Shakespeares Comedy Of Love PDF Download

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Shakespeare's Comedy of Love

Shakespeare's Comedy of Love
Author: Alexander Leggatt
Publisher: Routledge
Total Pages: 296
Release: 2013-10-11
Genre: Literary Criticism
ISBN: 1136556567

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First published in 1987. This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new combination of essentially similar ingredients, so that, for example, the boy/girl changes in The Merchant of Venice are seen to have a quite different significance from those in As You Like It.


Shakespeare's Comedies of Love

Shakespeare's Comedies of Love
Author: Richard Paul Knowles
Publisher: University of Toronto Press
Total Pages: 345
Release: 2008-01-01
Genre: Literary Criticism
ISBN: 0802039537

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Shakespeare's Comedies of Love is a tribute to Alexander Leggatt, a critic who has shaped the way the world understands Shakespeare and his comedies.


The Comedy of Errors

The Comedy of Errors
Author: William Shakespeare
Publisher:
Total Pages: 94
Release: 1904
Genre: English drama
ISBN:

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Love and Society in Shakespearean Comedy

Love and Society in Shakespearean Comedy
Author: Richard A. Levin
Publisher: Newark : University of Delaware Press ; London : Associated University Presses
Total Pages: 216
Release: 1985
Genre: Drama
ISBN:

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This book is about three of Shakespeare's comedies, The Merchant of Venice, Much Ado About Nothing, and Twelfth Night. The author discusses them as expressions of a single theory of comedy -- that is, that every element of these plays contributes to an anti-romantic interpretation -- and he interprets them only in light of this anti-romantic theory.


Shakespeare's Festive Comedy

Shakespeare's Festive Comedy
Author: Cesar Lombardi Barber
Publisher: Princeton University Press
Total Pages: 323
Release: 2012
Genre: Drama
ISBN: 0691149526

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In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.


A Natural Perspective

A Natural Perspective
Author: Northrop Frye
Publisher: Columbia University Press
Total Pages: 190
Release: 1965
Genre: Drama
ISBN: 9780231082716

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Describes the geography, plants and animals, history, economy, language, religions, culture, and people of the People's Republic of China, home of one of the world's oldest continuous civilizations.


Shakespeare's Romantic Comedies

Shakespeare's Romantic Comedies
Author: Peter G. Phialas
Publisher: UNC Press Books
Total Pages: 379
Release: 2012-06-01
Genre: Literary Criticism
ISBN: 0807836974

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Phialas provides commentaries on Shakespeare's romantic comedies, treats in detail individual scenes and characters, and makes illuminating comparisons and contrasts of character with character. The chief concern of the book is with the action of each play, the nature and relationship of its parts, and the meaning that the action dramatizes. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.


The Love Story in Shakespearean Comedy

The Love Story in Shakespearean Comedy
Author: Anthony J. Lewis
Publisher: University Press of Kentucky
Total Pages: 422
Release: 2021-10-21
Genre: Drama
ISBN: 0813184827

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In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.