Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Shakespeare Jahrbuch 122 PDF full book. Access full book title Shakespeare Jahrbuch 122.
| Author | : Margaret Jane Kidnie |
| Publisher | : Cambridge University Press |
| Total Pages | : 483 |
| Release | : 2015-11-12 |
| Genre | : Literary Criticism |
| ISBN | : 1107023742 |
A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
| Author | : Kiernan Ryan |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2014-06-11 |
| Genre | : Drama |
| ISBN | : 1317889606 |
This is the first collection of criticism on Shakespeare's romances to register the impact of modern literary theory on interpretations of these plays. Kiernan Ryan brings together the most important recent essays on Pericles, Cymbeline, The Winter's Tale and The Tempest, the greatest of the `last plays', staging a dynamic debate between feminist, poststructuralist, psychoanalytic and new historicist views of the masterpieces Shakespeare wrote at the close of his career. The book aims not only to anthologise accounts of the last plays by leading Shakespearean critics, including Stephen Greenblatt, Janet Adelman, Leah Marcus, Howard Felperin and Steven Mullaney, but also to dramatise what is at stake in the choice of a particular critical approach. It allows the student to compare the strengths and limitations of a deconstructive and a feminist reading of the same romance, or to test the plausibility of one psychoanalytic angle on the last plays against another. The headnotes that preface the essays highlight their distinctive slants on Shakespearean romance, unpack the theoretical assumptions that steer their interpretations, and throw into relief the key points at which their authors collide or converge. The editor's introduction places the essays in the context of twentieth-century criticism of the last plays and makes a powerful case for a fundamental reappraisal of Shakespearean romance. The comprehensive, fully annotated bibliography provides an unrivalled guide to further reading on all four plays.
| Author | : Wilhelm Hortmann |
| Publisher | : Cambridge University Press |
| Total Pages | : 532 |
| Release | : 1998-05-28 |
| Genre | : Drama |
| ISBN | : 9780521343862 |
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.
| Author | : Kiernan Ryan |
| Publisher | : Longman Publishing Group |
| Total Pages | : 320 |
| Release | : 1999 |
| Genre | : Tragicomedy |
| ISBN | : |
This is the first new collection of criticism on Shakespeare's romances to appear for 20 years, bringing together the most important recent essays on Pericles, Cymbeline, The Winter's Tale and The Tempest.
| Author | : Douglas Bruster |
| Publisher | : Routledge |
| Total Pages | : 221 |
| Release | : 2004-08-02 |
| Genre | : Literary Criticism |
| ISBN | : 1134313705 |
This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
| Author | : Lukas Erne |
| Publisher | : A&C Black |
| Total Pages | : 168 |
| Release | : 2007-12-18 |
| Genre | : Literary Criticism |
| ISBN | : 1441110755 |
Recent work in Shakespeare studies has brought to the forefront a variety of ways in which the collaborative nature of Shakespearean drama can be investigated: collaborative performance (Shakespeare and his fellow actors); collaborative writing (Shakespeare and his co-authors); collaborative textual production (Shakespeare and his transcribers and printers). What this leaves unaccounted for is the form of collaboration that affects more than any other our modern reading experience of Shakespeare's plays: what we read as Shakespeare now always comes to us in the form of a collaborative enterprise - and is decisively shaped by the nature of the collaboration - between Shakespeare and his modern editors. Contrary to much recent criticism, this book suggests that modern textual mediators have a positive rather than negative role: they are not simply 'pimps of discourse' or cultural tyrants whose oppressive interventions we need to 'unedit' but collaborators who can decisively shape and enable our response to Shakespeare's plays. Erne argues that any reader of Shakespeare, scholar, student, or general reader, approaches Shakespeare through modern editions that have an endlessly complicated and fascinating relationship to what Shakespeare may actually have intended and written, that modern editors determine what that relationship is, and that it is generally a very good thing that they do so.
| Author | : Various |
| Publisher | : Routledge |
| Total Pages | : 3794 |
| Release | : 2021-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1000519384 |
This 14-volume set contains titles originally published between 1926 and 1992. An eclectic mix, this collection examines Shakespeare’s work from a number of different perspectives, looking at history, language, performance and more it includes references to many of his plays as well as his sonnets.
| Author | : Catherine M. S. Alexander |
| Publisher | : Cambridge University Press |
| Total Pages | : 282 |
| Release | : 2004-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 9780521544818 |
Selection of sixteen provocative and stimulating essays on the complex subject of Shakespeare and politics.
| Author | : Lukas Lammers |
| Publisher | : Routledge |
| Total Pages | : 382 |
| Release | : 2018-03-21 |
| Genre | : Literary Criticism |
| ISBN | : 1351104861 |
Shakespearean Temporalities addresses a critical neglect in Early Modern Performance and Shakespeare Studies, revising widely prevailing and long-standing assumptions about the performance and reception of history on the early modern stage. Demonstrating that theatre, at the turn of the seventeenth century, thrived on an intense fascination with perceived tensions between (medieval) past and (early modern) present, this volume uncovers a dimension of historical drama that has been largely neglected due to a strong focus on nationhood and a predilection for ‘topical’ readings. It moreover reassesses genre conventions by venturing beyond the threshold of the supposed "death of the history play," in 1603. Closely analysing a broad range of Shakespeare’s historical drama, it explores the dramatic techniques that allow the theatre to perform historical distance. An experience of historical contingency through an immersion in a world ontologically related yet temporally removed is thus revealed as a major appeal of historical drama and a striking aspect of Shakespeare’s history plays. With a focus on performance, the experience of playgoers, and the dynamics that resulted from the collective production of dramatic historiography by competing companies, the book offers the first analysis of what can be referred to as Shakespeare’s dramaturgy of historical temporality.
| Author | : Monika Smialkowska |
| Publisher | : Cambridge University Press |
| Total Pages | : 331 |
| Release | : 2023-12-21 |
| Genre | : Literary Criticism |
| ISBN | : 1009280864 |
The worldwide commemorations of the three-hundredth anniversary of Shakespeare's death were held amid the global upheaval of the First World War. As empires battled for world domination and nations sought self-determination, diverse communities vied to claim Shakespeare as their own, to underpin their sense of collective identity and cohesion. Unearthing previously unknown Tercentenary events in Europe, the British Empire, and the USA, Monika Smialkowska demonstrates that the 1916 Shakespeare commemorators did not speak with one unified voice. Tributes by marginalised social, ethnic, and racial groups often challenged the homogenising narratives of the official celebrations. Rather than the traditionally patriotic Bard, used to support totalising versions of national or imperial identity, this study reveals Shakespeare as a site of debate and contestation, in which diverse voices – local and global, nationalist and universalist, militant and pacifist – combined and clashed in a fascinating, open-ended dialogue.
