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From Yelwa to Yola

From Yelwa to Yola
Author: Jan Strybol
Publisher:
Total Pages: 0
Release: 2013
Genre: Sculpture
ISBN: 9789042929036

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The ethnographic literature of the first half of the 20th century paid hardly any attention to the sculptural traditions of the numerous ethnic groups that populated Nigeria. The study of Nigerian art only really got going thanks to the pioneering work of William Fagg who published numerous books and exhibition catalogues on this subject as from the 1950s. The focus, however, was on the ancient art of Ife and Benin, on the one hand, and on the southwestern Yoruba, on the other hand. At the end of the sixties, a great number of wooden sculptures from the Benue Valley - a tributary of the Niger River - came to light. Statues and masks of the Igala, Idoma, Jukun, Mumuye and others conquered the African art market. However, the more northern areas of Nigeria remained terra incognita for a long time. It was mistakenly believed that remnants of wooden sculpture could not be found in regions which had been islamized. This book represents 145 wooden and bronze art objects from private collections which have never before been published. They provide insight in the diverse art production of Northern Nigeria, demonstrating the existence of a rich sculptural tradition from Yelwa in the northwest to Yola in the southeast.


Sculpture of Northern Nigeria

Sculpture of Northern Nigeria
Author: Roy Sieber
Publisher: Hassell Street Press
Total Pages: 40
Release: 2021-09-09
Genre:
ISBN: 9781014696311

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Sculpture of Northern Nigeria (Classic Reprint)

Sculpture of Northern Nigeria (Classic Reprint)
Author: Roy Sieber
Publisher: Forgotten Books
Total Pages: 42
Release: 2017-07-25
Genre: Social Science
ISBN: 9780282565527

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Excerpt from Sculpture of Northern Nigeria Stylistically the masks and figure carving of the eastern Igala may be characterized by the use of black and white coloring and by the consistent device of depicting the facial area as flat or slightly concave. A similarity to the carving styles of the ldoma and the northern Ibo, and to some masks of the Afo, is evident. More field work needs td be done before it will be pos sible to piece together with any certainty the reasons for this similarity. Two days a year are set aside to pay respect to the spirits of the dead. These days, one in the dry season and one in the rainy season, are called Ote Egu (literally: drinks for the spirits) and all Igala masks then appear. In addition some of the masks have other, more specialized functions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Sculptures of the Nigerian Middle Belt

Sculptures of the Nigerian Middle Belt
Author: Jan Strybol
Publisher: Stichting Kunstboak
Total Pages: 144
Release: 2020-05-31
Genre: Sculpture, Nigerian
ISBN: 9789058566294

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Presents objects from private collections showcasing the wondrous variety of sculptures from the Nigerian Middle Belt The ethnographic literature of the 20th century focused mainly on the sculptural traditions of the numerous ethnic groups that populated Southern Nigeria while the more northern areas remained largely terra incognita. In 2013 Jan Strybol published a study on the sculpture of Northern Nigeria. He pointed out that in many parts of this region there are people who still had, at least until recently, their own sculptural tradition. In this study the author restricted himself to what is referred to as the Middle Belt and especially to the part between the Bauchi Plateau, the Gongola River and the Katsina Ala River. In 1974 Roy Sieber pointed out that, with a few exceptions, the people who were members of the Niger-Congo language family laid the foundations for the great African sculptural traditions south of the Sahara. However, the largest group of iconophile peoples in the Central Middle Belt of Nigeria is to be found in the Chadic branch of the Afro-Asiatic language family. In this book of objects from private collections the author shows the great variety of the sculptures of the Middle Belt. This study mainly deals with wooden figures but also contains four wooden masks and three bronzes. Text in English and French.


The Birth of Art in Africa

The Birth of Art in Africa
Author: Bernard de Grunne
Publisher: Vilo Publishing
Total Pages: 134
Release: 1998
Genre: Art
ISBN:

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This unique book presents sculptures from the Nok, Sokoto and Katsina cultures of Nigeria in fascinating detail. The terra-cotta statues, which date from 600BC to 300AD, are the oldest traces of the remarkable tradition of sculpture in sub-Saharan Africa. Varying in size from four-inch miniature amulets to monumental seated and kneeling sculptures, often of kings, priests or soothsayers, the statues also display the very rich variety of headdresses, beads, necklaces and bracelets that existed within these cultures. This book brings is a synthesis of the discoveries made since the groundbreaking 1977 study by Bernard Fagg. An essay on dating methods -- carbon dating and thermoluminescence -- provides the most recent results, as well as detailing new cross-dating techniques. A classification of poses common to the sculptures, and parallel photographic evidence of the continuing decorative tradition, enhance the academic value of this definitive work.


Central Nigerian Art Revisited Hb

Central Nigerian Art Revisited Hb
Author: Jan Strybol
Publisher: Stichting Kunstboak
Total Pages: 0
Release: 2023-04-10
Genre: Art, Nigerian
ISBN: 9789058567031

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- Jan Strybol examines the sculptural traditions of a number of peoples in central Nigeria. In addition to wood sculptures, he also pays attention to objects in bronze, iron, terracotta and other materials; art forms that have been very underexposed and have almost vanished In previous studies, Jan Strybol pointed out that - contrary to popular belief - sculpture flourished in northern Nigeria. Wood sculptures could be found just about everywhere, with the exception of part of the Far North. In this study, the author first examines the sculptural traditions of a number of peoples in central Nigeria, more specifically from the Jos Plateau and from the Middle Benue Valley to the source area of the Taraba River. These peoples can be described as non-centralized communities where art was mainly produced in perishable materials by part-time artists, in contrast to the centralized empires in the South (Ife, Benin) where full-time specialist sculptors created complex artefacts in durable materials (stone, bronze, iron). Perhaps the most familiar ethnic group in the Central Benue region to lovers of African art are the Mumuye. Since the end of the last century, as a result of the advance of world religions, the traditional rites of the Mumuye have rapidly disappeared and with them the Mumuye sculptural tradition so much admired in Europe and America. In addition to wood sculptures, Jan Strybol also pays attention to objects in bronze, iron, terracotta and other materials. These art forms have been very underexposed until now and have almost completely vanished. Finally, the author also delves into the artistic achievements of some little-known remnant groups within the Mumuye territory, which can boast of a rich art tradition.


Nigerian Art

Nigerian Art
Author: Cornelius Oyeleke Adepegba
Publisher:
Total Pages: 192
Release: 1995
Genre: Art
ISBN:

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