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| Author | : Ian Stockdale |
| Publisher | : |
| Total Pages | : 206 |
| Release | : 2015-11-20 |
| Genre | : Drama |
| ISBN | : 9780994862419 |
Presents the evidence that the true author of the works of William Shakespeare was King James VI & I.
| Author | : Jem Bloomfield |
| Publisher | : |
| Total Pages | : |
| Release | : 2017-08-29 |
| Genre | : |
| ISBN | : 9781912067596 |
Did Shakespeare write Psalm 46 of the King James Bible? In "Shakespeare and the Psalms Mystery" Jem Bloomfield investigates the literary legend that the famous playwright left his mark on the Authorized Version. He delves into the historical, textual and literary evidence, showing that the story isn't true - but that there are much more engrossing stories to be told about Shakespeare and the Bible. Whilst amassing the evidence against the Psalm 46 legend, Bloomfield asks why people want to believe it. What does this myth tell us about the connections between Shakespeare and the Bible? What does it reveal about people's views of religion and culture? In an intriguing investigation, Bloomfield ranges from the theatres of sixteenth-century England to the churches of the modern United States. On the way the reader is shown exiled Protestants becoming illegal Bible-smugglers, Edwardian schoolboys making jokes about the Book of Daniel, Lady Mary Sidney writing poetry inspired by the Psalms, Rudyard Kipling taking instructions from his own personal daemon, Lancelot Andrewes declaring that Jesus was a gardener, and other remarkable scenes from literary history. "Shakespeare and the Psalms Mystery" argues that the truth is always odder and more fascinating than any conspiracy theory. In debunking the legend of Shakespeare's hand in the King James Bible, it offers the reader a glimpse into the real mysteries which these books and their histories possess. Jem Bloomfield is Assistant Professor of Literature at the University of Nottingham. His previous publications include articles in scholarly journals on literature, theatre and religion, and the book "Words of Power: Reading Shakespeare and the Bible."
| Author | : Hannibal Hamlin |
| Publisher | : |
| Total Pages | : 397 |
| Release | : 2013-08-29 |
| Genre | : Drama |
| ISBN | : 0199677611 |
The Bible in Shakespeare is a critical study of the links between the two great pillars of English culture, the Bible and the works of Shakespeare.
| Author | : Naseeb Shaheen |
| Publisher | : University of Delaware |
| Total Pages | : 982 |
| Release | : 2011-09-16 |
| Genre | : Bibles |
| ISBN | : 1611493730 |
The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture. The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed. The study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day. To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood. Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked. .
| Author | : James Shapiro |
| Publisher | : Simon and Schuster |
| Total Pages | : 356 |
| Release | : 2011-04-19 |
| Genre | : Biography & Autobiography |
| ISBN | : 1416541632 |
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
| Author | : Steven Marx |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 165 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : 9780198184409 |
Oxford Shakespeare Topics provides students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. Notes and a critical guide tofurther reading equip the interested reader with the means to broaden research. Despite the presence of hundreds of Biblical allusions in Shakespeare, this is the first book to explore the pattern and significance of those references in relation to a selection of his greatest plays. It reveals the Bible as a rich source for Shakespeare's uses of myth, history, comedy andtragedy, his techniques of staging, and his ways of characterizing rulers, magicians and teachers in the image of the Bible's multifaceted God. This book also discloses ways in which Shakespeare's plays offer both pious and irreverent interpretations of the Scriptures comparable to those presentedby his contemporary writers, artists, philosophers and politicians. After an opening chapter comparing the Bible as a fragmented yet unified collection of 46 books with the fragmented yet unified First Folio collection of Shakespeare's 36 plays, each of the following six chapters matches a book of the Bible with a representative play: the creation myth of Genesiswith the first play in the Folio, The Tempest, the historical epic of Exodus with Henry V, the tragedy of Job with King Lear, the tragicomedy of the Gospel of Matthew with Measure for Measure, the homiletic disputation of Paul's Epistle to the Romans with The Merchant of Venice, and the apocalypticmasque of the Book of Revelation with The Tempest again. Though its subject matter and style appeal to a broad audience, this book is grounded in recent scholarship in Shakespeare and Biblical studies. Its intertextual readings are framed by descriptions of the historical circumstances of each work's composition and reception and by an emergent theory ofallusion as a principle of creation and understanding.
| Author | : Bob Hostetler |
| Publisher | : Worthy Inspired |
| Total Pages | : 735 |
| Release | : 2016-08-09 |
| Genre | : Religion |
| ISBN | : 1617958425 |
365 Devotions pairing Scripture from the King James Bible and lines from Shakespeare's plays and sonnets. Includes little known history, curiosities, and facts about words introduced or used in new ways by Shakespeare.
| Author | : David Teems |
| Publisher | : HarperChristian + ORM |
| Total Pages | : 268 |
| Release | : 2010-10-18 |
| Genre | : Religion |
| ISBN | : 1595553819 |
In the Beginning, James. Orphaned, bullied, lonely, and unloved as a boy, in time the young King of Scots overcame his troubled beginnings to ascend the English throne at the height of England’s Golden Age. In an effort to pacify rising tensions in the Anglican Church, and to reflect the majesty of his new reign, he spearheaded the most important literary undertaking in Western history—the translation of the Bible into a beautiful, lyrical, and accessible English. David Teems’s narrative crackles with wit, using a thoroughly modern tongue to reanimate the life of this seventeenth century king—a man at the intersection of political, literary, and religious thought, yet a man of contrasts, dubbed by one French king as “the wisest fool in Christendom.” Warm, insightful, even at times amusing, Teems’s depiction of King James has all the elements of a grand tale—conspiracy, kidnapping, witchcraft, murder, love, despair, loss. Majestie offers an engaging new look at the world’s most cherished, revered, and influential translation of Sacred Writ and the king behind it. “Engrossing and entertaining…a delightful read in every way.” – Publishers Weekly
| Author | : Helen Dale Moore |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9781851243495 |
Published on the occasion of two exhibitions, held in 2011 at the Bodleian Library and the Folger Shakespeare Library respectively, celebrating the 400th centenary of the publication of the King James Bible.
| Author | : Travis DeCook |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2011-07-27 |
| Genre | : Literary Criticism |
| ISBN | : 1136662758 |
Why do Shakespeare and the English Bible seem to have an inherent relationship with each other? How have these two monumental traditions in the history of the book functioned as mutually reinforcing sources of cultural authority? How do material books and related reading practices serve as specific sites of intersection between these two textual traditions? This collection makes a significant intervention in our understanding of Shakespeare, the Bible, and the role of textual materiality in the construction of cultural authority. Departing from conventional source study, it questions the often naturalized links between the Shakespearean and biblical corpora, examining instead the historically contingent ways these links have been forged. The volume brings together leading scholars in Shakespeare, book history, and the Bible as literature, whose essays converge on the question of Scripture as source versus Scripture as process—whether that scripture is biblical or Shakespearean—and in turn explore themes such as cultural authority, pedagogy, secularism, textual scholarship, and the materiality of texts. Covering an historical span from Shakespeare’s post-Reformation era to present-day Northern Ireland, the volume uncovers how Shakespeare and the Bible’s intertwined histories illuminate the enduring tensions between materiality and transcendence in the history of the book.
