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Selves and Other Texts

Selves and Other Texts
Author: Joseph Margolis
Publisher: Penn State Press
Total Pages: 228
Release: 2010-11-01
Genre: Philosophy
ISBN: 9780271038650

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Extending his well-known investigations into the nature and logic of art and history in the cultural world, Joseph Margolis here offers a sustained account of how selves and the cultural phenomena they generate (language, history, action, art) can be viewed as just as "real" as the physical nature from which they are emergent, while not being reducible to it. The book starts off with a review of prominent philosophies of art over the past half-century, focusing especially on Beardsley, Goodman, and Danto, so as to highlight the need for carefully distinguishing between the metaphysical and epistemological features of physical nature and human culture. The second part of the book builds on the first part's analyses of artworks to propose a theory of selves as "self-interpreting texts." Selves and Other Texts aims to develop new ways of understanding the conceptual inseparability of our analysis of physical nature and our analysis of ourselves.


Social Cognition

Social Cognition
Author: Gordon B. Moskowitz
Publisher: Guilford Press
Total Pages: 632
Release: 2005-01-01
Genre: Psychology
ISBN: 9781593850852

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An ideal text for undergraduate- and graduate-level courses, this accessible yet authoritative volume examines how people come to know themselves and understand the behavior of others. Core social-psychological questions are addressed as students gain an understanding of the mental processes involved in perceiving, attending to, remembering, thinking about, and responding to the people in our social world. Particular attention is given to how we know what we know: the often hidden ways in which our perceptions are shaped by contextual factors and personal and cultural biases. While the text's coverage is sophisticated and comprehensive, synthesizing decades of research in this dynamic field, every chapter brings theories and findings down to earth with lively, easy-to-grasp examples.


Other Selves

Other Selves
Author: Michael Pakaluk
Publisher: Hackett Publishing
Total Pages: 292
Release: 1991-01-01
Genre: Philosophy
ISBN: 9780872201132

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University Writing: Selves and Texts in Academic Societies

University Writing: Selves and Texts in Academic Societies
Author: Montserrat Castelló
Publisher: BRILL
Total Pages: 331
Release: 2012-02-03
Genre: Language Arts & Disciplines
ISBN: 1780523874

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University Writing: Selves and Texts in Academic Societies examines new trends in the different theoretical perspectives (cognitive, social and cultural) and derived practices in the activity of writing in higher education. These perspectives are analyzed on the basis of their conceptualization of the object - academic and scientific writing; of the writers - their identities, attitudes and perspectives, be it students, teachers or researchers; and of the derived instructional practices - the ways in which the teaching-learning situations may be organized. The volume samples writing research traditions and perspectives both in Europe and the United States, working on their situated nature and avoiding easy or superficial comparisons in order to enlarge our understanding of common problems and some emerging possibilities.


Texts and the Self in the Twelfth Century

Texts and the Self in the Twelfth Century
Author: Sarah Spence
Publisher: Cambridge University Press
Total Pages: 192
Release: 1996-12-12
Genre: History
ISBN: 9780521572798

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Texts and the Self in the Twelfth Century analyses key twelfth-century Latin and vernacular texts which articulate a subjective, often autobiographical, stance. The contention is that the self forged in medieval literature could not have come into existence without both the gap between Latinity and the vernacular and a shift in perspective towards a visual and spatial orientation. This results in a self which is not an agent that will act on the outside world like the Renaissance self, but, rather, one which inhabits a potential, middle ground, or 'space of agency', explained here partly in terms of object-relations theory.


What, After All, Is a Work of Art?

What, After All, Is a Work of Art?
Author: Joseph Margolis
Publisher: Penn State Press
Total Pages: 162
Release: 2010-11-01
Genre: Art
ISBN: 0271038683

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The Care of the Self in Early Christian Texts

The Care of the Self in Early Christian Texts
Author: Deborah Niederer Saxon
Publisher: Springer
Total Pages: 213
Release: 2017-10-05
Genre: Religion
ISBN: 3319647504

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This book presents the first three Christian centuries through the lens of what Foucault called “the care of the self.” This lens reveals a rich variation among early Christ movements by illuminating their practices instead of focusing on what we anachronistically assume to have been their beliefs. A deep analysis of the discourse of martyrdom demonstrates how writers like Clement, Ignatius, and Polycarp represented self-care. Deborah Niederer Saxon brings to light an entire spectrum of alternative views represented in newly-discovered texts from Nag Hammadi and elsewhere. This insightful analysis has implications for feminist scholarship and exposes the false binary of thinking in terms of “orthodoxy” versus “heresy”/”Gnosticism.”


Self, Text, and Romantic Irony

Self, Text, and Romantic Irony
Author: Frederick Garber
Publisher: Princeton University Press
Total Pages: 339
Release: 2014-07-14
Genre: Poetry
ISBN: 1400859360

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Frederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other. Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Self, Nation, Text in Salman Rushdie's "Midnight's Children"

Self, Nation, Text in Salman Rushdie's
Author: Neil ten Kortenaar
Publisher: McGill-Queen's Press - MQUP
Total Pages: 304
Release: 2004-01-21
Genre: Literary Criticism
ISBN: 0773571507

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Many non-Indian readers find the historical and cultural references in Salman Rushdie's Midnight's Children demanding. In his close reading of the novel, Neil ten Kortenaar offers post-colonial literary strategies for understanding Midnight's Children that also challenge some of the prevailing interpretations of the novel. Using hybridity, mimicry, national allegory, and cosmopolitanism, all key critical concepts of postcolonial theory, ten Kortenaar reads Midnight's Children as an allegory of history, as a Bildungsroman and psychological study of a burgeoning national consciousness, and as a representation of the nation. He shows that the hybridity of Rushdie's fictional India is not created by different elements forming a whole but by the relationship among them. Self, Nation, Text in Salman Rushdie's Midnight's Children also makes an original argument about how nation-states are imagined and how national consciousness is formed in the citizen. The protagonist, Saleem Sinai, heroically identifies himself with the state, but this identification is beaten out of him until, in the end, he sees himself as the Common Man at the mercy of the state. Ten Kortenaar reveals Rushdie's India to be more self-conscious than many communal identities based on language: it is an India haunted by a dark twin called Pakistan; a nation in the way England is a nation but imagined against England. Mistrusting the openness of Tagore's Hindu India, it is both cosmopolitan and a specific subjective location.


Word and Self Estranged in English Texts, 1550–1660

Word and Self Estranged in English Texts, 1550–1660
Author: L.E. Semler
Publisher: Routledge
Total Pages: 244
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351871064

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The essays in Word and Self Estranged in English Texts, 1550-1660, consider diverse historical contexts for writing about 'strangeness'. They draw on current practices of reading to present contrasts and analogies within and between various social understandings. In so doing they reveal an interplay of thematic and stylistic modes that tells us a great deal about how, and why, certain aspects of life and thinking were 'estranged' in sixteenth and seventeenth century thinking. The collection's unique strength is that it makes specific bridges between contemporary perspectives and early modern connotations of strangeness and inhibition. The subjects of these essays are 'strange' to our ways of thinking because of their obvious distance from us in time and culture. And yet, curiously, far from being entirely alien to these texts, some of the most modern thinking-about paradigms, texts, concepts-connects with the early modern in unexpected ways. Milton meets the contemporary 'competent reader', Wittgenstein meets Robert Cawdrey, Shakespeare embraces the teenager, and Marvell matches wits with French mathematician René Thom. Additionally, the early modern texts posit their own 'others', or sites of estrangement-Moorishness, Persian art, even the human body-with which they perform their own astonishing maneuvers of estrangement and alignment. In reading Renaissance works from our own time and inviting them to reflect upon our own time, Word and Self Estranged in English Texts, 1550-1660 offers a vital reinterpretation of early modern texts.