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The First Part of The Countess of Montgomery's Urania

The First Part of The Countess of Montgomery's Urania
Author: Lady Mary Wroth
Publisher: Iter Press
Total Pages: 952
Release: 1995
Genre: Fiction
ISBN:

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Lady Mary Wroth composed her prose romance "Urania" at the height of the Jacobean debates concerning the nature and status of women. Personal experiences, her own and those of her friends, had made Wroth very much aware of how little voice women had in determining htheirown destinies or even choosing their life partners.


The Countess of Montgomery's Urania (abridged)

The Countess of Montgomery's Urania (abridged)
Author: Lady Mary Wroth
Publisher: Medieval and Renaissance Texts
Total Pages: 0
Release: 2011
Genre: Fiction
ISBN: 9780866984515

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The first romance written by an Englishwoman, Mary Wroth's Countess of Montgomery's Urania is a literary tour de force in its own right. As the niece of Sir Philip Sidney, Mary Wroth was ideally situated as an observer and reporter of the social, literary, and political milieu of her time. This abridged modern-spelling edition, with a useful introduction and index of characters, makes this work newly accessible to general readers, students, and scholars.


Pamphilia to Amphilanthus

Pamphilia to Amphilanthus
Author: Lady Mary Wroth
Publisher:
Total Pages: 138
Release: 1977
Genre: English poetry
ISBN:

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The Memory Arts in Renaissance England

The Memory Arts in Renaissance England
Author: William E. Engel
Publisher: Cambridge University Press
Total Pages: 397
Release: 2016-08-18
Genre: Art
ISBN: 1107086817

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Anthology of a selection of early modern works on memory.


Women and Romance Fiction in the English Renaissance

Women and Romance Fiction in the English Renaissance
Author: Helen Hackett
Publisher: Cambridge University Press
Total Pages: 244
Release: 2006-11-02
Genre: Literary Criticism
ISBN: 9780521031547

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This book traces the progress of Renaissance romance from a genre addressed to women as readers to a genre written by women. Exploring this crucial transitional period, Helen Hackett examines the work of a diverse range of writers from Lyly, Rich and Greene to Sidney, Spenser and Shakespeare. Her book culminates in an analysis of Lady Mary Wroth's Urania (1621), the first romance written by a woman, and considers the developing representation of female heroism and selfhood, especially the adaptation of saintly roles to secular and even erotic purposes.


A Companion to Early Modern Women's Writing

A Companion to Early Modern Women's Writing
Author: Anita Pacheco
Publisher: John Wiley & Sons
Total Pages: 414
Release: 2008-04-15
Genre: Literary Criticism
ISBN: 0470692774

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This timely volume represents one of the first comprehensive, student-oriented guides to the under-published field of early modern women's writing. Brings together more than twenty leading international scholars to provide the definitive survey volume to the field of early modern women's writing Examines individual texts, including works by Mary Sidney, Margaret Cavendish and Aphra Behn Explores the historical context and generic diversity of early modern women's writing, as well as the theoretical issues that underpin its study Provides a clear sense of the full extent of women's contributions to early modern literary culture


Gender, Interpretation, and Political Rule in Sidney's Arcadia

Gender, Interpretation, and Political Rule in Sidney's Arcadia
Author: Kathryn DeZur
Publisher: Rowman & Littlefield
Total Pages: 195
Release: 2013
Genre: Literary Criticism
ISBN: 1611494184

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Gender, Interpretation, and Political Rule in Sidney's Arcadia studies cultural ideologies regarding gender and monarchy in early modern England by examining transformations of a single text, Sir Philip Sidney's Arcadia, in their historical contexts. It reveals changing tensions in the ideological struggles over queenship, especially with respect to cultural debates focused on anxieties about gendered reception and interpretation of persuasive rhetoric. The cultural shift between about 1550 and 1650 regarding gendered interpretation and political rule--a shift that was by no means complete or homogenous--reflects the changing position of women and their relationship to language within early modern domestic and political ideological discourses. The book begins by investigating primary cultural, political, and historical sources in order to provide a cultural scaffolding helpful to the interpretation of Sidney's enormously popular work. These sources include conduct manuals, gynecocratic debates, paintings, poems, diaries, pamphlets, and letters. Gender, Interpretation, and Political Rule then considers the initial version of the Arcadia (the Old Arcadia) Sidney authored and argues that Sidney's involvement in the marriage debate regarding the Duke of Anjou's courtship of Elizabeth I in the late 1570s shaped his representations of female characters and their questionable ability to interpret persuasive rhetoric. Next, the book turns to Sidney's expanded and revised version (the New Arcadia), authorized and published by his sister the Countess of Pembroke Mary Sidney Herbert. The New Arcadia ultimately provides a more positive representation of women readers and rulers and reveals a shift in cultural understandings of women's relationship to the persuasive rhetoric that both describes and enacts political power and authority. The penultimate chapter examines paradigms of active reading and their political consequences in Lady Mary Wroth's The Countess of Montgomery's Urania that demonstrate a need for well-balanced identification with characters. Finally, this book focuses on a little-studied seventeenth-century continuation of Sidney's work by a young woman, Anna Weamys, who asserts her authority as an interpreter of Sidney's Arcadia and in the process creates a political commentary about the legitimacy of female authority and influence just after the English Civil War.