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| Author | : Herbert L. Kessler |
| Publisher | : Broadview Press |
| Total Pages | : 276 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9781551115351 |
"Experts and non-experts alike will find much to delight and challenge them in Kessler's rich embroidery of text and image." - Mary Carruthers, New York University
| Author | : Herbert L. Kessler |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 300 |
| Release | : 2000-09-15 |
| Genre | : Art |
| ISBN | : 9780812235609 |
How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?
| Author | : Herbert L. Kessler |
| Publisher | : University of Toronto Press |
| Total Pages | : 376 |
| Release | : 2019-09-10 |
| Genre | : Art |
| ISBN | : 1442600748 |
Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all—including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome’s aula gotica and a twelfth-century aquamanile in Hildesheim—Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.
| Author | : Herbert L. Kessler |
| Publisher | : |
| Total Pages | : 376 |
| Release | : 2019 |
| Genre | : Art, Medieval |
| ISBN | : 9781442600751 |
"Experiencing Medieval Art is an extensive revision and expansion of the author's Seeing Medieval Art, originally published in 2004. Renowned art historian Herbert L. Kessler considers often-strange objects and the materials of which they are made, circumstances of production, the conflictual relationship between art objects and notions of an ineffable deity, the context surrounding medieval art, the playfulness of art and the formal movements it engaged, as well as questions of apprehension, aesthetics, and modern presentation. Kessler introduces the exciting discoveries and revelations that have revolutionized the understanding of medieval art and identifies the vexing challenges that still remain. Examining such well-known monuments as the stained glass in Chartres cathedral, mosaics in San Marco Venice, and Utrecht Psalter, as well as newly discovered works--including the frescoes in Rome's "aula gotica" and a twelfth-century aquamanile in Hildesheim--Kessler makes the complex history of medieval art accessible for students of art history, teachers in the field, and scholars of medieval history, theology, and literature."--
| Author | : Raphaèle Preisinger |
| Publisher | : |
| Total Pages | : 275 |
| Release | : 2021-06-28 |
| Genre | : |
| ISBN | : 9782503581538 |
Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.
| Author | : Christopher R. Lakey |
| Publisher | : Yale University Press |
| Total Pages | : 241 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 0300232144 |
Demonstrating the influence of optical science on medieval relief sculpture, this groundbreaking book reveals that the concepts that informed the codification of perspective by Renaissance painters were already being employed by sculptors centuries earlier.
| Author | : Heidi C. Gearhart |
| Publisher | : Penn State Press |
| Total Pages | : 237 |
| Release | : 2017-07-17 |
| Genre | : Art |
| ISBN | : 0271079835 |
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
| Author | : Michael Camille |
| Publisher | : Reaktion Books |
| Total Pages | : 178 |
| Release | : 2013-06-01 |
| Genre | : Art |
| ISBN | : 1780232500 |
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
| Author | : Alexa Sand |
| Publisher | : Cambridge University Press |
| Total Pages | : 433 |
| Release | : 2014-03-31 |
| Genre | : Art |
| ISBN | : 1107032229 |
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
| Author | : Bryan C. Keene |
| Publisher | : Getty Publications |
| Total Pages | : 300 |
| Release | : 2019-09-03 |
| Genre | : Art |
| ISBN | : 160606598X |
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
