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Shakespeare's Creative Legacies

Shakespeare's Creative Legacies
Author: Peter Holbrook
Publisher: Bloomsbury Publishing
Total Pages: 197
Release: 2016-08-11
Genre: Literary Criticism
ISBN: 147423450X

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We celebrate Shakespeare as a creator of plays and poems, characters and ideas, words and worlds. But so too, in the four centuries since his death in 1616, have thinkers, writers, artists and performers recreated him. Readers of this book are invited to explore Shakespeare's afterlife on the stage and on the screen, in poetry, fiction, music and dance, as well as in cultural and intellectual life. A series of concise introductory essays are here combined with personal reflections by prominent contemporary practitioners of the arts. At once a celebration and a critical response, the book explores Shakespeare as a global cultural figure who continues to engage artists, audiences and readers of all kinds. Includes contributions from: John Ashbery, Shaul Bassi, Simon Russell Beale, Sally Beamish, David Bintley, Michael Bogdanov, Kenneth Branagh, Debra Ann Byrd, John Caird, Antoni Cimolino, Wendy Cope, Gregory Doran, Margaret Drabble, Dominic Dromgoole, Ellen Geer, Michael Holroyd, Gordon Kerry, John Kinsella, Juan Carlos Liberti, Lachlan Mackinnon, David Malouf, Javier Marías, Yukio Ninagawa, Janet Suzman, Salley Vickers, Rowan Williams, Lisa Wolpe, Greg Wyatt. All proceeds from the sale of this volume will be donated to the International Shakespeare Association, to support the study and appreciation of Shakespeare around the world.


Shakespeare's Creative Legacies

Shakespeare's Creative Legacies
Author: Paul Edmondson
Publisher:
Total Pages:
Release: 2016
Genre:
ISBN: 9781474234528

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Shakespeare and the Legacy of Loss

Shakespeare and the Legacy of Loss
Author: Emily Hodgson Anderson
Publisher: University of Michigan Press
Total Pages: 0
Release: 2018-07-18
Genre: Performing Arts
ISBN: 9780472130931

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How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.


New Places: Shakespeare and Civic Creativity

New Places: Shakespeare and Civic Creativity
Author: Paul Edmondson
Publisher: Bloomsbury Publishing
Total Pages: 320
Release: 2018-04-05
Genre: Literary Criticism
ISBN: 1474244572

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New Places: Shakespeare and Civic Creativity documents and analyses the different ways in which a range of innovative projects take Shakespeare out into the world beyond education and the theatre. Mixing critical reflection on the social value of Shakespeare with new creative work in different forms and idioms, the volume triumphantly shows that Shakespeare can make a real contribution to contemporary civic life. Highlights include: Garrick's 1769 Shakespeare ode, its revival in 2016, and a devised performance interpretation of it; the full text of Carol Ann Duffy's A Shakespeare Masque (set to music by Sally Beamish); a new Shakespearean libretto inspired by Wagner; an exploration of the civic potential of new Shakespeare opera and ballet; a fresh Shakespeare-inspired poetic liturgy, including commissions by major British poets; a production of The Merchant of Venice marking the 500th anniversary of the Venetian Jewish Ghetto; and a remaking of Pericles as a response to the global migrant crisis.


The Facts About Shakespeare

The Facts About Shakespeare
Author: William Allan Neilson
Publisher: Good Press
Total Pages: 162
Release: 2019-12-04
Genre: Fiction
ISBN:

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William Allan Neilson, a Scottish-American educator, writer, and lexicographer, was a great fan of Shakespearean literature and the personality of the great playwright. In this book, he presents a story of Shakespeare's life, an analysis of his works, and the epoch which gave the world the Elizabethan theater and its jewels.


Performing Shakespearean Appropriations

Performing Shakespearean Appropriations
Author: Darlena Ciraulo
Publisher: Rowman & Littlefield
Total Pages: 253
Release: 2022-06-29
Genre: Literary Collections
ISBN: 1683933613

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This collection of essays brings together innovative scholarship on Shakespeare’s afterlives in tribute to Christy Desmet. Contributors explore the production and consumption of Shakespeare in acts of adaptation and appropriation across a range of performance topics, from book history to the novel to television, cinema, and digital media.


Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)

Will in the World: How Shakespeare Became Shakespeare (Anniversary Edition)
Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
Total Pages: 441
Release: 2010-05-03
Genre: Biography & Autobiography
ISBN: 0393079848

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Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.


Memoirs of the Life of William Shakespeare

Memoirs of the Life of William Shakespeare
Author: Richard Grant White
Publisher: Legare Street Press
Total Pages: 0
Release: 2023-07-18
Genre:
ISBN: 9781019864685

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Memoirs of the Life of William Shakespeare is a fascinating biography of the greatest playwright of the English language. Written by Richard Grant White, a renowned Shakespearean scholar and critic, the book provides a comprehensive account of Shakespeare's life, works, and legacy. It also includes an essay on the unique qualities of Shakespeare's genius and an overview of the history of English drama. This book is a must-read for anyone interested in Shakespeare, English literature, or cultural studies. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


This Is Shakespeare

This Is Shakespeare
Author: Emma Smith
Publisher: Vintage
Total Pages: 263
Release: 2020-03-31
Genre: Literary Criticism
ISBN: 1524748552

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An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.


Shakespeare and the Legacy of Loss

Shakespeare and the Legacy of Loss
Author: Emily Hodgson Anderson
Publisher: University of Michigan Press
Total Pages: 262
Release: 2020-03-06
Genre: Performing Arts
ISBN: 0472902369

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How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.