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| Author | : Sergey Prokofiev |
| Publisher | : |
| Total Pages | : 886 |
| Release | : 2006 |
| Genre | : Composers |
| ISBN | : |
He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony."--BOOK JACKET.
| Author | : Sergey Prokofiev |
| Publisher | : |
| Total Pages | : 800 |
| Release | : 2006 |
| Genre | : Composers |
| ISBN | : 9780801445408 |
Sergey Prokofiev, a compulsive diarist and gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia after the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden at considerable personal risk by the composer Nikolai Myaskovsky. Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death in 1953, to be kept in an inaccessible section of the Soviet State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents. When he and his son Sergei eventually emigrated to Paris, they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Diaries, 1907-1914, the first of three volumes that extend to 1933, covers Prokofiev's years at the St. Petersburg Conservatoire. Simultaneously attached to and exasperated by the tradition exemplified by composers such as Rimsky-Korsakov, Glazunov, and Tcherepnin, the brash young genius relishes the power of his talent to irritate, challenge, and finally overcome the establishment. In candid and lively prose, he records the all-too-normal preoccupations of a young man making his way in the brilliant social and artistic circles of the prewar Russian capital. Virtually every artist and musician of note appears in these pages, in penetrating and not always flattering vignettes. Prokofiev's main subject, however, is music, its creation and its performance. He reveals his own developing aesthetic principles through his assessments of the works of others, even as he composes such early masterpieces as the First and Second Piano Concertos, The Ugly Duckling, the First Violin Concerto, and the Classical Symphony. An inexhaustibly rich portrait of a vibrant artistic culture on the edge of war and revolution, Prokofiev's Diaries are both a dramatic illumination of a great composer's creativity and an indispensable contribution to our understanding of musical modernism. They constitute an essential and entertaining reference for all lovers of Prokofiev's music. --Orlando Figes, New York Review of Books, May 10, 2007 "Choice"
| Author | : Sergey Prokofiev |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2006 |
| Genre | : Composers |
| ISBN | : 9780571281763 |
| Author | : Sergey Prokofiev |
| Publisher | : |
| Total Pages | : 775 |
| Release | : 2008 |
| Genre | : Composers |
| ISBN | : 9780571226306 |
The second volume in Prokofiev's recently uncovered diaries covers the period from 1915 to 1923 - a momentous epoch in European history, in the personal story of Prokofiev's life, and in the development of his art.
| Author | : Sergei Prokofiev |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022-11-17 |
| Genre | : Composers |
| ISBN | : 9780571380909 |
| Author | : Sergey Prokofiev |
| Publisher | : UPNE |
| Total Pages | : 384 |
| Release | : 1998 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781555533472 |
This volume collects for the first time in English the most representative and enlightening of Prokofiev's letters, including some previously suppressed missives that have never before been published. Expertly translated and annotated by Harlow Robinson, the correspondence presented here covers Prokofiev's earliest years at St. Petersburg Conservatory, his extensive worldwide travels, and his return to Moscow. Among the correspondents are childhood friend Vera Alpers, harpist Eleonora Damskaya, ballet impresario Sergei Diaghilev, theatrical director Vsevolod Meyerhold, Soviet critic Boris Asafiev, composers Vernon Duke and Nikolai Miaskovsky, soprano Nina Koshetz, musicologist Nicolas Slonimsky, violinist Jascha Heifetz, conductor Serge Koussevitsky, and film director Sergei Eisenstein. Prokofiev vividly describes, often with dramatic flair and a quirky sense of humor, concerts, performances, his compositions, political events, and meetings with other musicians and composers. His observations are peppered with musical gossip as well as eccentric, original, and disarmingly apolitical insights.
| Author | : Sergey Prokofiev |
| Publisher | : |
| Total Pages | : 1125 |
| Release | : 2013 |
| Genre | : Composers |
| ISBN | : |
"The third and final volume of Prokofiev's Diaries covers the years 1924 to1933 when he was living in Paris. Intimate accounts of the successes and disappointments of a great creative artist at the heart of the European arts world between the two World Wars jostle with witty and trenchant commentaries on the personalities who made up this world. The Diaries document the complex emotional inner world of a Russian exile uncomfortably aware of the nature of life in Stalin's Russia yet increasingly persuaded that his creative gifts would never achieve full maturity separated from the culture, people and land of his birthplace. Since even Prokofiev knew that the USSR was hardly the place to commit inner reflections to paper, the Diaries come to an end after June 1933 although it would be another three years before he, together with his wife and children, finally exchanged the free if materially uncertain life of a cosmopolitan Parisian celebrity for Soviet citizenship and the credo of Socialist Realism within which it struggled to strait-jacket its artists. Volume Three continues the kaleidoscopic impressions and the stylish language - Prokofiev was almost as gifted and idiosyncratic a writer as he was a composer - of its predecessors."--Jacket.
| Author | : Sergey Prokofiev |
| Publisher | : |
| Total Pages | : 816 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : |
This second volume of Prokofiev's diary records an astonishing record of artistic accomplishment against a backdrop of cataclysmic change. The composer dodges gunfire in Petrograd during the February Revolution, but as a rule pays attention to political events only as they affect him personally. Composition and performance are the main concerns, along with the persistent and ultimately failed struggle to arrange a performance of his opera The Gambler. As in his Conservatory years, he also reveals his own aesthetic principles as he reacts to the work of others, sometimes with dark humor. The years in America were difficult. Always in the shadow of Rachmaninoff, he struggled to establish himself as composer and piano virtuoso. He details the seemingly endless but finally successful battle with the Chicago Civic Opera to mount Love for the Three Oranges, falls in love with the young Stella Adler, and begins work on his third opera, The Fiery Angel. Two years later he is in Paris, where his music is more warmly received than in Russia or America. Here the galaxy of connections grows exponentially as his fame expands. As always, he documents his encounters with sharp, often sardonic insight. The pages of the diary teem with the names of the period's most celebrated artists. There are the Russians Diaghilev, Chaliapin, Kossevitzky, Stravinsky, Mayakovsky ("a fearsome apache"), Meyerhold, and Bakst. But Prokofiev's world now expands to include Ravel, Szymanowski, Marinetti, Mary Garden, Cocteau, Artur Rubenstein, and many others.
| Author | : Sergey Prokofiev |
| Publisher | : Gardners Books |
| Total Pages | : 775 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780571226306 |
The second volume of Sergey Prokofiev's recently uncovered Diaries extends from 1915 to 1922 - a momentous epoch in European history, in the personal story of Prokofiev's life, and in the development of his art.
| Author | : Gregor Tassie |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 439 |
| Release | : 2014-05-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1442231335 |
Gregor Tassie describes Nikolay Myaskovsky as “one of the great enigmas of 20th-century Russian music.” Between the two world wars, the symphonies of Myaskovsky enjoyed great popularity and were performed by all major American and European orchestras; they were some of the most inspiring symphonic works of the last hundred years and prolonged the symphonic genre. But accusations of “formalism” at the 1948 USSR Composers Congress resulted in the purposeful neglect of his music until the collapse of the Soviet Union. Myaskovsky wrote some of the most inspiring symphonic works of the last hundred years and prolonged and extended the symphonic genre. In Nikolay Myaskovsky: The Conscience of Russian Music, Tassie gives readers the first modern English-language biography of this Russian composer since his death in 1950. Tassie draws together information from the composer’s diaries and letters, as well as the memoirs of friends and colleagues—even his secret police files—to chronicle Myaskovsky’s early life, subsequent far-reaching influence as a composer, teacher, and journalist, and his final persecution by the Soviet government. This biography will surely rekindle interest in Myaskovsky’s remarkable body of work and will interest aficionados, students, and scholars of the modern classical music tradition and history of the arts in Russia.
