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Sculptures of the Nigerian Middle Belt

Sculptures of the Nigerian Middle Belt
Author: Jan Strybol
Publisher: Stichting Kunstboak
Total Pages: 144
Release: 2020-05-31
Genre: Sculpture, Nigerian
ISBN: 9789058566294

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Presents objects from private collections showcasing the wondrous variety of sculptures from the Nigerian Middle Belt The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are people who still had, at least until recently, their own sculptural tradition. In this study the author restricted himself to what is referred to as the Middle Belt and especially to the part between the Bauchi Plateau, the Gongola River and the Katsina Ala River. In 1974 Roy Sieber pointed out that, with a few exceptions, the people who were members of the Niger-Congo language family laid the foundations for the great African sculptural traditions south of the Sahara. However, the largest group of iconophile peoples in the Central Middle Belt of Nigeria is to be found in the Chadic branch of the Afro-Asiatic language family. In this book of objects from private collections the author shows the great variety of the sculptures of the Middle Belt. This study mainly deals with wooden figures but also contains four wooden masks and three bronzes. Text in English and French.


From Yelwa to Yola

From Yelwa to Yola
Author: Jan Strybol
Publisher:
Total Pages: 0
Release: 2013
Genre: Sculpture
ISBN: 9789042929036

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The ethnographic literature of the first half of the 20th century paid hardly any attention to the sculptural traditions of the numerous ethnic groups that populated Nigeria. The study of Nigerian art only really got going thanks to the pioneering work of William Fagg who published numerous books and exhibition catalogues on this subject as from the 1950s. The focus, however, was on the ancient art of Ife and Benin, on the one hand, and on the southwestern Yoruba, on the other hand. At the end of the sixties, a great number of wooden sculptures from the Benue Valley - a tributary of the Niger River - came to light. Statues and masks of the Igala, Idoma, Jukun, Mumuye and others conquered the African art market. However, the more northern areas of Nigeria remained terra incognita for a long time. It was mistakenly believed that remnants of wooden sculpture could not be found in regions which had been islamized. This book represents 145 wooden and bronze art objects from private collections which have never before been published. They provide insight in the diverse art production of Northern Nigeria, demonstrating the existence of a rich sculptural tradition from Yelwa in the northwest to Yola in the southeast.


Central Nigerian Art Revisited Hb

Central Nigerian Art Revisited Hb
Author: Jan Strybol
Publisher: Stichting Kunstboak
Total Pages: 0
Release: 2023-04-10
Genre: Art, Nigerian
ISBN: 9789058567031

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- Jan Strybol examines the sculptural traditions of a number of peoples in central Nigeria. In addition to wood sculptures, he also pays attention to objects in bronze, iron, terracotta and other materials; art forms that have been very underexposed and have almost vanished In previous studies, Jan Strybol pointed out that - contrary to popular belief - sculpture flourished in northern Nigeria. Wood sculptures could be found just about everywhere, with the exception of part of the Far North. In this study, the author first examines the sculptural traditions of a number of peoples in central Nigeria, more specifically from the Jos Plateau and from the Middle Benue Valley to the source area of the Taraba River. These peoples can be described as non-centralized communities where art was mainly produced in perishable materials by part-time artists, in contrast to the centralized empires in the South (Ife, Benin) where full-time specialist sculptors created complex artefacts in durable materials (stone, bronze, iron). Perhaps the most familiar ethnic group in the Central Benue region to lovers of African art are the Mumuye. Since the end of the last century, as a result of the advance of world religions, the traditional rites of the Mumuye have rapidly disappeared and with them the Mumuye sculptural tradition so much admired in Europe and America. In addition to wood sculptures, Jan Strybol also pays attention to objects in bronze, iron, terracotta and other materials. These art forms have been very underexposed until now and have almost completely vanished. Finally, the author also delves into the artistic achievements of some little-known remnant groups within the Mumuye territory, which can boast of a rich art tradition.


Nigerian Images

Nigerian Images
Author: William Buller Fagg
Publisher:
Total Pages: 204
Release: 1990
Genre: Art, Nigerian
ISBN:

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Three Rivers of Nigeria

Three Rivers of Nigeria
Author: Marcilene K. Wittmer
Publisher:
Total Pages: 124
Release: 1978
Genre: Art
ISBN:

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Central Nigeria Unmasked

Central Nigeria Unmasked
Author: Jörg Adelberger
Publisher:
Total Pages: 0
Release: 2011
Genre: Art
ISBN: 9780977834464

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.".. accompanies an exhibition that opened at the Fowler Museum in February 2011 and will travel to venues in Washington, D.C., Stanford, and Paris"--Preface.


Modern Nigeria

Modern Nigeria
Author: Alex Egodotaye Asakitikpi
Publisher: Bloomsbury Publishing USA
Total Pages: 401
Release: 2024-01-25
Genre: History
ISBN: 1440865574

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Discover Nigeria, Africa's most populous country, in this thematic encyclopedia that covers everything from geography and economics to etiquette and pop culture. Part of Bloomsbury's Understanding Modern Nations series, this volume takes readers on a tour of contemporary Nigeria, helping them better understand the country and the many cultures, religions, and ethnicities that call it home. Chapters are organized thematically, examining a variety of topics, including geography, history, government, economics, religion, ethnic and social groups, gender, education, language, etiquette, food, literature and the arts, and pop culture. Each chapter begins with an overview essay, followed by a selection of encyclopedic entries that provide a more nuanced look at that facet of modern Nigeria. The main text is supplemented with sidebars that highlight additional high-interest topics. A collection of appendices rounds out the volume, offering short vignettes of daily life in the country, a glossary of key terms, statistical data, and a list of state holidays. Once a pawn of British colonialism, today Nigeria is a sovereign nation and key player on the world stage. Its vast oil resources have made it an international powerhouse and the wealthiest country on the African continent, yet political unrest and corruption, and ethnic and religious violence continue to threaten this prosperity. Nigeria is equally rich culturally, a nation where time-honored traditions mix with contemporary influences. Explore the diversity of modern Nigeria in this concise and accessible volume.


Bratschi Heinz (1925-?).

Bratschi Heinz (1925-?).
Author:
Publisher:
Total Pages:
Release: 1945
Genre:
ISBN:

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Sculpture of Northern Nigeria

Sculpture of Northern Nigeria
Author: Roy Sieber
Publisher: Hassell Street Press
Total Pages: 40
Release: 2021-09-09
Genre:
ISBN: 9781014696311

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.