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| Author | : Martin Fradley |
| Publisher | : Edinburgh University Press |
| Total Pages | : 224 |
| Release | : 2013-07-31 |
| Genre | : Performing Arts |
| ISBN | : 0748676422 |
Explores the full range of Shane Meadows' work, from its origins in local no-budget D.I.Y. media through to international festival acclaim and multiple award wins.
| Author | : Martin Fradley |
| Publisher | : Edinburgh University Press |
| Total Pages | : 224 |
| Release | : 2013-07-22 |
| Genre | : Performing Arts |
| ISBN | : 0748676406 |
"e;From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film's contemporary renaissance, with This Is England "e;"e;doing more than any other [film] to change British audiences' attitudes"e;"e; to home-grown cinema. This book will explore the full range of Meadows' work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows' oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now. "e;
| Author | : David Forrest |
| Publisher | : Edinburgh University Press |
| Total Pages | : 224 |
| Release | : 2020-03-18 |
| Genre | : Performing Arts |
| ISBN | : 1474413048 |
The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.
| Author | : Robert Shail |
| Publisher | : SIU Press |
| Total Pages | : 260 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780809328321 |
This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.
| Author | : Chris Rojek |
| Publisher | : Reaktion Books |
| Total Pages | : 224 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9781861893369 |
Chris Rojek explores the myths, misconceptions, and stereotypes of the British.
| Author | : Randy Laist |
| Publisher | : McFarland |
| Total Pages | : 235 |
| Release | : 2023-03-10 |
| Genre | : Social Science |
| ISBN | : 1476686513 |
The 1980s is remembered as a time of big hair, synthetic music, and microwave cookery. It is also remembered as the heyday of conservative politics, socioeconomic inequality, and moral panics. It is dichotomously remembered as either a nostalgic age of innocence or a regressive moral wasteland, depending on who you ask, and when. But, most of all, it is remembered. In retro fashion trends, in '80s-based film and television narratives, and through countless rebooted movies, video games, superheroes, and even political slogans imploring us to Make America Great Again (Again). More than merely a historical period, "the '80s" has grown into a contested myth, ever-evolving through the critical and expressive lens of popular culture. This book explores the many shapes the '80s mythos has taken across a diverse array of media. Essays examine television series such as Stranger Things, Cobra Kai, and POSE, films such as Dallas Buyers Club, Summer of '84, and Chocolate Babies, as well as video games, pop music, and toys. Collectively, these essays explore how representations of the 1980s influence the way we think about our past, our present, and our future.
| Author | : Sarah Street |
| Publisher | : Taylor & Francis |
| Total Pages | : 295 |
| Release | : 2009 |
| Genre | : Motion picture industry |
| ISBN | : 0415384214 |
With films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman's Contract, Prick Up Your Ears, Ratcatcher, This Is England and Atonement, British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. British National Cinema analyzes the politics of film and establishes the difficult context within which British producers and directors have worked. Sarah Street questions why British film-making, production and distribution have always been subject to government apathy and financial stringency. In a comparison of Britain and Hollywood, the author asks to what extent was there a 'star system' in Britain and what was its real historical and social function. An examination of genres associated with British film, such as Ealing comedies, Hammer horror, 'heritage' films and hybrid forms, confirms the eclectic nature of British cinema. In a final evaluation of British film, she examines the existence of 'other cinemas': film-making which challenges the traditional concept of cinema and operates outside mainstream structures in order to deconstruct and replace classical styles and conventions. Illustrated with over thirty stills from classic British films, British National Cinema provides an accessible and comprehensive exploration of the fascinating development of British cinema.
| Author | : Yoram Allon |
| Publisher | : Wallflower Press |
| Total Pages | : 422 |
| Release | : 2001 |
| Genre | : Performing Arts |
| ISBN | : 9781903364215 |
The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.
| Author | : John Willis |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 436 |
| Release | : 2005-06-01 |
| Genre | : Performing Arts |
| ISBN | : 9781557836397 |
(Screen World). Movie fans eagerly await each year's new edition of Screen World , the definitive record of the cinema since 1949. Volume 55 provides an illustrated listing of every American and foreign film released in the United States in 2003, all documented with more than 1,000 photographs. The 2004 edition of Screen World features such notable films as Peter Jackson's The Lord of the Rings: The Return of the King , which won all 11 Academy Awards it was nominated for, including Best Picture, tying a record; Clint Eastwood's Mystic River , which won Academy Awards for Best Actor Sean Penn and Best Supporting Actor Tim Robbins; Sofia Coppola's Lost in Translation , Academy Award-winner for Best Original Screenplay; and Peter Weir's Master and Commander: The Far Side of the World . Also featured are Patty Jenkins' Monster , featuring Academy Award-winner for Best Actress Charlize Theron, and independent successes such as Gurinder Chadha's Bend It like Beckham and Tom McCarthy's The Station Agent . As always, Screen World 's outstanding features include: photographic stills and shots of the four Academy Award-winning actors as well as all acting nominees; a look at the year's most promising new screen personalities; complete filmographies cast and characters, credits, production company, date released, rating and running time; and biographical entries a priceless reference for over 2,400 living stars, including real name, school, and date and place of birth. Now featuring 16 pages of color photos!
| Author | : Angela K. Smith |
| Publisher | : Routledge |
| Total Pages | : 282 |
| Release | : 2018-05-11 |
| Genre | : History |
| ISBN | : 0429953569 |
This edited collection explores and develops representations of war experience from 1914 to the ongoing conflicts of the 21st century, through the specific lens of memory. It builds on recent explorations of the importance of war experience in shaping cultural memory that have focused on the aftermath of the First World War and the Second World War, particularly through Holocaust studies. These essays, by a range of international and interdisciplinary scholars, broaden the scope considerably, examining the alternate spaces of the First World War and those that followed it through a range of different media, offering an artistic trajectory to the centennial commemorations of 2014-18.
