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Shakespeare's Comedy of Love

Shakespeare's Comedy of Love
Author: Alexander Leggatt
Publisher: Routledge
Total Pages: 289
Release: 2013-10-11
Genre: Literary Criticism
ISBN: 1136556494

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First published in 1987. This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new combination of essentially similar ingredients, so that, for example, the boy/girl changes in The Merchant of Venice are seen to have a quite different significance from those in As You Like It.


Shakespeare's Comedies of Love

Shakespeare's Comedies of Love
Author: Richard Paul Knowles
Publisher: University of Toronto Press
Total Pages: 345
Release: 2008-01-01
Genre: Literary Criticism
ISBN: 0802039537

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Shakespeare's Comedies of Love is a tribute to Alexander Leggatt, a critic who has shaped the way the world understands Shakespeare and his comedies.


Love and Society in Shakespearean Comedy

Love and Society in Shakespearean Comedy
Author: Richard A. Levin
Publisher: Newark : University of Delaware Press ; London : Associated University Presses
Total Pages: 228
Release: 1985
Genre: Drama
ISBN:

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This book is about three of Shakespeare's comedies, The Merchant of Venice, Much Ado About Nothing, and Twelfth Night. The author discusses them as expressions of a single theory of comedy -- that is, that every element of these plays contributes to an anti-romantic interpretation -- and he interprets them only in light of this anti-romantic theory.


Shakespeare and the Nature of Love

Shakespeare and the Nature of Love
Author: Marcus Nordlund
Publisher: Northwestern University Press
Total Pages: 245
Release: 2007-08-27
Genre: Drama
ISBN: 0810124238

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The best conception of love, Marcus Nordlund contends, and hence the best framework for its literary analysis, must be a fusion of evolutionary, cultural, and historical explanation. It is within just such a bio-cultural nexus that Nordlund explores Shakespeare’s treatment of different forms of love. His approach leads to a valuable new perspective on Shakespearean love and, more broadly, on the interaction between our common humanity and our historical contingency as they are reflected, recast, transformed, or even suppressed in literary works. After addressing critical issues about love, biology, and culture raised by his method, Nordlund considers four specific forms of love in seven of Shakespeare’s plays. Examining the vicissitudes of parental love in Titus Andronicus and Coriolanus, he argues that Shakespeare makes a sustained inquiry into the impact of culture and society upon the natural human affections. King Lear offers insight into the conflicted relationship between love and duty. In two problem plays about romantic love, Troilus and Cressida and All’s Well that Ends Well, the tension between individual idiosyncrasies and social consensus becomes especially salient. And finally, in Othello and The Winter’s Tale, Nordlund asks what Shakespeare can tell us about the dark avatar of jealousy.


Shakespeare's cinema of love

Shakespeare's cinema of love
Author: R. S. White
Publisher: Manchester University Press
Total Pages: 342
Release: 2016-10-03
Genre: Performing Arts
ISBN: 1526107813

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This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinseltown' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives.


Shakespeare's Romantic Comedies

Shakespeare's Romantic Comedies
Author: Peter G. Phialas
Publisher: UNC Press Books
Total Pages: 379
Release: 2012-06-01
Genre: Literary Criticism
ISBN: 0807836974

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Phialas provides commentaries on Shakespeare's romantic comedies, treats in detail individual scenes and characters, and makes illuminating comparisons and contrasts of character with character. The chief concern of the book is with the action of each play, the nature and relationship of its parts, and the meaning that the action dramatizes. Originally published in 1966. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.


Four Comedies

Four Comedies
Author: William Shakespeare
Publisher: Bantam Classics
Total Pages: 736
Release: 2009-08-26
Genre: Drama
ISBN: 0307420590

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The Taming of the Shrew Robust and bawdy, The Taming of the Shrew captivates audiences with outrageous humor as Katharina, the shrew, engages in a contest of wills–and love–with her bridegroom, Petruchio, in a comedy of unmatched theatrical brilliance, filled with visual gags and witty repartee. A Midsummer Night's Dream Fairy magic, love spells, and an enchanted wood turn the mismatched rivalries of four young lovers into a marvelous mix-up of desire and enchantment, all touched by Shakespeare’s inimitable vision of the intriguing relationship between dreams and the waking world. The Merchant of Venice This dark comedy of love and money contains one of the truly mythic figures in literature–Shylock, the Jewish moneylender. The “pound of flesh” he demands as payment of Antonio’s debt has become a universal metaphor for vengeance. Here, pathos and farce combine with moral complexity and romantic entanglements, to display the extraordinary power and range of Shakespeare at his best. Twelfth Night Set in a topsy-turvy world like a holiday revel, this comedy juxtaposes a romantic plot involving separated twins and mistaken identity with a more satiric one about the humiliation of a pompous killjoy. The hilarity is touched with melancholy, and the play ends, not with laughter, but with a clown’s plaintive song. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography


Shakespeare's Comedies

Shakespeare's Comedies
Author: William Shakespeare
Publisher:
Total Pages: 406
Release: 1909
Genre: English drama
ISBN:

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The Cambridge Introduction to Shakespeare's Comedies

The Cambridge Introduction to Shakespeare's Comedies
Author: Penny Gay
Publisher: Cambridge University Press
Total Pages: 197
Release: 2008-04-07
Genre: Literary Criticism
ISBN: 1139469770

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Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventions of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, sex, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this book addresses these vital questions. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventions as he further enriched the possibilities of the genre.