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Shock! Horror! History!.

Shock! Horror! History!.
Author: Paul Dowswell
Publisher:
Total Pages: 128
Release: 1998
Genre: Egypt
ISBN: 9780746033685

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Cunningly disguised as a tabloid newspaper, this four-in-one edition takes a fresh and lively look at hi storical events. It captures the shocks, horrors and sensati ons of the past while presenting plenty of real facts. '


Shock! Horror! History!.

Shock! Horror! History!.
Author: EDC Publishing
Publisher: E.D.C. Publishing
Total Pages: 128
Release: 1998
Genre: Egypt
ISBN: 9780746033692

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Cunningly disguised as a tabloid newspaper, this four-in-one edition takes a fresh and lively look at hi storical events. It captures the shocks, horrors and sensati ons of the past while presenting plenty of real facts. '


Shock! Horror!

Shock! Horror!
Author: Francis Brewster
Publisher:
Total Pages: 0
Release: 2005
Genre: ADVERTISING FOR FILMS/UK
ISBN: 9781903254325

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Great Britain, 1980: the dawn of the video age. With new video companies appearing on a weekly basis, competition for shelf space was fierce. Eye-catching cover designs were essential to succeed in this saturated marketplace. Video was new, unregulated and out of control. These were the outlaw years. These glory days spanned just five years, before a legal crackdown in 1984 bannished most of these outrageous videos from the shelves forever. Marc Morris was one of the few to rescue these covers from obscurity, and this book delves deep into his unrivalled collection.


Hosted Horror on Television

Hosted Horror on Television
Author: Bruce Markusen
Publisher: McFarland
Total Pages: 252
Release: 2021-07-16
Genre: Performing Arts
ISBN: 1476684618

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In October 1957, Screen Gems made numerous horror movies available to local television stations around the country as part of a package of films called Shock Theater. These movies became a huge sensation with TV viewers, as did the horror hosts who introduced the films and offered insight--often humorous--into the plots, the actors, and the directors. This history of hosted horror walks readers through the best TV horror films, beginning with the 1930s black-and-white classics from Universal Studios and ending with the grislier color films of the early 1970s. It also covers and explores the horror hosts who presented them, some of whom faded into obscurity while others became iconic within the genre.


Shocking Representation

Shocking Representation
Author: Adam Lowenstein
Publisher: Columbia University Press
Total Pages: 270
Release: 2005-12-22
Genre: Performing Arts
ISBN: 0231132468

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In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.


Shock Value

Shock Value
Author: Jason Zinoman
Publisher: Penguin
Total Pages: 267
Release: 2011-07-07
Genre: Performing Arts
ISBN: 1101516968

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An enormously entertaining account of the gifted and eccentric directors who gave us the golden age of modern horror in the 1970s, bringing a new brand of politics and gritty realism to the genre. Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.


Asia Shock

Asia Shock
Author: Patrick Galloway
Publisher:
Total Pages: 220
Release: 2006
Genre: Performing Arts
ISBN:

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A fan's guide to the weirdest, scariest films from Asian masters.


Shock Waves

Shock Waves
Author: Adam Lowenstein
Publisher:
Total Pages: 570
Release: 1999
Genre: Art in motion pictures
ISBN:

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Chicago TV Horror Movie Shows

Chicago TV Horror Movie Shows
Author: Ted Okuda
Publisher: SIU Press
Total Pages: 271
Release: 2016-02-09
Genre: History
ISBN: 0809335387

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By the last 1950s, studios saw television as a convenient dumping ground for thousands of films that had been gathering dust in their vaults. Distributors grouped them by genre-- and Chicago's tradition of TV horror movie shows was born. From giant grasshoppers to Dracula epics, Okuda and Yurkiw take a comprehensive look at these programs, with career profiles of the "horror hosts," a look at the politics behind the shows, and broadcast histories, as well as guides to many of the films themselves.


Shock! Horror! History!

Shock! Horror! History!
Author:
Publisher:
Total Pages: 128
Release: 1998
Genre: English wit and humor
ISBN:

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