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| Author | : Sally Barnden |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2024-02-06 |
| Genre | : Art |
| ISBN | : 019889497X |
Explores the extent to which members of the royal family have appropriated the creative legacy of Shakespeare, from the mid-eighteenth century to the mid-twentieth century, in order to shore up royal and national ideologies and to assert the legitimacy of the monarchy.
| Author | : Sally Barnden |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2024-02-06 |
| Genre | : Literary Criticism |
| ISBN | : 019889502X |
Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.
| Author | : John Kani |
| Publisher | : Jonathan Ball Publishers |
| Total Pages | : 90 |
| Release | : 2021-04-09 |
| Genre | : Performing Arts |
| ISBN | : 1776191331 |
'What lies beneath the apparent simplicity of Kunene and the King is a lot of moral, political and existential depth. This is testimony to the brilliance of John Kani.' – EUSEBIUS McKAISER South Africa, 2019. Twenty-five years since the first post-apartheid democratic elections. Jack Morris is a celebrated classical actor who has just been given a career-defining role and a life-changing diagnosis. Lunga Kunene is a retired senior male nurse from Soweto now working for private patients. Besides their age, they appear not to have much in common. But a shared passion for Shakespeare soon ignites a 'rich, raw and shattering head-to-head' (The Times) as the duet from contrasting walks of life unpack the racial, political and social complexities of modern South Africa. Kunene and the King is a vital play that combines the magnificence of classic Shakespearean comedy, tragedy and history to reflect on a new yet deeply wounded society.
| Author | : Stanley Wells |
| Publisher | : OUP Oxford |
| Total Pages | : 323 |
| Release | : 2015-04-24 |
| Genre | : Literary Criticism |
| ISBN | : 0191008346 |
Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first—the answer is No—and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian McKellen, and Kenneth Branagh. Individual chapters tell the story of their subjects' careers, but together these overlapping tales combine to offer a succinct, actor-centred history of Shakespearian theatrical performance. Stanley Wells examines what it takes to be a great Shakespeare actor and then offers a concise sketch of each actor's career in Shakespeare, an assessment of their specific talents and claims to greatness, and an account, drawing on contemporary reviews, biographies, anecdotes, and, for some of the more recent actors, the author's personal memories of their most notable performances in Shakespeare roles.
| Author | : Antony Sher |
| Publisher | : Nick Hern Books |
| Total Pages | : 0 |
| Release | : 2017-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 9781848425675 |
Now in paperback. The acclaimed account of researching and playing one of the greatest roles in English drama.
| Author | : Paterson Joseph |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 222 |
| Release | : 2018-04-05 |
| Genre | : Drama |
| ISBN | : 1350011207 |
'Julius Caesar is, simply, Shakespeare's African play' John Kani In 2012, actor Paterson Joseph played the role of Brutus in the Royal Shakespeare Company's acclaimed production of Julius Caesar - Gregory Doran's last play before becoming Artistic Director for the RSC. It is a play, Joseph is quick to acknowledge, that is widely misunderstood - even dreaded - when it comes to study and performance. Alongside offering fascinating insights into Julius Caesar and Shakespeare's writing, Joseph serves up details of the rehearsal process; his key collaborations during an eclectic career; as well as his experience of working with a majority black cast. He considers the positioning of ethnic minority actors in Shakespeare productions in general, and female actors tackling so seemingly masculine a play in particular. Audience reactions are also investigated by Joseph, citing numerous conversations he has had with psychologists, counsellors and neurologists on the subject of what happens between performer and spectator. For Paterson Joseph, his experience of playing Brutus in Julius Caesar with the RSC was a defining point in his career, and a transformative experience. For any actor or practitioner working on Shakespeare - or for any reader interested in his plays - this is a fascinating and informative read, which unlocks so much about making and understanding theatre from the inside.
| Author | : Jeffrey Kahan |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2008-04-18 |
| Genre | : Literary Criticism |
| ISBN | : 1135973652 |
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
| Author | : Philip Brockbank |
| Publisher | : Cambridge University Press |
| Total Pages | : 198 |
| Release | : 1988-07-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521368179 |
Twelve actors describe their preparation for and performance of a Shakespearean role with the Royal Shakespeare Company. The result is an account of the instability of the actor's art as well of his professional discipline.
| Author | : John Barton |
| Publisher | : Anchor |
| Total Pages | : 286 |
| Release | : 2010-11-10 |
| Genre | : Performing Arts |
| ISBN | : 0307773914 |
Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
| Author | : Keith Osborn |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 265 |
| Release | : 2010-05-01 |
| Genre | : Drama |
| ISBN | : 1849432813 |
Following in the footsteps of Nick Asbury's bestselling Exit Pursued by a Badger, actor and Royal Shakespeare Company alumnus Keith Osborn tells the story of the company's extraordinary 2008/9 season in Stratford and London, with much drama on and off stage. Keith appeared in Gregory Doran's acclaimed productions of A Midsummer Night's Dream and Love's Labours Lost and, of course, Doran's Hamlet with David Tennant in the title role. Keith's blog was followed by thousands of loyal readers, the book contains some new material covering the early parts of the season and a short account of the BBC's filming of Hamlet in the summer of 2009, rounded out with many rehearsal and production photos taken throughout the season.
