Sequences from a Cinematic Life
Author | : Cesare Zavattini |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
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Author | : Cesare Zavattini |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Author | : Cesare Zavattini |
Publisher | : |
Total Pages | : 354 |
Release | : 1970 |
Genre | : Drama |
ISBN | : |
Author | : Cesare Zavattini |
Publisher | : |
Total Pages | : 297 |
Release | : 1970 |
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Author | : Paul Joseph Gulino |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 330 |
Release | : 2013-09-23 |
Genre | : Social Science |
ISBN | : 1628922397 |
The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring
Author | : Michael Cribbs |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 179 |
Release | : 2023-05-15 |
Genre | : Performing Arts |
ISBN | : 1527510182 |
Daydream sequences provide viewers with important information regarding the desires, hopes, fears and psychological state of film protagonists. How, then, do cinematic daydreams stand with regard to classical Hollywood cinema? What do volitional fantasy sequences typically infer about the conscious mind? What do non-volitional cinematic daydreams commonly imply about the workings of the unconscious psyche and human will? Do filmed fantasies–intentionally or otherwise–reinforce cultural hegemony? Is daydreaming typically depicted as a detrimental or beneficial pastime in mainstream US cinema? Through investigating a corpus of Hollywood films containing fantasy scenes, this text answers these questions. This study uncovers the norms and key functions that daydreams serve in contemporary Hollywood films from cinematic, thematic, psychological and ideological perspectives. Whilst this text is aimed primarily at students and academics of film studies, it should also appeal to anyone with an interest in Hollywood cinema and/or daydreaming.
Author | : Gabriela Pereira |
Publisher | : Penguin |
Total Pages | : 306 |
Release | : 2016-07-08 |
Genre | : Language Arts & Disciplines |
ISBN | : 1599639343 |
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
Author | : Deborah Allison |
Publisher | : Independently Published |
Total Pages | : 232 |
Release | : 2021-06-18 |
Genre | : |
ISBN | : |
Since the days of silent cinema, opening title sequences have provided audiences with far more than just a list of names. Their designers-whether anonymous studio employees or world-renowned artists such as Saul Bass and Maurice Binder-have found countless ways to captivate and entertain us while the credits unfurl. Featuring all the creative devices at the filmmakers' disposal, these introductions serve to whet our appetite for the films ahead while helping to shape our viewing expectations in crucial ways. This anthology brings together 18 years of publications by Deborah Allison, who was one of the first scholars to conduct extensive research into the history of American film title sequences. Topics covered include the main functions of opening title sequences; an historical survey of key design trends in American film titling; aesthetic responses to the advent of widescreen cinema; theme songs and generic iconography in Westerns; novelty title sequences and self-reflexivity; cartoons and caricatures of cast and crew; and retro title sequences. The collection also features a new and exclusive essay about title sequence design in the twenty-first century.
Author | : Michael Betancourt |
Publisher | : Routledge |
Total Pages | : 273 |
Release | : 2019-08-13 |
Genre | : Art |
ISBN | : 0429534302 |
This book explores the question of realism in motion pictures. Specifically, it explores how understanding the role of realism in the history of title sequences in film can illuminate discussions raised by the advent of digital cinema. Ideologies of the Real in Title Sequences, Motion Graphics and Cinema fills a critical and theoretical void in the existing literature on motion graphics. Developed from careful analysis of André Bazin, Stanley Cavell, and Giles Deleuze’s approaches to cinematic realism, this analysis uses title sequences to engage the interface between narrative and non-narrative media to consider cinematic realism in depth through highly detailed close readings of the title sequences for Bullitt (1968), Kolchak: The Night Stalker (1974), The Number 23 (2007), The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond films. From this critique, author Michael Betancourt develops a modal approach to cinematic realism where ontology is irrelevant to indexicality. His analysis shows the continuity between historical analogue film and contemporary digital motion pictures by developing a framework for rethinking how realism shapes interpretation.
Author | : Alexander Kluge |
Publisher | : New Directions Publishing |
Total Pages | : 130 |
Release | : 2007 |
Genre | : Fiction |
ISBN | : 9780811217354 |
The thirty-eight tales of Cinema Stories combine fact and fiction, and they all revolve around movie-making. The book compresses a lifetime of feeling, thought, and practice: Kluge -- considered the father of New German Cinema -- is an inventive wellspring of narrative notions. "The power of his prose," as Small Press noted, "exudes the sort of pregnant richness one might find in the brief scenarios of unknown films." Cinema Stories is a treasure box of cinematic lore and movie magic by "Alexander Kluge, that most enlightened of writers" (W. G. Sebald). Alexander Kluge, born in Germany in 1932, is a world-famous author and filmmaker (his 23 films include Yesterday Girl, The Female Patriot, The Candidate), a lawyer, and a media magnate. He has won Germany\'s highest literary award, the Georg Büchner Prize.
Author | : Max Gladstone |
Publisher | : Macmillan |
Total Pages | : 384 |
Release | : 2014-07-15 |
Genre | : Fiction |
ISBN | : 0765335743 |
On the island of Kavekana, Kai builds gods to order, then hands them to others to maintain. Her creations aren't conscious and lack their own wills and voices, but they accept sacrifices, and protect their worshipers from other gods. When Kai sees one of her creations dying and tries to save her, she's grievously injured, then sidelined from the business entirely, her near-suicidal rescue attempt offered up as proof of her instability. But when Kai gets tired of hearing her boss, her coworkers, and her ex-boyfriend call her crazy, and starts digging into the reasons her creations die, she uncovers a conspiracy of silence and fear which will crush her, if Kai can't stop it first.