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| Author | : Robert Weimann |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2008-08-07 |
| Genre | : Literary Criticism |
| ISBN | : 0521895324 |
This book demonstrates the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era.
| Author | : Robert Weimann |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2010-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 9780521182836 |
Focusing on the practical means and media of Shakespeare's stage, this study envisions horizons for his achievement in the theatre. Bridging the gap between today's page- and stage-centred interpretations, two renowned Shakespeareans demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how the playwright explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Like this trio, his deepest and most captivating characters often attain their power through the highly performative mode of 'personation' - through playing the character as an open secret. Surveying the whole of the playwright's career in the theatre, Shakespeare and the Power of Performance offers not only compelling ways of approaching the relation of performance and print in Shakespeare's works, but also new models for understanding dramatic character itself.
| Author | : David Bevington |
| Publisher | : University of Chicago Press |
| Total Pages | : 256 |
| Release | : 2009-05 |
| Genre | : Drama |
| ISBN | : 0226044793 |
This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
| Author | : Delia Jarrett-Macauley |
| Publisher | : Routledge |
| Total Pages | : 201 |
| Release | : 2016-08-05 |
| Genre | : Performing Arts |
| ISBN | : 1317429443 |
What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare? The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions. Editor Delia Jarrett-Macauley assembles a stunning collection of classic texts and new scholarship by leading critics and practitioners, to provide the first comprehensive critical and practical analysis of this field.
| Author | : S. Newstok |
| Publisher | : Springer |
| Total Pages | : 288 |
| Release | : 2016-04-30 |
| Genre | : Performing Arts |
| ISBN | : 0230102166 |
Weyward Macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways Shakespeare's 'Macbeth' has been adapted and appropriated within the context of American racial constructions. Comprehensive in its scope, this collection addresses the enduringly fraught history of 'Macbeth' in the United States, from its appearance as the first Shakespearean play documented in the American colonies to a proposed Hollywood film version with a black diasporic cast. Over two dozen contributions explore 'Macbeth's' haunting presence in American drama, poetry, film, music, history, politics, acting, and directing — all through the intersections of race and performance.
| Author | : Catherine M. S. Alexander |
| Publisher | : Cambridge University Press |
| Total Pages | : 254 |
| Release | : 2000-12-21 |
| Genre | : Drama |
| ISBN | : 9780521779388 |
This volume, first published in 2000, draws together thirteen important essays on the concept of race in Shakespeare's drama.
| Author | : Professor James A Knapp |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 225 |
| Release | : 2015-09-28 |
| Genre | : Literary Criticism |
| ISBN | : 1472415795 |
As contributors to this volume prove, Shakespeare’s language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare’s treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare’s England.
| Author | : BRADD. SHORE |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2021-08-23 |
| Genre | : |
| ISBN | : 9781032017174 |
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
| Author | : Dr Peter G Platt |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 270 |
| Release | : 2013-04-28 |
| Genre | : Drama |
| ISBN | : 1409475158 |
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
| Author | : Paul Yachnin |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317056493 |
Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
