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| Author | : William Thomas Moncrieff (pseud. [i.e. William Thomas Thomas.]) |
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| Total Pages | : |
| Release | : 1851 |
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| Author | : William Thomas Moncrieff (pseud. [i.e. William Thomas Thomas.]) |
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| Total Pages | : 694 |
| Release | : 1851 |
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| Author | : William Thomas Moncrieff |
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| Release | : 1851 |
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| Author | : William Thomas Moncrieff |
| Publisher | : |
| Total Pages | : 560 |
| Release | : 1851 |
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| Author | : William Thomas Moncrieff |
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| Release | : 1851 |
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| Author | : William Thomas Moncrieff |
| Publisher | : Palala Press |
| Total Pages | : 550 |
| Release | : 2018-02-15 |
| Genre | : History |
| ISBN | : 9781377525914 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : William Thomas Moncrieff |
| Publisher | : Palala Press |
| Total Pages | : 550 |
| Release | : 2015-09-02 |
| Genre | : |
| ISBN | : 9781341308192 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Daniel Gustafson |
| Publisher | : Rutgers University Press |
| Total Pages | : 239 |
| Release | : 2020-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 1684482135 |
Lothario’s Corpse unearths a performance history, on and off the stage, of Restoration libertine drama in Britain’s eighteenth and early nineteenth centuries. While standard theater histories emphasize libertine drama’s gradual disappearance from the nation’s acting repertory following the dispersal of Stuart rule in 1688, Daniel Gustafson traces its persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism. With its radical, absolutist characters and its scenarios of aristocratic license, Restoration libertine drama became a critical force with which to engage in debates about the liberty-loving British subject’s relation to key forms of liberal power and about the troubling allure of lawless sovereign power that lingers at the heart of the liberal imagination. Weaving together readings of a set of literary texts, theater anecdotes, political writings, and performances, Gustafson illustrates how the corpse of the Restoration stage libertine is revived in the period’s debates about liberty, sovereign desire, and the subject’s relation to modern forms of social control. Ultimately, Lothario’s Corpse suggests the “long-running” nature of Restoration theatrical culture, its revived and revised performances vital to what makes post-1688 Britain modern. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
| Author | : Kimberly Poppiti |
| Publisher | : Taylor & Francis |
| Total Pages | : 266 |
| Release | : 2022-08-30 |
| Genre | : Drama |
| ISBN | : 1000636550 |
Equestrian Drama: An Anthology of Plays is a collection of four representative equestrian dramas. It includes four annotated plays: Timour the Tartar by Matthew G. Lewis, The Battle of Waterloo by J. H. Amherst, Mazeppa by Henry M. Milner, and The Whip by Henry Hamilton and Cecil Raleigh. An introduction precedes the collection, providing the information necessary to understand and contextualize the genre and the plays as both written and performance texts, and within the time period of their original productions, as well as within the larger histories of theatre and equestrian entertainments. Additional related plays are identified, excerpted, and explored, providing readers with a wide range of examples to better understand the development and significance of this unique form of popular theatre. Also identified and explored are significant contributions made to stage technology and design by the patented stage machinery designed for the production of the mechanized form of equestrian drama, which became popular in the late nineteenth century. Equestrian Drama is suitable for undergraduate, graduate, and professional students in theatre history, dramatic literature, performance studies, and equine studies. An online supplement to this book is available to provide readers with additional content relating to this collection, including original English language translations of La Fille Hussard and Rognolet and Passe-Carreau, as well as the full annotated text of Turpin's Ride to York.
| Author | : Frederick Burwick |
| Publisher | : Cambridge University Press |
| Total Pages | : 355 |
| Release | : 2009-02-19 |
| Genre | : Drama |
| ISBN | : 1139476998 |
Drama in the Romantic period underwent radical changes affecting theatre performance, acting, and audience. Theatres were rebuilt and expanded to accommodate larger audiences, and consequently acting styles and the plays themselves evolved to meet the expectations of the new audiences. This book examines manifestations of change in acting, stage design, setting, and the new forms of drama. Actors exercised a persistent habit of stepping out of their roles, whether scripted or not. Burwick traces the radical shifts in acting style from Garrick to Kemble and Siddons, and to Kean and Macready, adding a new dimension to understanding the shift in cultural sensibility from early to later Romantic literature. Eye-witness accounts by theatre-goers and critics attending plays at the major playhouses of London, the provinces, and on the Continent are provided, allowing readers to identify with the experience of being in the theatre during this tumultuous period.
