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Shakespeare's Metrical Art

Shakespeare's Metrical Art
Author: George T. Wright
Publisher: Univ of California Press
Total Pages: 367
Release: 1988
Genre: Poetry
ISBN: 0520076427

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This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language.


Shakespeare's Metrical Art

Shakespeare's Metrical Art
Author: George T. Wright
Publisher: Univ of California Press
Total Pages: 366
Release: 1988-08-02
Genre: Poetry
ISBN: 0520911938

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This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language.


Hearing the Measures

Hearing the Measures
Author: George Thaddeus Wright
Publisher: Univ of Wisconsin Press
Total Pages: 348
Release: 2001
Genre: Language Arts & Disciplines
ISBN: 9780299171940

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An eminent scholar's guide to hearing poets' work When we listen to the words of a poet in the theater, or read them silently on the page, what is it that we hear? How do such crafty writers as Shakespeare or Donne, Wyatt or Yeats, Wordsworth or Lowell arrange their rhythms to make their poetry more expressive? A gathering of perceptive essays written over twenty-five years, this book by a distinguished scholar and poet helps us hear the measures poets use to conjure up strangeness, urgency, distance, surprise, the immediacy of speech, or the sounding of silence.


The art of The Faerie Queene

The art of The Faerie Queene
Author: Richard Danson Brown
Publisher: Manchester University Press
Total Pages: 214
Release: 2021-01-19
Genre: Literary Criticism
ISBN: 1526134632

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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.


Shakespeare and the Arts of Language

Shakespeare and the Arts of Language
Author: Russ McDonald
Publisher: OUP Oxford
Total Pages: 222
Release: 2001-02-01
Genre: Literary Criticism
ISBN: 0191037192

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Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide to further reading equip the interested reader with the means to broaden research. For the modern reader or playgoer, English as Shakespeare used it can seem alien and puzzling: vocabulary and grammar are in transition, pronouns and verb-forms can seem unfamiliar. Moreover, the conventions of poetic drama may also pose an impediment. Shakespeare and the Arts of Language provides a clear and helpful guide to the linguistic and rhetorical dimensions of the plays and poems. Written in a lucid, non-technical style, the book starts with the story of how the English language changed throughout the sixteenth century. Subsequent chapters define Shakespeare's main artistic tools and illustrate their poetic and theatrical contributions: Renaissance rhetoric, imagery and metaphor, blank verse, prose speech, and wordplay. The conclusion surveys Shakespeare's multiple and often conflicting ideas about language, encompassing both his enthusiasm at what words can do for us and his suspicion of what words can do to us. Throughout, Russ McDonald helps his readers to appreciate a play's concerns and theatrical effects by thinking about its language in relation to other writings of the period. He also emphasizes pleasure in the physical properties of Shakespeare's words: their colour, weight, and texture, the appeal of verbal patterns, and the irresistible power of intensified language.


Shakespeare and Language

Shakespeare and Language
Author: Catherine M. S. Alexander
Publisher: Cambridge University Press
Total Pages: 310
Release: 2004-09-30
Genre: Literary Collections
ISBN: 9780521539005

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Shakespeare's World of Words

Shakespeare's World of Words
Author: Paul Yachnin
Publisher: Bloomsbury Publishing
Total Pages: 302
Release: 2015-10-22
Genre: Literary Criticism
ISBN: 1474252907

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Was Shakespeare really the original genius he has appeared to be since the eighteenth century, a poet whose words came from nature itself? The contributors to this volume propose that Shakespeare was not the poet of nature, but rather that he is a genius of rewriting and re-creation, someone able to generate a new language and new ways of seeing the world by orchestrating existing social and literary vocabularies. Each chapter in the volume begins with a key word or phrase from Shakespeare and builds toward a broader consideration of the social, poetic, and theatrical dimensions of his language. The chapters capture well the richness of Shakespeare's world of words by including discussions of biblical language, Latinity, philosophy of language and subjectivity, languages of commerce, criminality, history, and education, the gestural vocabulary of performance, as well as accounts of verbal modality and Shakespeare's metrics. An Afterword outlines a number of other important languages in Shakespeare, including those of law, news, and natural philosophy.


The Oxford Handbook of Shakespeare

The Oxford Handbook of Shakespeare
Author: Arthur F. Kinney
Publisher: Oxford University Press
Total Pages: 846
Release: 2012
Genre: Drama
ISBN: 0199566100

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Contains forty original essays.


Timon of Athens

Timon of Athens
Author: William Shakespeare
Publisher: Cambridge University Press
Total Pages: 219
Release: 2001-04-19
Genre: Drama
ISBN: 0521294045

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Karl Klein's edition of Timon of Athens introduces Shakespeare's play as a complex exploration of a corrupt, moneyed society. Klein sees the protagonist not as a failed tragic hero, but as a rich and philanthropic nobleman, surrounded by greed and sycophancy, who is forced to recognise the inherent destructiveness of the Athenian society from which he retreats in disgust and rage. Klein establishes Timon as one of Shakespeare's late works, arguing, contrary to recent academic views, that evidence for other authors besides Shakespeare is inconclusive. The edition shows that the play is neither tragedy, satire nor comedy, but a subtle and complete drama whose main characters contain elements of all three genres. This edition was near completion at the time of Karl Klein's death, and was prepared for publication by his colleagues and by Brian Gibbons.


The Oxford Handbook of Shakespeare's Poetry

The Oxford Handbook of Shakespeare's Poetry
Author: Jonathan Post
Publisher: OUP Oxford
Total Pages: 784
Release: 2013-07-18
Genre: Literary Criticism
ISBN: 0191665053

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The Oxford Handbook of Shakespeare's Poetry contains thirty-eight original essays written by leading Shakespeareans around the world. Collectively, these essays seek to return readers to a revivified understanding of Shakespeare's verbal artistry in both the poems and the drama. The volume understands poetry to be not just a formal category designating a particular literary genre but to be inclusive of the dramatic verse as well, and of Shakespeare's influence as a poet on later generations of writers in English and beyond. Focusing on a broad set of interpretive concerns, the volume tackles general matters of Shakespeare's style, earlier and later; questions of influence from classical, continental, and native sources; the importance of words, line, and rhyme to meaning; the significance of songs and ballads in the drama; the place of gender in the verse, including the relationship of Shakespeare's poetry to the visual arts; the different values attached to speaking 'Shakespeare' in the theatre; and the adaptation of Shakespearean verse (as distinct from performance) into other periods and languages. The largest section, with ten essays, is devoted to the poems themselves: the Sonnets, plus 'A Lover's Complaint', the narrative poems, Venus and Adonis and The Rape of Lucrece, and 'The Phoenix and the Turtle'. If the volume as a whole urges a renewed involvement in the complex matter of Shakespeare's poetry, it does so, as the individual essays testify, by way of responding to critical trends and discoveries made during the last three decades.