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| Author | : Richard Courtney |
| Publisher | : Dundurn |
| Total Pages | : 274 |
| Release | : 1995 |
| Genre | : Drama |
| ISBN | : 9780889242616 |
Shakespeare's World of Death discusses Romeo and Juliet, Julius Caesar, and Hamlet.
| Author | : Kathryn Harkup |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 369 |
| Release | : 2020-03-05 |
| Genre | : Science |
| ISBN | : 1472958241 |
William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death by Shakespeare, as Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Kathryn investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure.
| Author | : Peter Whitfield |
| Publisher | : Bodleian Library |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Cartography |
| ISBN | : 9781851242573 |
The locations of Shakespeare s plays range from Greece, Turkey and Syria to England, and they range in time from 1000 BC to the early Tudor age. He never set a play explicitly in Elizabethan London which he and his audience inhabited, but always in places remote in space or time. How much did he and his contemporaries know about the foreign cities where the plays took place? What expectations did an audience have if the curtain rose on a drama which claimed to take place in Verona, Elsinore, Alexandria or ancient Troy? This fully illustrated book explores these questions, surveying Shakespeare s world through contemporary maps, geographical texts, paintings and drawings. The results are intriguing and sometimes surprising. Why should Love s Labour s Lost be set in the Pyrenean kingdom of Navarre? Was the Forest of Arden really in Warwickshire? Why do two utterly different plays like The Comedy of Errors and Pericles focus strongly on ancient Ephesus? Where was Illyria? Did the Merry Wives have to live in Windsor? Why did Shakespeare sometimes shift the settings of the plays from those he found in his literary sources? It has always been easy to say that wherever the plays are set, Shakespeare was really writing about human psychology and human nature, and that the settings are irrelevant. This book takes a different view, showing that many of his locations may have had resonances which an Elizabethan audience would pick up and understand, and it shows how significant the geographical background of the plays could be. "
| Author | : Stephen Greenblatt |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 441 |
| Release | : 2010-05-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393079848 |
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
| Author | : John S. Garrison |
| Publisher | : Oxford University Press |
| Total Pages | : 176 |
| Release | : 2018-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 0192521438 |
The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was death akin to a sleep where one did not wake until judgment day? Were sick bodies healed in heaven? Did sinners experience torment after death? Would an individual reunite with loved ones in the afterlife? Could the dead communicate with the world of the living? Could the living affect the state of souls after death? How should the dead be commemorated? Could the dead return to life? Was immortality possible? The wide array of possible answers to these questions across Shakespeare's work can be surprising. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living. Shakespeare and the Afterlife encourages us to engage with the author's work with new insight and new curiosity. The volume connects some of the best-known speeches, characters, and conflicts to cultural debates and traditions circulating during Shakespeare's time.
| Author | : William E. Engel |
| Publisher | : Springer Nature |
| Total Pages | : 353 |
| Release | : 2022-05-05 |
| Genre | : Literary Criticism |
| ISBN | : 3030884902 |
This is the first book to view Shakespeare’s plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare’s corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare’s plays within a newly conceptualized historical category that posits a cultural divide—at once epistemological and phenomenological—between premodernity and the Enlightenment.
| Author | : Richard Courtney |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 1995 |
| Genre | : |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 86 |
| Release | : 1816 |
| Genre | : Epitaphs |
| ISBN | : |
| Author | : William Shakespeare |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1868 |
| Genre | : |
| ISBN | : |
| Author | : Douglas J. King |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 256 |
| Release | : 2018-06-21 |
| Genre | : Literary Criticism |
| ISBN | : 1440857954 |
This analysis of primary documents allows readers to understand Shakespeare's tragedies within the context of historical issues of Renaissance England. Comprising dozens of primary source documents, this book explores Early Modern historical issues reflected in four of Shakespeare's tragedies most commonly taught in secondary schools and universities around the world: Romeo and Juliet, Julius Caesar, Hamlet, and Macbeth. Primary source documents relating to Romeo and Juliet deal with subjects such as dueling, breast-feeding, and the Black Plague. Background discussion of Julius Caesar addresses the influence of Roman culture on Renaissance England; the nature of monarchy; and warfare in Renaissance England, including the defeat of the Spanish Armada. The backdrop for Hamlet includes the nature of spirits; heaven, hell, and purgatory; the history of revenge tragedy beginning with ancient Greece; and debates over the theater in Shakespeare's time. Macbeth brings the reader into the reign of King James and examines ongoing debates over the dangers of witchcraft; the crime of the century, the Gunpowder Plot of 1605; and the "Macbeth curse" that has plagued productions of the Scottish Play since its premiere.
