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Sculpture in the National Archaeological Museum, Athens

Sculpture in the National Archaeological Museum, Athens
Author: Nikos E. Kaltsas
Publisher: Getty Publications
Total Pages: 412
Release: 2002
Genre: Architecture
ISBN: 9780892366866

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A superb catalogue of Greek, Hellenistic and Roman sculpture displayed in the National Archaeological Museum in Athens containing some of the finest art works of the ancient world. A short introduction provides the background to the Archaic period through to the end of Antiquity followed by the catalogue of examples classified by period and by type. With more than 700 photographs, this is a stunning visual record of art from the ancient world.


Sculpture in the National Archaeological Museum, Athens

Sculpture in the National Archaeological Museum, Athens
Author: Nikolaos Kaltsas
Publisher:
Total Pages: 375
Release: 2002
Genre: Architecture
ISBN: 9789607037275

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This catalogue contains all the sculptures on display in the National Archaeological Museum. Every entry is supplemented by a full bibliography and is written clearly so as to be readily understood not only by experts but also by the general reading public. A useful short introduction, written for non-specialists, offers readers an overview of ancient Greek sculpture from the Archaic period to the end of Antiquity.


National Archaeological Museum

National Archaeological Museum
Author: Nikos E. Kaltsas
Publisher:
Total Pages: 0
Release: 2010
Genre: Archaeological Museum of Greece
ISBN: 9789606878145

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This brief guide informs the reader about the collections of the National Archaeological Museum and the wealth and variety of its exhibits, which span the long history of the ancient world. Rather than giving detailed descriptions of the various items on display, it gives general information about all the collections, with an emphasis on the way they are presented in the rooms of the Museum. At the same time it illustrates works which are representative of each collection and which bear witness to the artistic quality and value of the exhibits in the largest and most important museum in Greece.


Power and Pathos

Power and Pathos
Author: Jens M. Deahner
Publisher: Getty Publications
Total Pages: 18
Release: 2015-05-24
Genre: Art
ISBN: 1606064398

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For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.


Greek Sculpture

Greek Sculpture
Author: Edmund von Mach
Publisher: Parkstone International
Total Pages: 533
Release: 2023-12-28
Genre: Art
ISBN: 1783107529

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Greek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection. It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature. Only a small part of the production of Greek Sculpture is known to us. Many of the masterpieces described by Antique literature are henceforth lost or badly damaged, and a large part, we know are copies, more or less skillful and faithful to the Roman era. Many have been restored by Western Sculptors, from the Renaissance to nowadays, and often in a meaning very different from the original work: a discobolous is thus turned into a dying gladiator, this god received the attributes of another, the legs of this statue are transplanted to the torso of this other one. “The soul of Greek Sculpture contains in it all sculpture. Its essential simplicity, defies all definition. We can feel it, but we can not express it. ‘Open your eyes, study the statues, look, reflect and look again,’ is the perpetual perception of anyone who wants to learn or know about Greek Sculpture.”


Supports in Roman Marble Sculpture

Supports in Roman Marble Sculpture
Author: Anna Anguissola
Publisher: Cambridge University Press
Total Pages: 282
Release: 2018-02-15
Genre: Art
ISBN: 1108307922

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Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.