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| Author | : Sid Sachs |
| Publisher | : |
| Total Pages | : 246 |
| Release | : 2010 |
| Genre | : Pop art |
| ISBN | : 9780981911922 |
'Seductive Subversion: Women Pop Artists, 1958-1968' is the catalogue of the exhibition of the same title and the first book to survey the achievements of women Pop artists. Artworks by more than 20 artists are reproduced.
| Author | : Rachel Middleman |
| Publisher | : Univ of California Press |
| Total Pages | : 276 |
| Release | : 2018-01-16 |
| Genre | : Art |
| ISBN | : 0520294580 |
In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women’s contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art—performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists’ radical interventions in both aesthetic conventions and social norms.
| Author | : Elizabeth Barnes |
| Publisher | : Columbia University Press |
| Total Pages | : 176 |
| Release | : 1997 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780231108799 |
Barnes demonstrates how the family comes to represent the ideal model for social and political affiliations. Familial feeling proves the foundations for sympathy and sympathy the foundation for democracy.
| Author | : Steven Barnes |
| Publisher | : Crossroad Press |
| Total Pages | : |
| Release | : 2018-11-18 |
| Genre | : Fiction |
| ISBN | : |
Streetfighter, fugitive, hero … Aubry Knight is now a powerful man with powerful friends. And someone wants to kill him. Their opening shot is the death of one of Aubry's dearest friends. Their next attack is on Aubry's child. Knight is drawn inexorably toward New Africa, toward the mysteries of his own past, and toward a future that may take him far from Los Angeles and the only life he's ever known. To win this battle, and save his family, Aubry Knight must defeat himself.
| Author | : Helen Langa |
| Publisher | : Routledge |
| Total Pages | : 293 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351576763 |
Numerous American women artists built successful professional careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations for both women and men. These social and political upheavals provoked complex intellectual and aesthetic tensions. Critical discourses about style and expressive value were also renegotiated, while still privileging masculinist concepts of aesthetic authenticity. In these contexts, women artists developed their careers by adopting innovative approaches to contemporary subjects, techniques, and media. However, while a few women working during these decades have gained significant recognition, many others are still consigned to historical obscurity. The essays in this volume take varied approaches to revising this historical silence. Two focus on evidence of gender biases in several exhibitions and contemporary critical writings; the rest discuss individual artists' complex relationships to mainstream developments, with attention to gender and political biases, cultural innovations, and the influence of racial/ethnic diversity. Several also explore new interpretative directions to open alternative possibilities for evaluating women's aesthetic and formal choices. Through its complex, nuanced approach to issues of gender and female agency, this volume offers valuable and exciting new scholarship in twentieth-century American art history and feminist studies.
| Author | : Mona Hadler |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 409 |
| Release | : 2022-02-24 |
| Genre | : Art |
| ISBN | : 1350197548 |
Pop Art and Beyond foregrounds the roles of gender, race, and class in encounters with Pop during the Long Sixties. Exploring the work of over 20 artists from 5 continents, it offers new perspectives on Pop's heterogeneity. Featuring an array of rigorous chapters written by both acclaimed experts and emerging scholars, this anthology transcends the borders of individual and national contexts, and suspends hierarchies creating a space for the work of artists like Andy Warhol and the women of the Black Arts Movement to converse. It casts an inclusive look at the intersectional complexities of difference in Pop at a moment that gave rise to a plethora of radical social movements and identity politics. While this book introduces revelatory non-canonical artists into the Pop context or amplifies the careers of others, it is not limited to the confines of fine art. Chapters explore the intersecting variables of oppression and liberation in rituals of youth subcultures as well as practices across media with Pop sources and parallels ranging from Native American objects, Harlem advertisements, and Cordel literature, to stand-up comedy, music, fashion, and design. Pop Art and Beyond thus widens the conversation about what Pop was and what it can be for current art in its struggle for social justice and critiques of power.
| Author | : Ken MacLeod |
| Publisher | : Macmillan |
| Total Pages | : 355 |
| Release | : 2000 |
| Genre | : Fiction |
| ISBN | : 0312870531 |
Life on New Mars is threatened with the arrival of a clone of the man blamed for starting World War III.
| Author | : Miguel de Baca |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 240 |
| Release | : 2016-02-08 |
| Genre | : Art |
| ISBN | : 1443888362 |
Conflict, Identity, and Protest in American Art explores the powerful relationship between artistic production and cultures of conflict in the United States. Such a theme continues to provoke practitioners and scholars across a range of media and disciplines, especially as definitions of war and protest evolve and change in the twenty-first century. This anthology presents vital discussions of visual works in relationship to national identity, the politics and contexts of artistic production and reception, and the expressive and political function of art within historical periods defined by wars, rebellions, and revolutions. It sheds new light on the shifting nature of identity, and specifically how conflict – armed conflict as well as rhetorical conflict – inspires new identities to emerge. Conflict, Identity, and Protest in American Art will appeal to historians of American art and architecture, American studies, cultural studies, and material culture. Its vibrant discussions of race, ethnicity, gender, and sexuality represent the urgency of these topics in modern and contemporary art history. This book is suitable for academics at all levels, from undergraduates through to graduate students and faculty researchers, as well as artists and non-specialised readers.
| Author | : Sally Asher |
| Publisher | : Arcadia Publishing |
| Total Pages | : 247 |
| Release | : 2014-03-18 |
| Genre | : History |
| ISBN | : 162584509X |
New Orleans is a city of beautiful contradictions, evidenced by its street names. New Orleans crosses with Hope, Pleasure and Duels. Religious couples with Nuns, Market and Race. Music, Arts and Painters are parallel. New Orleans enfolds its denizens in the protection of saints, the artistry of Muses and the bravery of military leaders. The city's street names are inseparable from its diverse history. They serve as guideposts as well as a narrative that braid its pride, wit and seedier history into a complex web that to this day simultaneously joins and shows the cracks within the city. Learn about Bourbon's royal lineage, the magnitude of Napoleon's influence, how Tchoupitoulas's history is just as long and vexing as its spelling and why mispronouncing such streets as Burgundy, Calliope and Socrates doesn't mean you are incorrect--it just means you are local Told with precision and photos as vibrant, irreverent and memorable as La Nouvelle Orleans itself, author Sally Asher delivers an updated and reinvented look at the city that care forgot.
| Author | : Elena Filipovic |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 218 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0870708244 |
"A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body. Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Râealisme, and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing, or car parts, all remain as wonderfully idiosyncratic and culturally resonant today as when they were first made. Well known in Poland, where her work has been highly influential since early in her career, Szapocznikow's compelling book of work is ripe for art historical reexamination. Alina Szapocznikow: Sculpture Undone, 1955-1972 offers a comprehensive overview of this important artist's work at a moment when international interest is blossoming. Spanning one of the most rich and complex periods of the 20th century, Szapocznikow's oeuvre responds to many of the ideological and artistic developments of her time through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged. Featuring over 100 works, including sculpture, drawings, and photography, the exhibition draws on loans from private and public collections, including major institutions in Poland. It is accompanied by a major publication, co published by The Museum of Modern Art and Mercatorfonds, that reflects new scholarship on Szapocznikow, contextualizing this little known artist's work for a wider audience."--Publisher's website.
