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Shin kokin chu

Shin kokin chu
Author:
Publisher:
Total Pages: 264
Release: 1966
Genre:
ISBN:

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The Noh

The Noh
Author:
Publisher:
Total Pages: 256
Release: 1981
Genre: English drama
ISBN:

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The text of Noh plays with accompanying introductions and annotations.


Writing Margins

Writing Margins
Author: Terry Kawashima
Publisher: Harvard Univ Asia Center
Total Pages: 388
Release: 2001
Genre: History
ISBN: 9780674005167

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In texts from the mid-Heian to the early Kamakura periods, certain figures appear to be "marginal" or removed from "centers" of power. But why do we see these figures in this way? This study first seeks to answer this question by examining the details of the marginalizing discourse found in these texts. Who is portraying whom as marginal? For what reason? Is the discourse consistent? The author next considers these texts in terms of the predilection of modern scholarship, both Japanese and Western, to label certain figures "marginal." She then poses the question: Is this predilection a helpful tool or does it inscribe modern biases and misconceptions onto these texts?


String of Beads

String of Beads
Author: Princess Shikishi (daughter of Goshirakawa, Emperor of Japan)
Publisher: University of Hawaii Press
Total Pages: 200
Release: 1993-01-01
Genre: Poetry
ISBN: 9780824814830

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Princess Shikishi, Emperor Goshirakawa's third daughter, who served as saiin, or shrine vestal, in her teens, left a body of poems luminous with tranquil beauty and sadness. In her own lifetime she was counted among the outstanding poets of the age. In this volume, noted translator Hiroaki Sato makes available in one-line form all of the tanka - 400 poems - attributed to Princess Shikishi. Following an introduction that details Shikishi's era and the prosodic techniques of her time, Sato presents a group of poems gleaned from anthologies - among them a sequence of eleven which Shikishi wrote in condolence for the death of the wife of Fujiwara no Shunzei, her mentor - and three important 100-poem sequences. To provide allusive contexts, many of the poems are accompanied by extensive footnotes and endnotes, often with complete episodes from Tale of Ise and other classical texts.


Form and Feeling in Japanese Literati Culture

Form and Feeling in Japanese Literati Culture
Author: Matthew Mewhinney
Publisher: Springer Nature
Total Pages: 270
Release: 2022-11-17
Genre: Literary Criticism
ISBN: 3031119223

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This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature.


Seven Demon Stories from Medieval Japan

Seven Demon Stories from Medieval Japan
Author: Noriko T. Reider
Publisher: University Press of Colorado
Total Pages: 307
Release: 2016-10-03
Genre: Social Science
ISBN: 1607324903

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In Japanese culture, oni are ubiquitous supernatural creatures who play important roles in literature, lore, and folk belief. Characteristically ambiguous, they have been great and small, mischievous and dangerous, and ugly and beautiful over their long history. Here, author Noriko Reider presents seven oni stories from medieval Japan in full and translated for an English-speaking audience. Reider, concordant with many scholars of Japanese cultural studies, argues that to study oni is to study humanity. These tales are from an era in which many new oni stories appeared for the purpose of both entertainment and moral/religious edification and for which oni were particularly important, as they were perceived to be living entities. They reflect not only the worldview of medieval Japan but also themes that inform twenty-first-century Japanese pop and vernacular culture, including literature, manga, film, and anime. With each translation, Reider includes an introductory essay exploring the historical and cultural importance of the characters and oni manifestations within this period. Offering new insights into and interpretations of not only the stories therein but also the entire genre of Japanese ghost stories, Seven Demon Stories is a valuable companion to Reider’s 2010 volume Japanese Demon Lore. It will be of significant value to folklore scholars as well as students of Japanese culture.


Subject Catalog

Subject Catalog
Author: Library of Congress
Publisher:
Total Pages: 806
Release:
Genre:
ISBN:

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The Noh: pt.1-2. Woman Noh

The Noh: pt.1-2. Woman Noh
Author: Chifumi Shimazaki
Publisher:
Total Pages: 242
Release: 1972
Genre: English drama
ISBN:

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Library of Congress Catalogs

Library of Congress Catalogs
Author: Library of Congress
Publisher:
Total Pages: 1002
Release: 1980
Genre:
ISBN:

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Silkworms and Silverfish

Silkworms and Silverfish
Author: James Hoyt
Publisher: Xlibris Corporation
Total Pages: 108
Release: 2011-11-17
Genre: Poetry
ISBN: 1462886183

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Here we have over one hundred and fifty translations of haiku verses, largely composed by the five most famous of haiku poets. All use insects as seasonal topics to set the scene in spring, summer or autumn. But the definition of insects in complicated because in the Sino-Japanese tradition the insect genus includes frogs as well as bees, spiders as well as silverfish, angleworms as well as gnats, and snakes as well as ants. This expanded category is here called creeping things, reflecting a similar division of fauna in the Bible. It seems appropriate that the Japanese would use what is surely the world's shortest poetic form consisting of a mere seventeen syllables arranged in lines of 5,7,5 to describe the miniscule world of creeping things. In so doing, they expressed kernels of poetic inspiration in a few simple words, eschewing the doggerel that so often has followed a brilliant line and leaving to the imagination place and time, for the beauty of the haiku often lies in what is only hunted and left unsaid.