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Shakespeare and the Spanish Comedia

Shakespeare and the Spanish Comedia
Author: Bárbara Mujica
Publisher: Bucknell University Press
Total Pages: 310
Release: 2013-10-03
Genre: Literary Criticism
ISBN: 1611485185

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Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and the stage and between one theatrical culture and another.


Comedias Del Siglo de Oro and Shakespeare

Comedias Del Siglo de Oro and Shakespeare
Author: Susan L. Fischer
Publisher: Lewisburg : Bucknell University Press ; London : Associated University Presses
Total Pages: 160
Release: 1989
Genre: Literary Criticism
ISBN:

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This issue of Bucknell Review is devoted to comparative studies of Shakespeare and seventeenth-century Spanish dramatists. The essays provide insight into Spanish drama of the Golden Age and by examining Shakespeare's plays in this unusual context suggest a direction for future research.


Remaking the Comedia

Remaking the Comedia
Author: Harley Erdman
Publisher: Boydell & Brewer Ltd
Total Pages: 325
Release: 2015
Genre: Literary Criticism
ISBN: 1855662922

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Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey


The Comedia in English

The Comedia in English
Author: Susan Paun De García
Publisher: Tamesis Books
Total Pages: 328
Release: 2008
Genre: Literary Collections
ISBN: 9781855661691

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"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket


Shakespeare and Latinidad

Shakespeare and Latinidad
Author: Trevor Boffone
Publisher: Edinburgh University Press
Total Pages: 351
Release: 2021-06-30
Genre: Literary Criticism
ISBN: 147448851X

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Shakespeare and Latinidad is a collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on Latinx productions and appropriations of Shakespeare’s plays.


Shakespeare and Spain

Shakespeare and Spain
Author: Sir Henry Thomas
Publisher:
Total Pages: 38
Release: 1922
Genre: Comparative literature
ISBN:

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The Taylorian lecture for 1922, in English (cf. S.b. 92-93, the same in Spanish).


AS YOU LIKE IT (Spanish Edition)

AS YOU LIKE IT (Spanish Edition)
Author: William Shakespeare
Publisher: epubli
Total Pages: 232
Release: 2023-03-15
Genre: Drama
ISBN: 3757528964

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Como gustéis es una comedia pastoral de William Shakespeare que se cree que fue escrita en 1599 y publicada por primera vez en el Primer Folio en 1623. La primera representación de la obra es incierta, aunque se ha sugerido como posibilidad una representación en Wilton House en 1603. Los lectores y el público llevan mucho tiempo saludando con deleite As You Like It. Sus personajes son brillantes conversadores, entre ellos las princesas Rosalinda y Celia y su bufón, Touchstone. Poco después de que Rosalinda y Orlando se conozcan y se enamoren, las princesas y Touchstone se exilian al bosque de Arden, donde encuentran nuevos compañeros de conversación. El duque Federico, hermano menor del duque padre, ha derrocado a su hermano y le ha obligado a vivir sin hogar en el bosque con sus cortesanos, entre ellos el cínico Jaques. Orlando, cuyo hermano mayor, Oliver, tramó su muerte, también ha huido allí.


The Comedy of Evil on Shakespeare's Stage

The Comedy of Evil on Shakespeare's Stage
Author: Charlotte Spivack
Publisher: Rutherford, [N.J.] : Fairleigh Dickinson University Press
Total Pages: 192
Release: 1978
Genre: Drama
ISBN:

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Concerned with the conventionally comic representation of evil on the English Renaissance stage.


Hamlet ; Comedy of errors

Hamlet ; Comedy of errors
Author: William Shakespeare
Publisher:
Total Pages: 378
Release: 1901
Genre: English drama
ISBN:

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Reading Performance

Reading Performance
Author: Susan L. Fischer
Publisher: Tamesis Books
Total Pages: 400
Release: 2009
Genre: Literary Criticism
ISBN:

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Spanish Golden-Age plays take their place at the forefront of world theatre. Oscar Wilde once observed that `it is the spectator, and not life, that art really mirrors'. This thought is borne out in this volume, which brings together two different and often mutually exclusive constituencies: the academic critic and the theatre practitioner. In looking at the ways in which theatre is a barometer of society, the essays in this book form part of a larger theoretical inquiry into performance as interpretation, contingent upon the cultural context. Engaging with theoretical approaches to culture, and theoreticians from Elam to Brook, and from Derrida to Bakhtin, the author analyzes in detail productions of plays by Lope de Vega, Tirso de Molina, and Calderón dela Barca, as well as an adaptation of Rojas' Celestina, on the Spanish, or French, or Anglo-American stage. Two chapters deal with appropriations of Shakespeare's Merchant of Venice in translation on the Spanish andFrench boards. As they read performance in [trans]national productions, these essays are not only at the cutting-edge of theatre studies on the `foreign' stage, but they also bring Spanish Golden-Age plays, long neglected byprofessional directors of the classics because of the lack of a continuous performance tradition, closer to assuming their rightful place amongst `the great theatre of the world'. SUSAN L. FISCHER is Professor of Spanish and Comparative Literature at Bucknell University.