Setting The Scene The Deceased And Regenerative Cult Within Offering Table Imagery Of The Egyptian Old To Middle Kingdoms C2686 C1650 Bc PDF Download

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Setting the Scene: The Deceased and Regenerative Cult within Offering Table Imagery of the Egyptian Old to Middle Kingdoms (C.2686 – C.1650 BC)

Setting the Scene: The Deceased and Regenerative Cult within Offering Table Imagery of the Egyptian Old to Middle Kingdoms (C.2686 – C.1650 BC)
Author: Barbara O’Neill
Publisher: Archaeopress Publishing Ltd
Total Pages: 123
Release: 2015-04-13
Genre: History
ISBN: 1784911178

Download Setting the Scene: The Deceased and Regenerative Cult within Offering Table Imagery of the Egyptian Old to Middle Kingdoms (C.2686 – C.1650 BC) Book in PDF, ePub and Kindle

This study investigates gender-based and ritual-dependent afterlife expectations of the deceased over a key phase in Egyptian history from the latter part of the Old Kingdom to the end of the Middle Kingdom Period, c.2686 BC - c.1650 BC.


Setting the Scene

Setting the Scene
Author: Barbara O'Neill
Publisher:
Total Pages:
Release: 2015
Genre:
ISBN:

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Art as Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, c. 2345 BC

Art as Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, c. 2345 BC
Author: Barbara O’Neill
Publisher: Archaeopress Publishing Ltd
Total Pages: 62
Release: 2023-08-17
Genre: History
ISBN: 1803275545

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Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE.


Peace in Ancient Egypt

Peace in Ancient Egypt
Author: Vanessa Davies
Publisher: BRILL
Total Pages: 227
Release: 2018-09-04
Genre: History
ISBN: 9004380221

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In Peace in Ancient Egypt, Vanessa Davies offers a new analysis of the ancient Egyptian concept of hetep ("peace").


Copper in Ancient Egypt

Copper in Ancient Egypt
Author: Martin Odler
Publisher: BRILL
Total Pages: 861
Release: 2023
Genre: History
ISBN: 9004527699

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The first comprehensive and up-to-date overview of what we know about the use of copper by the ancient Egyptians and Nubians, from the Predynastic through the Early Dynastic until the end of the Second Intermediate Period (c. 4000-1600 BC). The monograph presents a story, based on the analysis of available evidence, a synchronic and diachronic reconstruction of the development and changes of the chaîne opératoire of copper and copper alloy artefacts. The book argues that Egypt was not isolated from the rest of the ancient world and that popular notions of its "primitive" technology are not based on facts.


Houses in Graeco-Roman Egypt

Houses in Graeco-Roman Egypt
Author: Youssri Ezzat Hussein Abdelwahed
Publisher: Archaeopress Publishing Ltd
Total Pages: 116
Release: 2016-10-24
Genre: Social Science
ISBN: 178491438X

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This book examines different forms of ritual activities performed in houses of Graeco- Roman Egypt. It draws on the rich archaeological record of rural housing and evidence from literature or papyrological references to both urban and rural housing.


Old Kingdom Copper Tools and Model Tools

Old Kingdom Copper Tools and Model Tools
Author: Martin Odler
Publisher: Archaeopress Publishing Ltd
Total Pages: 310
Release: 2016-10-24
Genre: Social Science
ISBN: 1784914436

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This volume gathers the textual, iconographic and palaeographic evidence and examines artefacts in order to revise the common view on the use of copper alloy tools and model tools in the Old Kingdom.


Living with the Dead

Living with the Dead
Author: Nicola Harrington
Publisher: Studies in Funerary Archaeolog
Total Pages: 0
Release: 2013
Genre: History
ISBN: 9781842174937

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Living with the Dead presents a detailed analysis of ancestor worship in Egypt, using a diverse range of material, both archaeological and anthropological, to examine the relationship between the living and the dead. Iconography and terminology associated with the deceased reveal indistinct differences between the blessedness and malevolence and that the potent spirit of the dead required constant propitiation in the form of worship and offerings. A range of evidence is presented for mortuary cults that were in operation throughout Egyptian history and for the various places, such as the house, shrines, chapels and tomb doorways, where the living could interact with the dead. The private statue cult, where images of individuals were venerated as intermediaries between people and the Gods is also discussed. Collective gatherings and ritual feasting accompanied the burial rites with separate, mortuary banquets serving to maintain ongoing ritual practices focusing on the deceased. Something of a contradiction in attitudes is expressed in the evidence for tomb robbery, the reuse of tombs and funerary equipment and the ways in which communities dealt with the death and burial of children and others on the fringe of society. This significant study furthers our understanding of the complex relationship the ancient Egyptians had with death and with their ancestors; both recently departed and those in the distant past.


Art As Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, C. 2345 BC

Art As Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, C. 2345 BC
Author: Barbara O'Neill
Publisher: Archaeopress Archaeology
Total Pages: 0
Release: 2023-08-17
Genre:
ISBN: 9781803275536

Download Art As Ritual Engagement in the Funerary Programme of Watetkhethor at Saqqara, C. 2345 BC Book in PDF, ePub and Kindle

Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE. The focus is centred upon the functionality of a particular form of gendered imagery in a ritualised, funerary context. The spaces and images in which Watetkhethor is featured alone, or in support of her spouse, indicate something of an elite woman's expectations of the afterlife at this particular time. Contemporaneous examples as detailed as Watetkhethor's are rare, and her status may have permitted Watetkhethor's personal involvement in designing the funerary programme. Her. The arrangements would have been 'state-of-the-art', meeting the requirements of a woman identified as the eldest daughter of King Teti, c. 2300-2181 BCE. However, to date, the assumptions of twentieth century anachronisms, attitudes and biases have all but dismissed the rich iconographical programme of specifically feminised arrangements within this shared tomb.