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Shakespeare and the Popular Tradition in the Theater

Shakespeare and the Popular Tradition in the Theater
Author: Robert Weimann
Publisher: Baltimore : Johns Hopkins University Press
Total Pages: 360
Release: 1978
Genre: Drama
ISBN:
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Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.'

Shakespeare and Dramatic Tradition

Shakespeare and Dramatic Tradition
Author: Samuel Frederick Johnson
Publisher: University of Delaware Press
Total Pages: 316
Release: 1989
Genre: Drama
ISBN: 9780874133332
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Eighteen new essays by respected critics on Shakespeare and his dramatic antecedents, contemporaries, and successors, offering an up-to-date survey-history of Renaissance theater and examples of scholarly and critical methodology.

Shakespeare's Dramatic Art

Shakespeare's Dramatic Art
Author: Wolfgang Clemen
Publisher: Routledge
Total Pages: 249
Release: 2013-10-08
Genre: Literary Criticism
ISBN: 1136559019
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First published in 1972. Studying Shakespeare's 'art of preparation', this book illustrates the relationship between the techniques of preparation and the structure and theme of the plays. Other essays cover Shakespeare's use of the messenger's report, his handling of the theme of appearance and reality and the basic characteristics of Shakespearian drama.

Marlowe and the Popular Tradition

Marlowe and the Popular Tradition
Author: Ruth Lunney
Publisher: Manchester University Press
Total Pages: 264
Release: 2002
Genre: Drama
ISBN: 9780719061189
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Lunney explores Marlowe's engagement with the traditions of the popular stage in the 1580s and early 1590s and offers a new approach to his major plays in terms of staging and audience response, as well as providing a new account of English drama in these important but largely neglected years.