The Sculpture Journal
Author | : |
Publisher | : |
Total Pages | : 300 |
Release | : 2008 |
Genre | : Monuments |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 300 |
Release | : 2008 |
Genre | : Monuments |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 524 |
Release | : 1905 |
Genre | : Art |
ISBN | : |
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Author | : |
Publisher | : |
Total Pages | : 472 |
Release | : 1882 |
Genre | : |
ISBN | : |
Author | : Anthony Hughes |
Publisher | : Reaktion Books |
Total Pages | : 222 |
Release | : 1997 |
Genre | : Sculpture |
ISBN | : 9781861890023 |
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
Author | : Patrick Eyres |
Publisher | : Routledge |
Total Pages | : 197 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351549588 |
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Sculpture |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 434 |
Release | : 1873 |
Genre | : Art |
ISBN | : |
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Author | : Katharine Eustace |
Publisher | : Sculpture Journal (Liverpool U |
Total Pages | : 0 |
Release | : 2014-01-15 |
Genre | : Art |
ISBN | : 9781846318276 |
Britain's foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible--and richly illustrated throughout--Sculpture Journal is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.
Author | : Katharine Eustace |
Publisher | : Liverpool University Press - S |
Total Pages | : 0 |
Release | : 2011-10 |
Genre | : Art |
ISBN | : 9781846316463 |
Britain’s foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible and richly illustrated throughout, Sculpture Journal is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.
Author | : Sarah Burnage |
Publisher | : Routledge |
Total Pages | : 279 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351545833 |
The British School of Sculpture, c. 1760?1832 represents the first edited collection exploring one of the most significant moments in British art history, returning to centre stage a wide range of sculpture considered for the first time by some of the most important scholars in the field. Following a historical and historiographical introduction by the editors, situating British sculpture in relation to key events and developments in the period, and the broader scholarship on British art more generally in the period and beyond, the book contains nine wide-ranging case studies that consider the place of antique and modern sculpture in British country houses in the period, monuments to heroes of commerce and the Napoleonic Wars, the key debates fought around ideal sculpture at the Royal Academy, the reception of British sculpture across Europe, the reception of Hindu sculpture deriving from India in Britain, and the relationship of sculpture to emerging industrial markets, both at home and abroad. Challenging characterisations of the period as 'neoclassical', the volume reveals British sculpture to be a much more eclectic and various field of endeavour, both in service of the state and challenging it, and open to sources ranging from the newly arrived Parthenon Frieze to contemporary print culture.