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Shakespeare: Actors and Audiences

Shakespeare: Actors and Audiences
Author: Fiona Banks
Publisher: Bloomsbury Publishing
Total Pages: 296
Release: 2018-11-15
Genre: Literary Criticism
ISBN: 1474274005

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Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.


Shakespeare: Actors and Audiences

Shakespeare: Actors and Audiences
Author: Fiona Banks
Publisher: Bloomsbury Publishing
Total Pages: 272
Release: 2018-11-15
Genre: Drama
ISBN: 1474257941

Download Shakespeare: Actors and Audiences Book in PDF, ePub and Kindle

Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.


Shakespeare’s Audiences

Shakespeare’s Audiences
Author: Matteo Pangallo
Publisher: Routledge
Total Pages: 341
Release: 2021-03-28
Genre: Literary Collections
ISBN: 1000352579

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Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.


New Sites For Shakespeare

New Sites For Shakespeare
Author: John Russell Brown
Publisher: Routledge
Total Pages: 222
Release: 2013-04-03
Genre: Literary Criticism
ISBN: 1134648731

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In the course of exploring the theatrical cultures of South and East Asia, eminent Shakespeareanist John Russell Brown developed some remarkable theories about the nature of performance, the state of Western 'Theatre' today, and the future potential of Shakespeare's plays. In New Sites for Shakespeare he outlines his passionate belief in the power of theatre to reach mass audiences, based on his experiences of popular Asian performances. It is a personal polemic, but it is also a carefully argued and brilliantly persuasive study of the kind of theatrical experience Shakespeare's own contemporaries enjoyed. This is a book which cannot be ignored by anyone who cares about the live performing arts today. Separate chapters consider staging, acting, improvisation, ceremonies and ritual, and an analysis of the experience of the audience is paramount throughout.


Great Shakespeare Actors

Great Shakespeare Actors
Author: Stanley Wells
Publisher: Oxford University Press, USA
Total Pages: 323
Release: 2015
Genre: Literary Collections
ISBN: 0198703295

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Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian McKellen, and Kenneth Branagh. Individual chapters tell the story of their subjects' careers, but together these overlapping tales combine to offer a succinct, actor-centred history of Shakespearian theatrical performance. Stanley Wells examines what it takes to be a great Shakespeare actor and then offers a concise sketch of each actor's career in Shakespeare, an assessment of their specific talents and claims to greatness, and an account, drawing on contemporary reviews, biographies, anecdotes, and, for some of the more recent actors, the author's personal memories of their most notable performances in Shakespeare roles.


Double Shakespeares

Double Shakespeares
Author: Cary M. Mazer
Publisher: Rowman & Littlefield
Total Pages: 215
Release: 2015-09-10
Genre: Literary Criticism
ISBN: 1611478448

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Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor’s body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal—both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals—and how they show us the process by which the actor does or does not “become” the character. And, finally, it looks at modern performances that “frame” Shakespeare’s play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.


Shakespeare and the Awareness of Audience

Shakespeare and the Awareness of Audience
Author: Ralph Berry
Publisher: Routledge
Total Pages: 250
Release: 2015-07-30
Genre: Literary Criticism
ISBN: 1317370929

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This book, first published in 1985, explores the consciousness and the experience of Shakespeare’s audience. First describing the stage’s physical impact, Ralph Berry then goes on to explore the social or tribal consciousness of the audience in certain plays. The title finishes by examining the masque – the salient form of the Jacobean theatre. This title will be of interest to students of literature and theatre studies.


Shakespeare and Audience in Practice

Shakespeare and Audience in Practice
Author: Stephen Purcell
Publisher: Bloomsbury Publishing
Total Pages: 216
Release: 2013-11-26
Genre: Literary Criticism
ISBN: 1137375256

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What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways.


An Actor's Edition of Shakespeare Revisited

An Actor's Edition of Shakespeare Revisited
Author: James R. Hartman
Publisher: AuthorHouse
Total Pages: 518
Release: 2007-07-26
Genre: Language Arts & Disciplines
ISBN: 146781671X

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An Actor’s Edition of Shakespeare Revisited is a book for actors, directors, professors of theatre and the general public. Each of the plays has been edited for more understandability and length. The intent of the book was to make the works more accessible without making the language modern. When audiences see a Shakespeare play, they have only one time to grasp the words as they are spoken. Audience members do not have time to look at lengthy explanations or notes about words or expressions. Therefore, this edition of these five plays, presents the plays so that audience members as well as actors can follow the plays with little difficulty. Some words have been changed to accomplish this. In certain speeches, subjects or verbs were supplied for understandability. Because Shakespeare used many pronouns, these plays make use of more nouns so that the meaning of who or what is being spoken about becomes more clear. The book also has some useful tools for the director and actors. A chart has been provided for each play that lists each character by act and scene. This can be very useful when there is a need to double cast actors. In addition, a “combination roles” page has also been added which gives suggestions for doubling parts for a smaller company. To help at rehearsals, page numbers for the beginning of each act and scene is provided on a single page for each play. Finally, each play has been broken into “beats” for the actor and the director. It is the hope of the author of this book that more people will find excitement in reading, performing, staging, or viewing Shakespeare because of the edited versions for understandability. Enjoy the plays---either reading or performing.


Shakespeare's Audience

Shakespeare's Audience
Author: Alfred Harbage
Publisher:
Total Pages: 224
Release: 1941
Genre: Literary Criticism
ISBN:

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Presents and interprets evidence on the size, social composition, behavior, and the aesthetic and intellectual capacity of Shakespeare's audience.