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Shakespeare, Text and Theater

Shakespeare, Text and Theater
Author: Jay L. Halio
Publisher: University of Delaware Press
Total Pages: 356
Release: 1999
Genre: Drama
ISBN: 9780874136999

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"Jay L. Halio is internationally distinguished as an editor of Shakespeare's plays and as a critic of Shakespeare in performance. This collection, with an international list of contributors, honors both those interests and explores their interconnectedness."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


This Wide and Universal Theater

This Wide and Universal Theater
Author: David Bevington
Publisher: University of Chicago Press
Total Pages: 256
Release: 2009-05
Genre: Drama
ISBN: 0226044793

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This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.


Shakespeare's Theatre

Shakespeare's Theatre
Author: Peter Thomson
Publisher: Routledge
Total Pages: 221
Release: 2013-06-17
Genre: Performing Arts
ISBN: 1136113568

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Reviews of the First Edition `...valuable and enjoyable reading for all studying Shakespeare's plays.' Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS '`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies `Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies


Staging in Shakespeare's Theatres

Staging in Shakespeare's Theatres
Author: Andrew Gurr
Publisher: Oxford Shakespeare Topics
Total Pages: 192
Release: 2000
Genre: Drama
ISBN: 9780198711582

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By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.


Shakespeare and the Making of Theatre

Shakespeare and the Making of Theatre
Author: Paul Edmondson
Publisher: Bloomsbury Publishing
Total Pages: 264
Release: 2012-10-18
Genre: Literary Criticism
ISBN: 1137284935

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A highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of literature. Leading performance critics dismantle Shakespeare's texts, identifying theatrical cues in ways which develop understanding of the underlying theatricality of Shakespeare's plays and stimulate further performances.


Shakespeare / Text

Shakespeare / Text
Author: Claire M. L. Bourne
Publisher: Bloomsbury Publishing
Total Pages: 464
Release: 2021-07-29
Genre: Literary Criticism
ISBN: 1350128163

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Shakespeare / Text sets new agendas for the study and use of the Shakespearean text. Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come to both define and limit the way we read, analyze, teach, perform and edit Shakespeare today. Drawing on methods from book history, bibliography, editorial theory, library science, the digital humanities, theatre studies and literary criticism, the collection as a whole proposes that our understanding of Shakespeare – and early modern drama more broadly – changes radically when 'either/or' approaches to the Shakespearean text are reconfigured. The chapters in Shakespeare / Text make strong cases for challenging received wisdom and offer new, portable methods of treating 'the text', in its myriad instantiations, that will be useful to scholars, editors, theatre practitioners, teachers and librarians.


Textual Performances

Textual Performances
Author: Lukas Erne
Publisher: Cambridge University Press
Total Pages: 268
Release: 2004-05-13
Genre: Literary Collections
ISBN: 9780521830959

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This important collection brings together leading scholars to examine crucial questions regarding the theory and practice of editing Shakespeare's plays. In particular, the essays look at how best to engage editorially with evidence provided by historical research into the playhouse, author's study and printing house. How are editors of playscripts to mediate history, in its many forms, for modern users? Considering our knowledge of the past is partial (in the senses both of incomplete and ideological) where are we to draw the line between legitimate editorial assistance and unwarranted interference? In what innovative ways might current controversies surrounding the mediation of Shakespeare's drama shape future editorial practice? Focusing on key points of debate and controversy, this collection makes a vital contribution to a better understanding of how editorial practice (on the page and in cyberspace) might develop in the twenty-first century.


Shakespeare's Theatre

Shakespeare's Theatre
Author: Hugh Macrae Richmond
Publisher: A&C Black
Total Pages: 584
Release: 2003-01-01
Genre: Literary Criticism
ISBN: 1847146112

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Shakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters.


Folger Library, Two Decades of Growth

Folger Library, Two Decades of Growth
Author: Louis B. Wright
Publisher: Associated University Presse
Total Pages: 324
Release: 1978-07
Genre: Language Arts & Disciplines
ISBN: 9780918016553

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Shakespeare / Space

Shakespeare / Space
Author: Isabel Karremann
Publisher: Bloomsbury Publishing
Total Pages: 377
Release: 2024-02-22
Genre: Literary Criticism
ISBN: 1350282995

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Shakespeare / Space explores new approaches to the enactment of 'space' in and through Shakespeare's plays, as well as to the material, cognitive and virtual spaces in which they are enacted. With contributions from 14 leading and emergent experts in their fields, the collection forges innovative connections between spatial studies and cultural geography, cognitive studies, memory studies, phenomenology and the history of the emotions, gender and race studies, rhetoric and language, translation studies, theatre history and performance studies. Each chapter offers methodological reflections on intersections such as space/mobility, space/emotion, space/supernatural, space/language, space/race and space/digital, whose critical purchase is demonstrated in close readings of plays like King Lear, The Comedy of Errors, Othello and Shakespeare's history plays. They testify to the importance of space for our understanding of Shakespeare's creative and theatrical practice, and at the same time enlarge our understanding of space as a critical concept in the humanities. It will prove useful to students, scholars, teachers and theatre practitioners of Shakespeare and early modern studies.