the devastating Second Sino-Japanese War, the attack on Pearl Harbor, and the first half of the Pacific War. On a personal level, these years mark a dramatic transformation in Mizuki’s life, too – his idyllic childhood in the countryside comes to a definitive end when he’s drafted into the army and shipped off to the tiny island of Rabaul in Papua New Guinea. His life becomes a constant struggle for survival, not only against the constant Allied attacks but because he must face the harsh discipline of the Japanese army officers. During his time in Rabaul, Mizuki comes to understand the misery and beauty of the island itself—a place that will permanently mark him and haunt him for the rest of his life. Translated from the Japanese by Zack Davisson.
| Author | : Shigeru Mizuki |
| Publisher | : Drawn and Quarterly |
| Total Pages | : 0 |
| Release | : 2022-10-11 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1770466274 |
A sweeping yet intimate portrait of World War II’s legacy in Japan Showa 1944-1953: A History of Japan continues Eisner award-winning author Shigeru Mizuki's historical and autobiographical account of Japanese life in the twentieth century. In this volume, the tail-end of the Pacific War and its devastating consequences upon the author and his compatriots loom large. Two rival navies engage in a deadly game of feint and thrust, waging a series of ruthless military campaigns across the Pacific islands. From Guadalcanal to Okinawa, Japan slowly loses ground. When the United States unleashes the atomic bomb–then still a new and now enduringly terrible weapon–it is the ultimate, definitive blow. The catastrophic fallout from both explosions surpasses the limits of popular imagination. Mizuki's own life is irrevocably changed in the shadow of history. After losing an arm during his time in service, the author struggles to forge a path into the future. Should he remain on the island of Rabaul as an honored friend of the local Tolai? Or should he return to the rubble of Japan and return to his earliest artistic inclinations? This penultimate installment of a landmark series is a searing condemnation of war, told with the deft hand of Japan's most celebrated cartoonist.
| Author | : Shigeru Mizuki |
| Publisher | : Drawn and Quarterly |
| Total Pages | : 552 |
| Release | : 2015-09-29 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781770462014 |
Tegneserie - graphic novel. A autobiographical and historical account of Showa-era Japan
| Author | : Sean Michael Wilson |
| Publisher | : Shambhala |
| Total Pages | : 176 |
| Release | : 2014-09-02 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 0834829991 |
Miyamoto Musashi, the legendary samurai, is known throughout the world as a master swordsman, a spiritual seeker, and the author of the classic Book of Five Rings. This graphic novel treatment of his amazing life is both a vivid account of a fascinating period in feudal Japan and a portrait of courageous, iconoclastic samurai who wrestled with philosophical and spiritual ideas that are as relevant today as they were in his time. For Musashi, the way of the martial arts was about mastery of the mind rather than simply technical prowess. Over 350 years after his death, Musashi still intrigues us—and his Book of Five Rings is essential reading for students of all martial arts and those interested in cultivating strategic mind.
| Author | : Donald Keene |
| Publisher | : Columbia University Press |
| Total Pages | : 957 |
| Release | : 2005-06-14 |
| Genre | : Biography & Autobiography |
| ISBN | : 0231518110 |
The renowned Japanese scholar “brings us as close to the inner life of the Meiji emperor as we are ever likely to get” (The New York Times Book Review). When Emperor Meiji began his rule in 1867, Japan was a splintered empire dominated by the shogun and the daimyos, cut off from the outside world, staunchly antiforeign, and committed to the traditions of the past. Before long, the shogun surrendered to the emperor, a new constitution was adopted, and Japan emerged as a modern, industrialized state. Despite the length of his reign, little has been written about the strangely obscured figure of Meiji himself, the first emperor ever to meet a European. But now, Donald Keene sifts the available evidence to present a rich portrait not only of Meiji but also of rapid and sometimes violent change during this pivotal period in Japan’s history. In this vivid and engrossing biography, we move with the emperor through his early, traditional education; join in the formal processions that acquainted the young emperor with his country and its people; observe his behavior in court, his marriage, and his relationships with various consorts; and follow his maturation into a “Confucian” sovereign dedicated to simplicity, frugality, and hard work. Later, during Japan’s wars with China and Russia, we witness Meiji’s struggle to reconcile his personal commitment to peace and his nation’s increasingly militarized experience of modernization. Emperor of Japan conveys in sparkling prose the complexity of the man and offers an unrivaled portrait of Japan in a period of unique interest. “Utterly brilliant . . . the best history in English of the emergence of modern Japan.”—Los Angeles Times
| Author | : Zack Davisson |
| Publisher | : Chin Music Press Inc. |
| Total Pages | : 236 |
| Release | : 2015-07-13 |
| Genre | : Social Science |
| ISBN | : 0988769352 |
"I lived in a haunted apartment." Zack Davisson opens this definitive work on Japan's ghosts, or yurei, with a personal tale about the spirit world. Eerie red marks on the apartment's ceiling kept Zack and his wife on edge. The landlord warned them not to open a door in the apartment that led to nowhere. "Our Japanese visitors had no problem putting a name to it . . . they would sense the vibes of the place, look around a bit and inevitably say 'Ahhh . . . yurei ga deteru.' There is a yurei here." Combining his lifelong interest in Japanese tradition and his personal experiences with these vengeful spirits, Davisson launches an investigation into the origin, popularization, and continued existence of yurei in Japan. Juxtaposing historical documents and legends against contemporary yurei-based horror films such as The Ring, Davisson explores the persistence of this paranormal phenomenon in modern day Japan and its continued spread throughout the West. Zack Davisson is a translator, writer, and scholar of Japanese folklore and ghosts. He is the translator of Mizuki Shigeru's Showa 1926–1939: A History of Japan and a translator and contributor to Kitaro. He also worked as a researcher and on-screen talent for National Geographic's TV special Japan: Lost Souls of Okinawa. He writes extensively about Japanese ghost stories at his website, hyakumonogatari.com.
| Author | : Joseph J. Fucini |
| Publisher | : Simon and Schuster |
| Total Pages | : 277 |
| Release | : 2008-06-30 |
| Genre | : Business & Economics |
| ISBN | : 1439106487 |
This book is an exploration into the relations between Americans and Japanese at the Mazda-Flat Rock plant. The presence of Japan Inc. looms larger than ever for millions of American managers and workers, as hundreds of Japanese companies open plants and offices in local communities across the United States. What is it like to work for the Japanese? Can Americans, with their strong tradition of individualism, adjust to a Japanese "team system" that emphasizes harmony and close cooperation? How do Americans and Japanese resolve the misunderstandings that arise from differences in language and culture? Journalists Joseph and Suzy Fucini sought the answers by studying relations between Americans and Japanese at the Mazda plant in Flat Rock, Michigan, the first wholly-owned Japanese auto plant to employ a unionized American workforce. For three years, the Fucinis followed events at the plant, interviewing more than one hundred workers, managers and outside suppliers. The authors conclude that for all its strengths, the team system requires the sacrifice of individual interests to the good of the group, and that no matter how hard an individual tries to become part of the Mazda team, advancement for both managers and workers will be limited by the fact that they are not Japanese.
| Author | : Lori Watt |
| Publisher | : BRILL |
| Total Pages | : 264 |
| Release | : 2020-03-17 |
| Genre | : History |
| ISBN | : 1684174902 |
"Following the end of World War II in Asia, the Allied powers repatriated over six million Japanese nationals from colonies and battlefields throughout Asia and deported more than a million colonial subjects from Japan to their countries of origin.Depicted at the time as a postwar measure related to the demobilization of defeated Japanese soldiers, this population transfer was a central element in the human dismantling of the Japanese empire that resonates with other post-colonial and post-imperial migrations in the twentieth century.Lori Watt analyzes how the human remnants of empire, those who were moved and those who were left behind, served as sites of negotiation in the process of the jettisoning of the colonial project and in the creation of new national identities in Japan. Through an exploration of the creation and uses of the figure of the repatriate, in political, social, and cultural realms, this study addresses the question of what happens when empire comes home."
| Author | : Shigeru Mizuki |
| Publisher | : Drawn & Quarterly |
| Total Pages | : 258 |
| Release | : 2021-03-17 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1770464875 |
The beloved mangaka adapts one of his country—and teh world's—great works of supernatural literature Shigeru Mizuki—Japan’s grand master of yokai comics—adapts one of the most important works of supernatural literature into comic book form. The cultural equivalent of Brothers Grimm’s fairy tales, Tono Monogatari is a defining text of Japanese folklore and one of the country’s most important works of literature. This graphic novel was created during the later stage of Mizuki’s career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art. Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan’s rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki’s path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and the two sit down to discuss their works. Translated with additional essays by Mizuki scholar and English-language translator Zack Davisson, Tono Monogatari displays Mizuki at his finest, exploring the world he most cherished. Tono Monogatari was translated by Zack Davisson, an award-winning translator, writer, and folklorist. He is the author of Yurei: the Japanese Ghost, Yokai Stories, Narrow Road, and Kaibyo: The Supernatural Cats of Japan and translator of Shigeru Mizuki's multiple Eisner Award-winning Showa: a History of Japan and famous folklore comic Kitaro. He also translated globally renowned entertainment properties such as Go Nagai's Devilman and Cutie Honey, Leiji Matsumoto's Space Battleship Yamato and Captain Harlock, and Satoshi Kon's Opus. In addition, he lectured on manga, folklore, and translation at colleges such as Duke University, UCLA, and the University of Washington and contributed to exhibitions at the Henry Art Gallery, The Museum of International Folkart, Wereldmuseum Rotterdan, and the Art Gallery of New South Wales.
