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Sculpting Sententiae

Sculpting Sententiae
Author: Richard Schain
Publisher: Xlibris Corporation
Total Pages: 106
Release: 2010-06
Genre: Philosophy
ISBN: 1453510877

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SCULPTING SENTENTIAE An Art Form of Independent Philosophy contains 406 original "sententiae" (statements) plus a preface discussing why the author considers this type of philosophical writing to be an art form. It represents a radical departure from the contemporary university approach to philosophy as a scholarly discipline. Unlike discursive prose, sententiae do not entertain or support the reader on a flowing current of language. Here the mind does not analyze, it apprehends, it sees. If the ultimate purpose of art is the awakening of consciousness, the significance of a sententia is to be found in its ability to produce this awakening not only in the reader but in the writer as well. The sententiae in this work have been grouped in five categories: Philosophy and Religion; Philosophy Among the Ancient Greeks; Bourgeois Existence Today; The Philosopher as Artist; Bywork. An appendix with translations of the foreign language phrases is provided. The three essays included at the end were originally published in the electronic journal Philosophy Pathways. These are: Significance of the Sense of Holiness; The Problem and Promise of Consciousness; Fame - The Last Infirmity of the Noble Mind. These essays present in discursive prose many of the ideas that are more directly and succinctly expressed by the sententiae.


Interior Lights in a Dark Universe

Interior Lights in a Dark Universe
Author: Richard Schain
Publisher: iUniverse
Total Pages: 332
Release: 2012-01-27
Genre: Body, Mind & Spirit
ISBN: 9781469738420

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INTERIOR LIGHTS expresses a philosophy of interior self and a defense of metaphysical reality. The bulk of the book is composed of trechos (Port.), literary passages that contain the authors personal and philosophical meditations. Issues addressed include: what is a soul?, interior development through writing, bourgeois reality, metaphysical reality, and independent spirituality. From the books preface, Certain states of mind are required for a reader to gain something from this work. These are: 1) The ability to read slowly in order to reflect on unfamiliar or impolitic ideas, and 2) A sense of being at odds with society. The reader must feel the need to separate himself in some way from the world in which he lives. It is not for those who wish only to strengthen their position in it. 3) Most important of all, a reader must have a metaphysical sensibility. He or she must be aware that the material world is not all that there is and that there is a dimension of reality not experienced in our daily object-oriented existence. INTERIOR LIGHTS is essential reading for writers, publishers, literary agents, and all those interested in development of self through the writing process. M. Dreisbach, Ph.D., CSU Professor Emeritus of Education Your books are vivid and full of ideas. I quite agree with you that the world is in need of art and not historical scholars.... One can doubt everything but if one writes, one must be secretly a fanatic of ones mind. E.M. Cioran Richard Schain is a member of a small but significant group of independent philosophers working outside of academic philosophy. I believe that his writings serve as powerful testimony to the value of the life of the mind, and the perennial urgency of the questions of metaphysics. Geoffrey Klempner, D. Phil., Director of Studies, International Society for Philosophers; Editor, Philosophy Pathways


Thinking the Sculpture Garden

Thinking the Sculpture Garden
Author: Penny Florence
Publisher: Routledge
Total Pages: 251
Release: 2020-02-20
Genre: Architecture
ISBN: 0429576226

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This innovative book poses two, deceptively simple, questions: what is a sculpture garden, and what happens when you give equal weight to the main elements of landscape, planting and artwork? Its wide-ranging frame of reference, including the USA, Europe and Japan, is brought into focus through Tremenheere Sculpture Garden, Cornwall, with which the book begins and ends. Effectively less than 15 years old, and largely the work of one man, Tremenheere affords an opportunity to examine as work-in-progress the creation of a new kind of sculpture garden. Including a historical overview, the book traverses multiple ways of seeing and experiencing sculpture gardens, culminating in an exploration of their relevance as 'cultural ecology' in the context of globalisation, urbanisation and climate change. The thinking here is non-dualist and broadly aligned with New Materialisms and Material Feminisms to explore our place as humans in the non-human world on which we depend. Eminent contributors, including John Dixon Hunt, George Descombes, Bernard Lassus and David Leatherbarrow, approach these issues through practices and theories of landscape architecture; garden and art making; history and writing; and philosophy. Richly illustrated with over 100 images, including a colour plate section, the book will primarily appeal to those engaged in professional or academic research, along with sculpture garden visitors, who will find new and surprising ways of experiencing plants and art in natural and urban settings.


The Sculpted Word

The Sculpted Word
Author: Bernard Frischer
Publisher: Univ of California Press
Total Pages: 368
Release: 2023-11-10
Genre: History
ISBN: 0520312139

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This study of the recruitment techniques used by the philosophical schools of Hellenistic Greece. Bernard Frischer focusses on the Epicureans, who are of special interest because their approach was at once extremely passive and extremely successful. Unlike other philosophical schools, which depended primarioly on public lectures and books, the Epicureans avoided contract with the dominant culture and attracted members by erecting statues of Epicurus and their other master in public places. These iconologically rich, "sculpted words" appealed to teh very people most likely to be attracted to Epicureanism, those most likely to accept the philosophy of materialism, sensationalism, and the repression of feeling, and those who sought a way of life sperate from teh dominant culture. This book is an innovative application of an inter-disciplinary humanistic an social-scientific approach to ancient Greek philosophy and art. It will appeal to those interested in the history of these subjects and those interested in the sociology of knowledge and communication. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.


The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe

The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe
Author: Kirk Ambrose
Publisher: Boydell Press
Total Pages: 204
Release: 2013
Genre: Art
ISBN: 1843838311

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Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.


A History of Greek Sculpture

A History of Greek Sculpture
Author: Rufus Byam Richardson
Publisher:
Total Pages: 308
Release: 1911
Genre: Sculpture, Greek
ISBN:

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Heavily illustrated with small b/w photos of ancient Greek sculpture, including works by, & extensive information about, Myron, Pheidias, Polykleitos, Skopas, Lysippos & Praxiteles. Includes explanation of the Parthenon frieze.


"The Sculpture of Reform in North Italy, ca 1095-1130 "

Author: Dorothy F. Glass
Publisher: Routledge
Total Pages: 297
Release: 2017-07-05
Genre: Art
ISBN: 1351540580

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Entirely original in its methodology, this study offers a fresh approach to the study of Romanesque fa?e sculpture. Declining to revisit questions of artistic personalities, artistic style and connoisseurship, Dorothy F. Glass delves instead into the historical and historiographical context for a group of significant monuments erected in Italy between the last decade of the eleventh century and the first third of the twelfth century. In her reading, local culture takes precedence over names, context over connoisseurship; she argues that it was the cultural, intellectual and religious life of the abbeys of San Benedetto Po and Nonantola that provided the framework for the Reformist ethos of much of the sculpture adorning the cathedral of Modena. Glass argues that the monuments are deeply rooted in the concerns of the reform of the church, more commonly known as the Gregorian Reform, that these reform ideas and ideals were first fomented in monastic communities and then adopted by the new cathedrals built in cities that, freed of submission to imperial German rule, had recently rejoined the papal fold. The Sculpture of Reform in North Italy, ca 1095-1130: History and Patronage of Romanesque Fa?es moves scholarship beyond continuously reiterated opinions concerning style, attribution, chronology, origins and influence, instead opening new and fruitful lines of inquiry into the patronage and historical significance of these extraordinary monuments.


Greek and Roman Sculpture

Greek and Roman Sculpture
Author: Walter Copland Perry
Publisher:
Total Pages: 742
Release: 1882
Genre: Sculpture, Greco-Roman
ISBN:

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A History of Greek Sculpture

A History of Greek Sculpture
Author: Alexander Stuart Murray
Publisher:
Total Pages: 498
Release: 1890
Genre: Sculpture
ISBN:

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